Tag Archives: bitchslap

Catfight: after losing touch in college former friends – a struggling artist and a trophy wife – become bitter rivals, and find their lives changing dramatically at the hands of each other. This is an interesting film in that it’s the type of movie that doesn’t really get made anymore. It feels like something from the early 2000s: quirky and eccentric “Woody Allen style” New York caricatures coming together in a semi-absurd plot that could have come from someone like Todd Solondz or Larry David. It’s also refreshing in that you don’t often get to see female actors in this age bracket lead a movie. Both Sandra Oh and Anne Heche get to chance to showcase their fine acting chops – playing irritating characters, but making the most of the comedy in the script through their respective stereotypes. The film’s performances complement Tukel’s unique directorial voice and style, although his ability to craft and capture so many deadpan scenes, wry cameos, and absurd lines is what shines the brightest – this absolutely smashed through the six-laugh test. Where the movie fell down for me was that it took a lot of swipes in the background at American culture, the U.S. government, foreign wars, inequality, topical Television shows, etc… This felt like easy – even lazy – targets for a film with this much promise and talent, and distracted from the central rivalry. The three prolonged ‘slobber-knocker’ fights also push the film momentarily from comedy & satire into a cartoonish farce: the hits are too big, with ‘wooshing’ & ‘crunching’ sound effects that become ridiculous, and the sequences feel much longer than they needed to be – although the film is called Catfight…. Catfight feels genuinely refreshing – coming through in an time where the majority of movies feel more like ‘safe investments’ designed by committee, that actively avoid taking any risks. This feels unique, original, fresh, and although it doesn’t land every punch, it’s is more than funny enough to remain entertaining for the duration.

Score: 7/10

Hatchet

December 21, 2016

Film Reviews

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Hatchet: a boatful of tourists go on a haunted swamp tour and end up coming face to face with a local superstition… the murderous Victor Crowley. There’s some strong horror ancestry in here; Kane Hodder (Jason/Leatherface) is the main baddie, with Tony Todd (Candyman/Final Destination) and Robert Englund (among others) popping up in cameo roles. Even though this is the kind of sloppy horror premise you’ve seen a thousand times before Hatchet is different in that it’s very well made: it’s brilliantly lit, boasts supreme gore FX & inventive deaths, and has a cast full of good performances. It takes everything that people love and expect from a slasher film and turns it up to eleven: e.g. you don’t just get to see one pair of boobs, but are treated to entire line-ups of Mardi Gras waps. It’s also got a cool comedy/horror vibe in that if it wasn’t for the brutal ultra-graphic moments of cartoonishly over-the-top deaths, the film would probably be a 12A, as it’s overall quite playful and funny; the wannabe actresses in particular provide more than their fair share of the LOLz. There’s also a beautiful ‘classic’ orchestrated soundtrack that wouldn’t be out-of-place in something like Indiana Jones. Everything comes together nicely to create a movie that’s surprisingly hard to describe or define, but is undeniably fun… it’s not quite a parody, and it’s definitely not a kids film, but it’s a rip-and-roaring “Old School American Horror” – and for once, a slasher that lives up to its tagline.

Score: 7.5/10
B-Movie Score: 9/10

Danger 5

March 2, 2015

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Danger 5 (Season 1): a team of Allied super-spies are tasked with stopping Hitler’s various advances in a 1960s interpretation of WWII. With a premise like that, you’d expect the show to be a little bit mental… and it is. The plot lines and characters are insane: it’s a show where a jazz improv band of white-suited apes fighting Nazi dinosaurs & reptiles isn’t just normal, but somehow funny. About half of the major characters have massive animal heads, and nobody seems to speak the same language… but you just roll with it. It has a very unique ‘tapey’ aesthetic, with grain, bad dubbing, Gerry Anderson style miniature sets (locations & action set pieces) and a 60s style surf rock soundtrack – it’s 100% kitsch and kampf. On a comedy level it’s very strong, with good loads of one-off belly laughs, and some cracking running gags like cocktail recipes, Hitler jumping through windows, bad food analogies and bizarre product placement. Although the first few episodes are the strongest the show is consistently funny. Danger 5 is what happens when you draw from a bunch of great TV Shows like Archer, Thunderbirds, The Young Ones (and throw in a pinch of Iron Sky). If you’re after a raunchy, risqué, alternative / subversive comedy packed with b-movie gore, sexy damsels, and – most importantly – laughs by the truckload, look no Führer than this. Pure cult TV that will undoubtedly snowball for years to come.

