Only the best, most interesting, and little-known films will be fully reviewed on here moving forward
Only the best, most interesting, and little-known films will be fully reviewed on here moving forward
It’s the most wonderful time… of the yeeeeearrr – but you’re probably sick to death of the same 20 ‘classic movies’ being played on mega-rotation on every TV channel? Here’s a rundown of the best Anti-Christmas movies for people who fancy something a little different this festive season.
Bad Santa: any such list that doesn’t start (or end) with this film isn’t worth reading. Billy Bob Thornton plays an alcoholic, sexually deviant Santa that uses his mall access to loot the place on Christmas Eve. It takes a slightly simple 8-year-old and a normal woman (with a Santa fetish) to show him the true meaning of the holiday – in a film that’s bursting with great characters and laugh-out-loud jokes. Adults only. (After years in development hell a sequel looks to finally be on the cards!!!)
Die Hard: not just a great XMas film, or Anti-Christmas movie, but one of the best films ever made. Period. It never gets old. It never gets boring. And you should never pass on an opportunity to watch it. Everything about Die Hard (characters, action, direction, script…) is solid gold. What’s more christmassy than watching an all-American action hero throw evil European shitheads out of exploding skyscrapers?!?!? Special mention to Die Hard 2; which actually has snow and shit.
Hostile Hostages / The Ref: In one of his earliest leading roles Kevin Spacey (in a precursor to Lester Burnham) and his cheating wife get taken hostage by a down-on-his-luck burglar, who winds up becoming their marriage counsellor. Sharp and snappy dialogue, entertaining performances (especially from the three leads), and a send up of the big suburban family Christmas make this a memorable festive outing.
Gremlins: set against the most Christmassy of small-town American backdrops, and hitting the ultimate sweet spot between comedy, festivities, horror, gore, and stupidity – Gremlins is one of the few festive films that everyone can enjoy. If you didn’t want a Gizmo for Christmas as a child please check in with a head-doctor, because you’re probably dead inside.
Kiss Kiss Bang Bang: Robert Downey Junior and Val Kilmer romp around L.A. in a Christmas Crime caper. The festive vibes are definitely more of an undertone, until Michelle Monaghan pops up in a saucy little Santa suit and gets her twins out – which, as a man, is probably better than any present you’ll actually get on the 25th. Weapon’s grade entertainment from two of Hollywood’s comeback kings.
Rare Exports (A Christmas Tale): a group of hunters come across a large burial site with a slightly familiar occupant. It’s all well-connected with festive mythology; set in the Korvatunturi mountains (the original home of Santa Clause – or ‘Christmas Goat’ as the Finnish so lovingly call him). However, it blends this with some horror, gore to fully shirk off the “jolly-fat old-guy-with-a-beard” image, big time.
A Very Harold & Kumar 3D Christmas: the one Christmas film you didn’t know you needed to see. This was one of the biggest surprises of 2011 for me – an upliftingly festive Christmas movie about two stoners looking for a replacement magical Christmas tree. Surprisingly funny, and equally offensive to every and all age/race/belief – this is hands one of the best modern Christmas films.
Jack Frost: A serial killer dies, but gets re-incarnated as a murderous snowman. Obviously, this isn’t the 1998 Michael Keaton ‘Jack Frost’. And even more obviously, this isn’t a good film by any stretch of the imagination – but you do get to see a bunch of comedy-horror deaths, topped by American Pie
boner heart-throb Shannon Elizabeth‘s movie debut, as a hot babe that gets humped in a shower… by a randy snowman, like a hoe hoe hoe. Two death scenes in this clip.
Black Christmas: one of the first true ‘slasher‘ movies, there’s something ace about the idea of a 18-rated gore-fest being centered around the most festive and upbeat of holidays. Violent, eerie, atmospheric – it’s still unsettling to watch today as the camera bobs in and out of the house, stalking each victim before they meet their grisly demise.
TrollHunter: The final third is very, very snowy and it’s got that magical fantasy vibe riff that defines the best Christmas films.
Cobra: set at Christmas. Although pretty much no mentions of it for the duration of the film.
Dumb and Dumber: Lloyd Chhistmas – duh!
The World is Not Enough: Dr Christmas Jones – who comes more than once a year. nudge nudge wink wink eh boys!?!? LOL.
Sex and Fury: “a butt-naked lady chopping her way through a gang of swordsmen in snow” (I’m not even trying now)
In Bruges: set over Christmas, but nothing much more than some symbolic snow. Any excuse to put this on a list really, you inanimate fucking object!