Score: 9/10

Episode Titles

I Danced For Hitler

Lizard Soldiers Of The Third Reich

Kill-Men Of The Rising Sun

Hitler’s Golden Murder Palace

Fresh Meat For Hitler’s Sex Kitchen

Final Victory

Versus

May 27, 2013

Film Reviews, Japan-O-Rama

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As part of JAPANORAMA I have been inviting my movie-reviewing peers to join in. This post is from Brikhaus over at the fantastic Awesomely Shitty. I love the site because it’s not afraid to stick the boot in and dissect anything and everything that the masses are generally scrambling over each other to fawn over – from Django to the Academy. Today Awesomely Shitty takes on Versus, a low-budget cult zombie flick. You can see the full review here, and follow on twitter @awesomelyshitty.

Versus (-ヴァーサス- Vāsasu): Versus is a bizarre, nonsensical movie. It’s a super low-budget cult film featuring cops, gangsters, shootouts, samurai, zombies, martial arts, karate zombies, sword fighting, and demons. It’s like the director grabbed a list of “cool shit” from the internet, and mixed it all together, hoping it would work. And depending on your point of view, it either totally works, or is a complete fucking mess. The movie has an odd tone somewhere between serious and wacky. I suppose if Versus had played it straight, nothing would work. The whole thing is just too goddamn crazy. The closest thing I can compare it to is Evil Dead II. The zombies are a mix of traditional lumbering zombies, and other zombies who can shoot guns and know karate. I can’t think of any other movie where you can see zombies shooting machine guns, or humans roundhouse kicking zombie heads off. At least it earned a few points for originality. At 2 hours and 10 minutes, Versus definitely overstays its welcome. Some of the fight scenes seem endless, and when they aren’t fighting, the movie sucks so hard you wish they were back to fighting again. It’s an endless cycle of shit. Versus is a hard movie to rate. I enjoyed the karate zombies and weird sense of humor. I also enjoyed the well-choreographed fight scenes. However, the movie drags at times, and it way too long for its own good. I’d say it rounds out to be an average watch. Good to watch drunk, but not otherwise.

Score: 6/10

An old review of Versus from this site can be found here.

Drive

October 5, 2011

Film Reviews

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Drive: Follows a professional stunt driver (moonlighting getaway driver) as he makes a unique connection with his neighbour, and her criminal husband. This is a fascinating mix of raw drama and the most brutal violence you’ll see all year. Gosling is phenomenal; with so few lines (but when he speaks, he means it) this could have gone pear-shaped but his entire body tells so much more about the methodical, isolated driver character than any script could. The rest of the cast do well to keep up, except Ron Perlman, who is, as always, categorically pants – at least he’s consistent! What’s most apparent is that the film’s meticulously put together; tension levels are unbearable in parts (opening 15 will blow you away), music’s memorable and used effectively, general ambience is great, and it’s stylishly filmed yet maintains a painfully indie vibe – you couldn’t really ask for more in a film. Hopefully, this will have a bigger longer life in DVD players than the two-weeks it appears to be getting in most cinemas.

Score: 8.5/10

The Disappearance of Alice Creed

August 11, 2011

Film Reviews

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Alice Creed: Two men kidnap a woman and demand a ransom from her wealthy father. This is the very definition of a ‘tight’ film; 3 actors, handful of locations, and a simple story that’s jam-packed with universal drama – it doesn’t get more basic than this. All three actors are great, but I can’t help but feel that the more seasoned Marsan was upstaged by both youngsters. Special points to Arterton, who is still on her way up, but isn’t afraid to appear in a risky film like this. The story – and its development – are both strong, aided by a few tasty reveals; the ending’s also solid, and keeps you guessing. The opening 10 minutes is bizarre with almost no dialogue and a very, very unsettling vibe. Alice Creed is a fantastic ‘little’ gem packed with more drama than most blockbusters – just stay away from any more reviews (almost any plot info would be a spoiler) and capture this for yourself!

Score: 9/10

The Secret In Their Eyes

July 21, 2011

Film Reviews

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The Secret in their Eyes: A retired policeman turned struggling author digs through an unsolved murder case. This starts epically slow, with the first hour culminating in a pedestrian ‘whodunnit’… The most annoying aspect is that for a murder case, it’s full of the worst clichés like unknown people in pictures and a reliance on memories and unturned stones (poor police work first time round!!) There’s some technically stunning shots, like the aerial/football ground take, but this is karma’d out with the worst SFX team in history and the awful rubbery skin used to convey ageing. A handful of quirks and jokes lighten it up a bit and push the film along – letter A missing, telephone answering gag, door being open/closed etc. While it’s technically sound and reasonably well acted – this is way, way off of the greatness mark – with the final product being two long, slow, boring and non-captivating hours. Poignant, but pointless.

Score: 3/10

The Lincoln Lawyer

March 25, 2011

Film Reviews

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The Lincoln Lawyer: follows a defense attorney that will represent any scumbag if the money’s right, but his latest case isn’t all it seems. First off, this is way, way better than the trailer makes the film look. Being based on a successful novel, the story’s rock solid, and stands up to the best court-based dramas out there at the moment (i.e. The Good Wife). There’s plenty interesting developments as the story moves forward. It’s also quite slick and really well made; the standout shot being the long revolving one in the courthouse. From out of nowhere McConaughey’s is excellent as a streetwise southern lawyer and Phillippe rises to the challenge with an equally believable performance. It’s a little slow in the 3rd quarter, and could have probably done without the last 15 minutes (everything after the major verdict) but hey ho, it still works well. Sack the casting director too; putting in two of the three most obvious latino typecasts working today. I was pleasantly surprised walking out of the cinema after this, well worth your time if you like your legal-flicks, topped off with a superb bluesy/R&B soundtrack.

Score: 7/10

The World Is Not Enough

January 26, 2011

James Bond January

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The World is Not Enough: [Spoilers] when an oil tycoon is assassinated 007 is sent to protect the endangered daughter, a former hostage to one of the world’s most wanted men. After some success on the protecting front, Bond gets to the bottom of a scheme that will… erm… jack up the price of oil… (Note: villain aspirations were quite low in 1999, with Y2K getting all the attention)

Super mega cool submersible jet boat!!

Another Brosnan film, and another absolutely outstanding opening scene & mini-mission; Spanish bank robbery followed by MI6 bombing then the most ridiculously cool and insane boat chase ’round the Thames, over some streets (still on the boat!), wrapping up at the Millennium Dome.

Hot chick with a leather jacket and grenade launcher... <"blowing away" joke>

We sadly say goodbye to Q who, after the token gadget-based verbal jostle with Bond, Q says “always have an escape plan” and disappears before our eyes. While I may sound pathetic, this was hands down the most emotional and moving scene of the entire series for me (Sorry Mrs Bond). Not only is it’s laden with ‘he’s going to die soon’ overtones – he literally sinks into the ground – but it reminds you that Q has had the best relationship with every 007 for over 35 years and played a crucial part of Bond’s survival in at least 17 films. Q branch isn’t let down here, with some awesome gadgets like the X-ray specs, BMW, credit card lockpick, grapple watch and Q-boat!

One of 007's only friends (that didn't get killed)

Brosnan‘s still on a winning streak here, much aided by a whole lotta of shots of him pointing guns at people and looking angry and/or displeased. We also see Bond properly, and semi-convincingly, injured for the first time ever with a gammy shoulder for the film’s duration (although he did fall about 150 feet!). Most infuriatingly, Bond once again falls for the his one weakness, the oldest trick in the book, and the one thing that continually lands him in trouble… a vagina. If he carried out his job professionally he wouldn’t end up in so many perilous situations!!! (Although a procedural Bond movie would be pretty shit.) How many times has he been betrayed by a chick now!? Really?!

BOOM! Chestshot!!! Right in the tits!

The supporting cast and characters are such a mixed bag here. Robert Carlyle and Denise Richards seem to turn up and sleep through their scenes; sure they’re both vaguely memorable / strong / smart but they lack any presence. The character Bullion (Goldie) feels like his agent managed to sneak him in last minute, and no other henchmen do anything worth noting. On the upside Coltrane goes out in style as Bonds love-hate Russian contact, and Elektra King is played so, so well – Marceau’s beauty, strength and damaged background make her the perfect siren.

Another chick with a gun... someone in production must have a fetish

Other decent touches in this are the hypnotic oily credits, banking Pun-O-Rama, stereotype of ‘Bonnie Scotland’, “strictly plutonic”, “Christmas comes once a year” (Boom, Boom, Chiii!), classic nuke disarmament ultimatum, and Bond jumping from a normal house and landing in a submarine dock!!! There’s also a clear taste for new modes of transport: para-hover-sledge, mini super boat, pipe inspection pod, and the chopper chopper.

All aboard the tube! Next stop, nuclear warhead.