The Life of Brian: it’s not set at Christmas, but has a cameo from the main man himself, Jesus Christ.
OK – so you’re officially in to foreign cinema, and want to be a little more adventurous. Here‘s a is a list of foreign films that are suited to those looking to further explore the more engaging, unique, and interesting movies that other countries have to offer. These are ‘middle of the spectrum’ movies: they require more effort and attention than the previous list for beginners, but aren’t quite the ‘hardcore’ existential or often divisive films that need to be cryptically pulled apart.
This article also has an intentional modern bias. Most of he ‘Best foreign films’ lists appear to have been voted for, and compiled, by older people who only seem to watch a small and predictable list of films made before 1980. That’s utter bobbins, and completely pisses me off. Like music, art, or photography, there’s great things being created all the time. Apologies for the completely arbitrary number but I’ve been deliberating over this list for over three months.
Amores Perros (Love’s A Bitch – Mexico): three different lives brought together by a car single crash. An intricate, intertwined, and multi-layered drama that follows and connects a fashion model, dog-fighter and homeless assassin. This is a raw, authentic, and unflinching look different social classes in Mexico City. It’s 153 mins long, but packs in three fleshed out stories with overlapping themes of violence, family, and inequality. Despite being Alejandro González Iñárritu’s (Birdman) first film, you knew straight away he was someone special. Storytelling in its purest form. TRAILER
Sex and Fury (不良姐御伝 猪の鹿お蝶 Furyō anego den: Inoshika o-Chō – Japan): a highlight of the ‘Pinky Violence’ genre (think nudity and nunchucks). This is a refreshing combination of kick-ass female lead, breathtaking visuals, a historical setting, and a revenge story that leans heavily on crimson-splattered action set pieces. Put that all together and you’ve got a supremely high-quality exploitation film that is the blueprint for Kill Bill. Proof that ‘video nasty‘ / exploitation movies can be well-crafted and visually spectacular; beautiful and brutal in equal measures. TRAILER
City of God (Cidade de Deus – Brazil): an honest, visceral, and no-holds-barred drama that follows a group of kids in Rio favelas from childhood in the 1960s through to the 1980s, and how the city and its people changed. It got Oscar nods for direction, cinematography, editing, and writing, so you know it’s a well-made piece of cinema. With such an ambitious scope, and featuring mostly non-actors this was an enormous gamble, but it paid off big time, and has a legacy of one of the best
foreign movies ever made. Often referred to as ‘The Brazilian Goodfellas‘ – lets just call if GoodFavellas from now on? TRAILER
OldBoy (올드보이, Oldeuboi – Korea): an unrivaled tale of epic revenge. Everything about this film is exceptional. There’s a grand and intriguing story, meticulous direction, intense action scenes, a nice layer of humour, and the finale to end all movie endings. Every time I watch OldBoy it blows me away. It’s fantastic and cinematic but rooted in reality by sublime, career defining, performances. It sits perfectly in the middle of a trilogy, and you can’t go wrong with Sympathy for Mr Vengeance, or Lady Vengeance either. An original masterpiece that didn’t deserve a Hollywood, or Bollywood, remake – it’s arguably the best film from one of the world’s best film-makers. TRAILER
Together (Tillsammans – Sweden): Explores the life of an over-populated ‘hippy commune’ house in 1970s Stockholm. A micro drama about real people, that manages to be satirical, funny and poignant at the same time. The housemates are vegetarians, homosexuals, hippies, confused teenagers and alcoholics: basically a comedy scrip-writer’s wet dream. It sports a great ensemble cast, a masterful director coming in to his prime, and the happiest ending to a film I can remember seeing – Football and Abba. Between this and Fucking Amal, arguably Lukas Moodysson’s finest era. TRAILER
Infernal Affairs (無間道, 无间道 – Hong Kong): a powerful and simple concept – the triads have a mole in the police, and the police have a mole in the triads… who’s cover will be blown first? While on paper it’s technically a gangster/action film’s success rests on moments of high tension, drama and suspense; scenes where characters are just about to be made by the opposing side. The cream of H.K. actors push this single concept story from great to amazing. The Departed remake is a fantastic film, but this is still superior in every way. TRAILER
Persepolis (France / Iran): A coming-of-age story about a young, liberal, Iranian at the beginning of the strict Islamic revolution. Most reviews splurge on and on about how great this film looks – and this is true – but the biggest draw of Persepolis is the phenomenal story. It balances an interesting history of Iran, with the small-scale drama of how the regime affected individuals, free speech, feminism, art, culture… There are tragedies, shocks, and heart-warming humanity which make this an engrossing watch. TRAILER
Survive Style 5+ (Japan): it’s impossible to describe what this is like to watch – although this trailer should give you a rough idea. Imagine an intense dose of the West’s ‘crazy Japanese culture’ stereotype perception, but it just works! It’s five offbeat, stories set in a colourful, hyper-designed, pop-art, exotic, and garish world. It’s one of the maddest, most memorable, and most enjoyable films you’ll ever see. If you take cinema as a visual medium – this should be the holy text! The world needs more movies like this. A true one-of-a-kind – and I will be recommending this until the day I die. TRAILER
Headhunters (Hodejegerne – Norway): A Norway–Sweden joint venture based on a Jo Nesbo book – it doesn’t get more Scandy than this. The film translates well up to the big screen as a very tense suspense-thriller that only lets up during moments of comically graphic violence and ultra black humour; which give the audience a few seconds to catch up with their breathing. It’s well-directed, well-acted, well-written, and a great example of a smart, serious, dramatic yet darkly comic crime caper. Better than the best bits of the (original) Dragon Tattoo movies. TRAILER
A Bittersweet Life (달콤한 인생, Dalkomhan insaeng – Korea): a loyal mob enforcer’s life is thrown into disarray when he refuses his bosses orders. This is a meticulously directed film where, although quite minimal, every single shot in reveals something else about the characters or keeps the story’s momentum going. The performances are strong, and the action scenes are intricate, innovative and flawlessly executed. It’s the second Korean revenge film on this list, but where OldBoy is unique, daring, and rich – A Bitterswet Life is simple, stripped down, raw, and emotive. TRAILER
JCVD (Belgium): the ultimate anti Jean-Claude Van Damme movie where he plays himself, in real life, during a bank robbery where he reflects on his career. Although it flirts with self-indulgence at times, Van Damme turns in a sensational performance that peaks with a 6-minute long single-cut soliloquy with his heart on his sleeve. It’s an Oscar-worthy show from a man who most people believe can’t even act – and makes you wish he’d been offered more A-list roles. Probably the least accessible film on the list, but you’ll get the most from this if you’ve seen – or care for – other JCVD movies.
Pan’s Labyrinth (El laberinto del fauno – Spain / Mexico): while most of Del Toro’s work contains an element of duality this one is split between two contrasting settings; the harsh reality of Franco’s Spain circa 1944, and a wild fantasy underground labyrinth. The film is eerie but seductive; violent but captivating; and contains some big emotional punches. One of the main reasons this works so well is Del Toro’s background in SFX – the physical effects and CGI are masterfully blended to create completely immersive, and non-distracting settings & characters. Like other true auteurs (Besson, Chan-Wook, Almodóvar, Noe, Jeunet…) you always know when you’re watching a Guillermo del Toro movie, and Pan’s Labyrinth is his masterpiece to date. TRAILER
Paprika (パプリカ, Papurika – Japan): a genuinely fearless animation that explores technology, mythology, reality, iconography, dreams, and the psyche. A 50/50 mix of breathtaking & vibrant visuals paired with thought-provoking concepts – you could show Paprika to an intellectual or a toddler, and they’d both be captivated for the duration. It put’s Hollywood’s ‘Cartoons are for kids lol’ attitude to shame, proving that you can do ‘Miyazaki for adults’. As the strapline proclaims: ‘This is your brain on Anime‘. Where can I buy this drug? I want more! TRAILER
Europa (Zentropa – Denmark): Before he was all about controversy and pushing everyone’s buttons Lars Von Trier actually started out as a promising straight up director. Part of his ‘Europa Trilogy’, Europa is LVT at his finest, employing 100 years of cinematic techniques to make this 1991 film feel like a 1930s Noir classic; told through fractured, surreal, and dreamlike visuals. While it’s not a weighty story, imagery is king here, and there are buckets of it – leaving you to wonder why he went in for Dogma, and hasn’t really shaken off that visual style since. TRAILER