Even though you can’t fault the technical elements of most of the Bond pics, this one’s shot and framed particularly well. While it’s a good film, has a pretty interesting story and is well put together, this one feels like it’s missing some mojo and coherency. So many scenes feel gratuitous (let’s fly to somewhere snowy to have a ski-chase / let’s go to a casino so you can wear a tux…). Despite some great twists and cool bits it just seems flatter and more lifeless than the previous few outings.

Score: 6/10

Bond's actual nemesis in this film... EXPLODING SNOW!?!WTF!!!!

TOP TRUMPS
Villain: Anarcho terrorist thug with a headache and no feelings. 6
Henchmen: Skinhead Russians x100 / Gold-toothed Bullion / DREADful Gabor. 3
Bond Girl: Assassin – Cruz-esque. Elektra – foxy siren. Denise Richards – Lara Croft entrance/ purple dress – smocking – 8
Action: Opening 10 mins, ski chase, nuclear bunker fight, caviar factory, submarine fight. 5

Goldie looking a bit rapey in the background...

Elektra looking a bit rapey in the foreground

For Your Eyes Only

January 17, 2011

James Bond January

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For Your Eyes Only: Bond is sent to stop the KGB from buying a stolen device that can control nuclear missiles in the British Navy submarine fleet – ahhh, back down to earth with a Cold War plot!

Despite pumping half the world Bond clearly still hurts over Teresa

Opening up with Bond visiting Teresa’s grave is a great touch, reminding the audiences about James’ backstory, and adding more depth to Bond than a dozen soliloquies could. It’s the first of many OHMSS vibes coming out of For Your Eyes Only: Teressa Bond, Ski Chase, Blofeld, Trying to save a woman on the beach…

Blofeld with his remote controlled chopper

After the initial burst of promise we cut to the unbelievably terrible Blofeld / Helicopter scene, which is just beyond ridiculous, random and feels so out of place. The last time we saw him, he was slammed into the middle of an oil-rig control room mid-explosion!

Astin Martin, Bentley, Lotus, Mercedes... Citroën 2CV.

Carrying on with the absurd we get one of the worst (comedy) car chases of the series with the yellow Citroen car and a downhill chase in the Mediterranean. Again, unforgivable, the height of campy, and really sums up the Moore era for me.

Emile Leopold Locque - doesn't look like much, but he's a right brutal bastard!

With all this tomfoolery going on some of the more brutal scenes feel like massive slaps to the face: a couple getting machine gunned down, agent with a slashed-up neck and the unforgettably heinous hit and run on the beach, which looks so real and horrific!

She had a cracking time with that car!

Harking back to the original less-frill film like Dr No & OHMSS there’s a distinct lack of gadgetry, other than the Hi-tech 3D visualiser and an exploding car (that doesn’t need to be driven off a cliff first). Like Thunderball, there’s a few underwater scenes: the rovers & big white suit sections are pretty cool. Lessons learned also as the sound is a lot better than before.

What's the best thing about Bond girls? He gets older, but they stay the same age!!!

Perhaps the only truly memorable section from FYEO is the rock-climbing piece, where Bond is literally hanging by a thread, and menacing guards looking to cut him out of the picture. Even though you know he must make it, it’s one of the few action scenes that’s genuinely thrilling, and hard to watch – for all the right reasons.

Countess Lisl von Schlaf - Brosnan's first wife. The 'Stiffler's Mum' of FYEO

For Your Eyes only isn’t a particularly bad film, nor is it much good. It opens like a serious character piece and ends with a cheap political satire (Maggie Thatcher) – which sums it up really. The tone and story are all over the place. I honestly don’t really know if the actors knew whether they’d wind up as the good or bad guys! It wants the vibe of the original films, but it just doesn’t wash in the early 1980s.

Score: 5/10

The most annoying Bond girl/teen to date. Roger and her... you can't un-see it!

TOP TRUMPS
Villain: Beardy, boring, rich old guy – zero iconic parts. 2
Henchmen: Red-esque olympian, hard as nails. ‘The Dove’ man-brutal killer. 8
Bond Girl: Pool party girls, skater nymph (too young and annoying), rich countess roadkill (Total GILF / Brosnan’s first wife!!), Daughter (long hair, well tidy). 7
Action: Remote-chopper, poolside fight/Citroen car chase, Skiing / toboggan, gunfight at docks, cliffhanging. 7

Moonraker

January 15, 2011

James Bond January

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Moonraker: when an airplane transporting the brand new ‘Moonraker’ space shuttle blows up James Bond is sent to figure out why none of Moonraker is in the debris. With the help of a female scientist they find out that it’s part of a Madman’s plan to wipe out the human race and start a superior one in space.