Drunken Master II (醉拳二, Zuì Quán Èr – Hong Kong): generally considered to be the one of the best Jackie Chan movies; and finishing with one of the greatest fight-scenes ever put to film, there’s a lot of grand claims that follow this picture. With a fairly weak plot, the film is completely defined by JC’s unique brand of entertaining slapstick, breathtaking, jaw-dropping, and highly innovative fight-choreography. He’s like Bruce Lee and Buster Keaton, but on better form than both here – mix it up with some unbelievably dangerous elements like fire-breathing, and hot coal stunts and you’re on to a winner. Most importantly, Drunken Master is great fun to watch. TRAILER
Y Tu Mamá También (Mexico): Alfonso Cuaron is third director of the modern Mexican boys club (with Iñárritu and del Toro). Before the technical accomplishments of Gravity and Children of men, he made this indie-spirited, passionate, and fiery road-trip movie about love, loss, sexuality, and youth. All three leads are fantastic, but whereas the very young Gael Garcia Bernal and Diego Luna went on to be Latino superstars, the female lead – Ana López Mercado – hasn’t worked since. A solid story, great performances set against a very interesting political background make this a genre-topping road trip to remember. TRAILER
Lives of Others (Das Leben der Anderen – Germany): in the final throws of the GDR (East-Germany) a Stasi police officer has to spy on a writer and his lover, but slowly becomes immersed in their lives. The best thing about the intentionally slow pacing is that it gradually sucks you in, more and more, until you’re completely gripped. Ulrich Mühe steals the show with a dialogue-light, nuanced performance as officer HGW XX/7; going from a cold and by-the-book interrogation instructor, to a complex and divided human being. The other cast members, especially Sebastian Koch, put in stellar shifts too. On paper this sounds like a non-event, but it’s as solid a drama / thriller as you could ask for. TRAILER
Only Human (Seres queridos – Spain-Argentina): a Jewish lady takes her new Palestinian partner to meet the family; naturally everyone’s dysfunctional. I know what you’re thinking: “that sounds like Meet the Parents!? #LOL”. It’s absolutely not, because this is actually smart, witty, and laugh-out-loud funny. Although the story hinges on an intense political divide this film is as apolitical and innocent as they come – it almost feels like a ‘classic’ comedy; playing heavy on stereotypes, slapstick and some black comedy elements. My biggest complaint about Spanish cinema is that it’s usually over-dramatic, but it works perfectly in here. TRAILER
Please leave your film suggestions and reasons in the comments.
I’ll hopefully have enough to create a follow-up post – which would credit your entry and link back to your website.
Remember though, these are NOT the best foreign films per se, but the best ones for helping people explore the more interesting movies in world cinema.
Steven Seagal: Nothing breaks my heart more than seeing good actors in shit films for a quick buck. However, I never experience more intense bouts of simultaneous anger and apathy than seeing Steven Seagal‘s latest releases. Seagal shot to fame in the 1980s with a rapid bout of mainstream action films; Nico (AKA – Above the Law), Hard to Kill, Marked for Death, Under Seige… While none of them were ‘Best. Movie. Ever’ status, they were all quite enjoyable but – most importantly – fitting for the time. Not one to let past glories fade, if you pick any point over the last 30 years I bet that SS was working on the same old hackneyed one-man-army B-Movie action film.
There’s not much else that Seagal hasn’t dabbled in: directing, producing, writing, choreography, he’s got a blues band with two albums, he’s a Reserve Deputy Chief with his own ‘reality’ TV show (Steven Seagal: Lawman), he has released his own therapeutic oils and an energy drink (‘Steven Seagal’s Lightning Bolt’), aftershave (‘Scent of Action’), knives, and is in the process of designing his own gun with ORSIS rifles.
Verdict: I don’t really care that he has a bunch of dodgy lawsuits, or is friends with Putin, or still tries to convince everyone he’s a total badass (Video)… What bothers me about Seagal are his crimes against cinema. His films are literally all the same. He’s always an Ex-Black Ops / Mercenary / Hitman. He’s never in danger. Every synopsis is the same. And practically every poster & DVD cover is identical: his big face – usually close up – with an equally massive gun, pulling a ‘badass‘ pose. Even the titles are impressively unimaginative like “Ultimate Revenge”, “Out For Vengeance”, “Retribution Overload”, “Payback Force”, “Explosive Justice” or other such nonsense.
Justice Genius or Arsey Ryback – YOU DECIDE!
Have you always wanted to give foreign films a try but don’t know where to start?
There’s something for everyone in the ‘world cinema’ section of any shop – you just need to know what to look for. Foreign films aren’t all 4 hour-long arthouse softcore snooze-fests; although there are some… The only advice I would give to first-timers is to avoid dub-tracks at all costs and go straight for the subtitles (voice acting is generally stale, lips are out of sync, you lose the performance, and famous voices can distract you)
Below is a list of ‘Entry Level’ movies to get you started. There’s nothing too heavy on dialogue or ideas. These are ‘gateway’ movies to show that there’s an alternative to Hollywood’s churn-and-burn franchises. Some of the choices may seem obvious, but this list is aimed at absolute beginners. Most similar lists I’ve seen seem to stop at around 1970 listing ‘classic after ‘classic’; which aren’t necessarily the most accessible movies for novices.
The Raid (‘Serbuan Maut‘ – Indonesia): imagine an action film where pretty much the entire runtime is nothing but bone-breaking, innovative, and mesmerising fight sequences! An action film that delivers on real, physical stunts and traditional fighting & filming techniques! An action film that says no to overblown and unnecessarily cheap-looking CGI, and gratuitous back story of 1D characters. The Raid (and The Raid 2) are movies that don’t disappoint. TRAILER
Run Lola, Run (‘Lola Rennt‘ – Germany): A simple concept played out three times, in a variety of frenetic, stylish, and a adrenaline-pumping ways. The plot follows a girlfriend’s attempts to bail out her debt-ridden boyfriend before his lenders send him to sleep with the fishes. You could watch this and think about free will, chance, the butterfly effect etc – or you can sit back, switch off, and let it hypnotise you. Bright, poppy, and with a pounding dance soundtrack, this plays out like an elongated music video. TRAILER
Hard Boiled (‘辣手神探‘ – Hong Kong): So you love the iconic gun fights from films like Face/Off, The Matrix, and Shoot ‘Em Up – awww, that’s cute. How about some genre-defining gunplay complete with doves, explosions-ahoy, and slow-motion bodies flying in all directions – delivered by the master of infinite-ammo action, John Woo. This is the peak of the ‘Heroic Bloodshed’ genre of action; basically kung fu but with guns. The final hospital shootout is among the best action scenes ever filmed. TRAILER
Love me if You Dare (‘Jeux d’enfants‘ – France): Love stories, meh, I’m not usually a fan – but here’s one that’s quirky, cool and doesn’t star Zooey Deschenel (WTF, France?!?). It follows two best friends from children to pensioners as they struggle to be in the right place at the right time for their life-long love to truly work out. Any film this poetic, stylish and charming – to the point of warming your heart – could only be French! TRAILER
The Good, The Bad, The Weird (좋은 놈, 나쁜 놈, 이상한 놈 – Korea): one of Korea’s best directors, and a handful of the country’s biggest stars in a story about three outlaws trying to find ancient treasure before the Japanese Army and other bandits. This is a fun historical romp that entertains for the duration, like an Indiana Jones film. It’s an Italian-style spaghetti western, with Hollywood sensibilities, but still remains a very ‘Korean’ feeling movie; combining some of the best aspects of 50 years of ‘world cinema’ together perfectly. TRAILER
Timecrimes (Spain): Whilst on vacation with his wife everyman Hector sees a lady undressing at the edge of his property, which sets off an elaborate chain of events. Here’s to the high–concept, low-budget time–travel film with no SFX! It’s hard to say more without ruining the film, but this one stands out for being completely rooted in the real world; the characters feel human, the baddie fumbles around, the settings are banal but creepy. Simple, clever, and effective. TRAILER (contains spoilers)
The Street Fighter (激突！殺人拳 – Japan): when he refuses to kidnap a billionaire heir for the Yakuza, they try to kill the street fighter – which turns out to be a terrible decision for all involved. This is the first movie to get an R rating for violence alone, a major influence of a Mr Tarantino, and while it’s not as shocking as it would have been 40 years ago, it’s still a brilliant Martial Arts movie. It’s also been deemed important enough to be made available for free on the public domain (LINK) TRAILER
Trollhunter (‘Trolljegeren‘ – Norway): mock–documentary following an old school troll-hunter (mythical ones, not internet trolls) as he helps keep these magnificent beasts hidden from the unsuspecting public. This one’s a dead-pan slow-burner that packed with loads of tiny details about trolls and their mythology. The central character is played superbly, taking his job very seriously, which engages the viewer. Great black comedy / fantasy satire. TRAILER
Ring (Ringu – Japan): You know the drill; after watching a cursed VHS you get a phone call saying “you gonna die lol”, and you spend your last week in a pants-shittingly terrifying nightmare scenario. A victim of its own success, having being parodied everywhere, it’s easy to forget how scary this film is; it’s broody, atmospheric, restrained, and genuinely terrifying. The haunted mother of the J-Horror genre, which kick-started the trend of (usually botched) Asian horror remakes. TRAILER
MicMacs (‘MicMacs à tire-larigot‘ – France): after losing his dad to a landmine, and being hit by a stray bullet Brazil sets out to take his revenge on the two weapons manufacturers responsible. Despite being a sharp commentary on the arms industry the title translates as “non-stop shenanigans”, and that exactly what this is. A fun take on the classic ‘revenge’ story, this is from French visionary Jean-Pierre Jeunet; who somehow manages to capture surreal and dream-like worlds perfectly – and manages to make this modern film look and feel like a Golden Age classic. TRAILER
Please leave your film suggestions and reasons in the comments.