Bond didn't do too well on the spin cycle challenge...

Moonraker begins with one of the coolest opening action sequences, with 007 hurling himself out of a ‘plane, freefalling down to Jaws and fighting him in mid-air for the last parachute.

007 will do anything for a parachute! Dirty minx.

With Star Wars V, Alien and the First Star Trek film being released in the same year – and Bond’s uncanny nack of incorporating the latest trends – 007 was always going to be heading to space… it’s just a pity that it didn’t work out. It borrows heavily from previous successful sci-fi hits like 2001 and Logans Run, with some ridiculous additions like a huge laser battle between the ‘perfect’ humans and U.S. Space Marines!?!? Not all of the space section is lame though, the zero-G sequence is jaw-dropping, and is as convincing as anything Kubrik achieved in 2001. I guess you have to remember that space was still very cool back then.

Pew pew pew pew pew pew pew

Other bits in my Moonraker scrapbook are: the ridiculous stereotype of Rio De Janeiro (with everyone samba dancing and a carnival around every corner). The fact that Drax’s plans on heading up a ‘superior race’, despite being short, hairy and having a perfect face for the radio. Jaws looks uncannily like Willem Dafoe here, and despite falling out of a plane and getting mauled in a cable car crash it only takes about 5 samba dancers to drag him away from Bond! The ‘comedy’ element is cringe-worthy with Jaws making flapping motions in mid air and a terrible “He’s behind you” pantomime moment. The name Dr Goodhead is timeless, as is the shooting of the sniper out of the tree and the sound of the door password. Another part that sticks out for all the right reasons is the tastefully done dog-chase scene, it’s like a little bit or arthouse sticking out like a sore thumb.

What's the time in Rio? SAMBA O'CLOCK!!!

Moonraker’s biggest weakness is that it tries to do too much in one film, and it’s all done in a way that means that the tone’s all over the place: it’s a long-winded story, a slice of the middle east, a bit of latin america, 5 minutes of a ridiculous Western, and a whole lotta space tomfoolery, all mixed in with some terrible attempts at comedy. Definitely one of the weaker, and more dated films

The classic "attemptig re-entry" quip could well be Q's finest hour

Score: 4.5/10

Two of Jaws' kryptonite: samba and midgets!

TOP TRUMPS
Villain: Humourless, emotionless, beard. Identical to Stromberg but substitute water with space. 3
Henchman: Bowlcut ninja Chang – pretty rubbish. Jaws – decent, but cops out at the end! 6
Bond girls: Dr Holly Goodhead – good. Dogfood Corinne – good. Beyonce look-a-like. Jaws’ handfull Dolly. 100 ‘perfect’ girls. Too many. 5
Action: Centrifuge, Venice / Amazon boat chases, glass warehouse, Cable cars, Space fight. 6

The nightmarish doberman chase sequence...

Dr Goodhead - whatever could that mean?!

On Her Majesty’s Secret Service

January 10, 2011

James Bond January

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On Her Majesty’s Secret Service: After saving some ginger chick from suicide a ‘James Bond’ gets dragged into a plot that sees him save the world from a biblical-scale man-made plague!

All in a day's work for the world's best spy

For a Sean Connery replacement Lazenby is so meek and timid in comparison, with no real screen presence, charisma or any of the charm that the other Bond actors have. In parts he looks as uncomfortable as a schoolboy dressed up in a suit! It’s an interesting technique used to try and convince us that this is still James Bond: the credits are littered with iconic shots from previous outings, Lazenby lovingly sifts through props from previous adventures as the theme songs get played, and we even see a midget whistling the Goldfinger theme!! Another random motif was “All The Time In The World” being played throughout.

"When I click my fingers you will believe he is Bond"

The number of girls in this film was ridiculous, and the “Angels of Death” is clearly a shady plot device used to springboard the featured girls to stardom. Worse still, despite being chemically imbalanced and hypnotised, Bond still takes advantage of these unstable girls! Tut tut James!

He's got 99 problems and his bitches are at least 12

It’s also pretty dark for a Bond film; opening with a suicide attempt, followed by Bond resigning from MI6, then engaging with Terrorists. And as for the ending, yikes, that’s about as bleak as the franchise gets.

James Bond, married... Pah!