I’ll hopefully have enough to create a follow-up post – which would credit your entry and link back to your website.
Remember though, these are NOT the best foreign films per se, but the best ones for introducing people to world cinema.
If you know any metalheads you’ve probably seen a few links spreading through social media about “The best band you’ve never heard of”. Here’s a brief rundown of the band, and their best songs for you to enjoy.
TL;DR – If you even remotely love Metal, and are open to other genres sneaking in this is absolutely a band you must try.
Listening to Maximum the Hormone is an experience that no other band comes close to. While you’d probably have to class them as a ‘Metal’ / ‘JMetal’ outfit, playing one of their discs is like sprinting through a music store, listening to as many genre sections as you can cram in to four minutes; everything’s covered, from funk and thrash through to pop and ska.
Most other genre-crossing bands usually stick to one combo – the burgeoning Dance / Metal genre being a popular one (Nine Inch Nails, Rammstein, Mindless Self Indulgence, Enter Shakari etc) – but where MTH stand out is that they do a whole raft of styles, yet they never come across as gimmicky or ridiculous; the switches between styles are all seamless, and ultimately it makes them impressive and admirable to listen to – it also helps that singing duties are split over three vocalists (One screamer, one rapper and a pop singer) and backing vocals done from the fourth.
Their ‘sound’ is massive; huge, broad and accomplished production that’s evenly split over all frequencies. Whereas most rock bands dial guitar and vocals to 11, the MTH bassist is their main producer, which helps to emphasise the lower range and rhythm tracks. It’s amazing what your ears can pull out of a well-mixed song!
The true beauty of their music is that their songs are packed full of great riffs (from a rock/metal perspective), yet they do justice to all of the genres mentioned above, and many more. Below is a whistle-stop tour of one of the best (Metal) bands in the world, and one that are criminally under-rated – alongside Hot Action Cop, Phil X and The Drills and Danko Jones.
Koi No Mega Lover – I’d happily put this down as THE best Metal song of the 00s. This has everything that makes the band great: pop-hook vocals, crunching metal riffs, super-tight bass/drum rhythms, and a genre-bending structure. You just can’t help but be uplifted by the greatness of this track – and that’s without even understanding a single lyric. It’s way over five minutes long, but always seems to finish too quickly. (Bonus: Fake subtitle version)
Uehara~Futoshi~ (Apologies for the terrible Anime video) Named after the bassist, this song is raw, fast, angry and bassey, and with one of the most stand-out bass licks since Rancid’s Maxwell Murder. At 2:36 long, it’s one of the band’s shorter tracks, but it doesn’t half pack a punch. Sounds like RHCP in parts (if they were actually good). Signature pop/slap funk bass playing.
Buiikikaesu – a great album-into track that tries its best to prepare you for the rest of the album. It lulls you in with a soft – unassuming – guitar riff, then clobbers you over the head with a wall of Nu-metal riffage, rap rock, slap bass, and pop chorus. This is primal MTH, going from 1-100mph in 5 seconds.
Bikini. Sports. Ponchin’ – Split in to several contrasting parts; starting at Emo/Metal with some screaming, an angry rock pre-chorus, which bursts into a disco-inflected funk chorus and middle-eight. On paper a song like this should be terrible; but as MTH prove over and over, any genre can be combined with metal.
A L I E N: sitting at the more extreme end of the spectrum. This one begins with thrash, nosedives into death/grind metal before pulling off one of the most powerful jumps into some bass showboating and short-lived rock riffs that most bands would regurgitate for a full five-minute entire song. Unfortunately, the end of this one digresses to a simple, repetitive power-pop chant for 2 minutes. Still, worth watching for the bizarre video alone.
Rokkinpo Goroshi: another absolute knockout of an opening track. This uses an Asian scale (and some old gongs) to let you know for sure that this is a metal band from the Far East. Twisting between rock, metal
Louisiana Bob: (another poor anime vid) If you ever wanted to here how some crunchingly good, full-bodied, rock production, then this is your track. Metal vocals, rock riffs, rhythmic breakdowns and pop chorus – you know the drill by now.
Chu Chu Lovely Muni Muni Mura Mura Purin Purin Boron Nururu Rero Rero: (again, rubbish video). Classic retro, almost ‘heavy surf rock’ bubblegum chorus hook. But being MTH it’s followed up with some coarse vocals and crushing riffs.
[Remotely decent video unavailable]
My Girl: no, not that one, although it is slipped in right at the end. One of the more steady and straightforward metal tracks in the band’s canon. A good sound mix, catchy vocals and the ‘headbangability’ make this one an instant classic.
Think of the most powerful movie scenes you can remember? The scenes that shocked and grabbed you. The moments that punched you in the gut. The takes that made you fall in love with Cinema. My guess is that they’re not from a kids film?!?!? For me, there’s something more raw, powerful and hard-hitting about the scenes and themes in 18-rated film that lesser certificates fail to match. Despite this, it feels like there are almost no 18-rated movies being released in the UK any more.
In Britain we have the following certificates for cinema-screened movies, issued by the BBFC (British Board Film Classification)
U: Universal – everyone can watch
PG: Parental Guidance
12A: Children under 12 must be accompanied by an adult
15: Fifteen years and older
18: Eighteen years and older
Between 2003 and 2013 the number of films released in UK cinemas jumped from 587 to 994; a raise of 59%. U-rated films went from 60 (10% of all films) to 127 (13%), 12A went from 153 (26%) to 321 (33%) yet the number of 18-rated films has gone from 56 (9.5%) to 68 (6.8%). Of the 28 UK box office number 1 movies this year so far, only one – The Wolf of Wall Street – was an 18; and the last 18 before then was Dredd back in September 2012.
In reality, most of what comes out would be broadly categorized as either kids/family films (PG/U), teen/comedy films (12A), and thriller/horror films (15-18). Despite this, distributors seem hell-bent on cutting 18s down to 15s, 15s down to 12As, and 12As down to PG. It’s frustrating because you pay good money to see a film that’s been censored by the distributors to maximize the bums on seats – but the studios release the DVD as the higher certificate anyway.
Most notoriously, The Hunger Games dropped 7 seconds of ‘gore’ to limbo under the 12A bar. Doesn’t sound bad? Think how much more powerful it would have been with a little bit of blood or some realistic swearing in there! I zoned out of the ‘fighting’, as you saw someone hack into an opponent, and raise their weapon which was clean and shiny. Rubbish! Sure, it didn’t have to be another full-blown Battle Royale, but don’t sanitise it this much – at the end of the day, it’s kids killing kids!
A Good Day to Die Hard was another movie that was intentionally cut from a 15 to a 12A – by removing some violence and swearing. This is a franchise that started life as a genre-topping hard-18 action thriller, which has been diluted down to a family-friendly romp. You know what I say to that? “if you’re not a part of the solution, you’re a part of the problem. Quit being a part of the fucking problem!!”
These films aren’t alone – Jack Reacher lost some violence to drop from a 15 to a 12A. Woman in Black was a 15 that got trimmed down to a 12. Robocop & Total Recall, both originally ultra-gory 18s were re-made as 12As. Machete was an 18, Machete Kills – 15… I’m sure you get my drift
But it’s not all bad news. Nebraska last year should have been a 12A, but for the term C*cksucker being deliberately left in by the director – Alexander Payne, step up and receive your bravery medal. And then there’s Airplane! A film that has been a PG for over 20 years, but was recently has been uppded to a 12A for the sexual references – I guess I picked the wrong day to look up film certificates.
Where did all the brash, bold, action-packed, risqué, sexy, and ballsy film-making go? And why the fudge are the Jackass Movies all rated 18?!?!?!?!