MacGyver Bond sneaking between the ‘allergy clinic’ rooms is about the only remotely interesting part of the first hour – the set up is so boring… it drifts along into the final 20 minutes or so, which pick up a little and are the only redeeming feature in an otherwise tepid effort.

I hope nobody's allergic to snow...

Between the late 60s psychedelia / ‘far out’ vibe, and campy story, this is as close to Austin Powers as Bond ever got. As a one-off film – with another spy at the centre – this may have worked, but as a James Bond film, it’s absolutely rubbish.

Score: 2/10

"Who loves ya, baby Bond?"

TOP TRUMPS

Villain: Ernst Blofeld (Legendary Megalomaniac) executing the most trippy scheme. 6
Henchmen: Ginger Manchild Lady – pretty rubbish! 4
Babes: Tempremental Red-Head – good times. Several mentally unstable girls – bad times. 5
Action: Last 20 minutes – Guns, Skiing, Toboggan. 3

From Russia with Love

January 4, 2011

James Bond January

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From Russia With Love: James Bond must assist a Soviet Defector, while watching his back as SPECTRE are out to avenge the death of Dr No.

Bond and Bey - an espionage dream team

First appearance of Ernst Stavro Blofeld - Number 1

As with Dr No, this film expands on several more recurring themes in the series; most notably Q Branch and the gadgets, pre-title action (although technically a mini mission), and Red Grant – the first of Bonds larger-than-life opposite numbers – and more generally ‘henchmen’ carrying out the grunt work on behalf of the main villain. More than anything else From Russia is quite the sexist film, with crass lesbian overtones, full-on belly-dancing credits, a ridiculously overlong scantily-clad girl fight and continual put-down of the women – what happened to the ladykiller from Dr No?!?

Tatiana Romanova - Bond Girl and defecting agent

For me this film is summed up by “Trains and Tunisia”, as it takes around an hour for anything substantial to happen. Unfortunately, Bond doesn’t even make it to Russia (Cold War tensions were high at the time), yet the film’s full of Terrible Russian – and English – accents. For being one of the most celebrated and highly rated films I personally don’t think that there’s much to like in From Russia, and that the majority of the film is mediocre and forgettable.

Score 4/10

Red Grant - the first of many muscelmen

TOP TRUMPS
Villain: Rosa Kleb – looks mean, pointy shoes but killed by the Bond Girl! – 5
Henchmen: Red – benchpressing benchmark for super-strength bad guys / Footnote for chess Grandmaster – 7
Bond Girl: Tania – Hot Russian – 8
Action: Train fight, helicopter, Boat Chase – 3

January 25, 2010

Film Reviews

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Slumdog Millionaire: modern twist on the rags to riches tale as an Indian kid from the slums lands up on a game-show. There’s a lot of stock themes throughout the film; good cop / bad cop, sensible sibling / criminal sibling, life-long obsession with girl etc. Despite this Slumdog’s an entertaining story – handling and highlighting some of the best and worst aspects of growing up in India effectively. The characters are all quite memorable and it although it gets a bit far-fetched in parts it still works pretty well. For me, the growing-up section of the film was great to watch (the child actors were fantastic), but the latter part – love story – was insipid and seemed to take forever to finish. Somehow everyone looks cross-eyed, the English-Indian accents were bizarre and I couldn’t believe I made it through an Indian film without a ridiculous dance scene – never mind. Secretly wished it would have been an ‘Unusual Suspects’ ending, and he was cheating all along… no such luck. Decent film, but don’t believe the rave reviews, or that this is the ‘real’ Mumbai. Escapism!

Score: 6.5/10

Hell Ride

January 23, 2010

Film Reviews

3 Comments

Hell Ride: Biker ‘Pistolero’ is out for revenge after a rival gang had his lady killed years back. Scene one: guy lying on the ground with an arrow in his stomach. Scene two: some chick being beaten, tied, throat slit and burned. Rest of film: bodies dropping right, left and centre. This my friends, is ‘Bikesploitation’ – bikes, babes, beards and beer tediously linked by a wafer-thin plot. The casting is just as poor, especially Michael Madsen, who is 100% Budd from Kill Bill, Vinnie Jones as another badass, and remember cyber nerd Milo from 24, just pretend he’s really mean. The dead men walking supporting cast were so indistinguishable (hairy, shades and stupid names) that it was pretty hard to follow who was who, although they all got killed, so meh! It’s good to see Dennis Hopper and Dave Carradine on screen again. It had so much potential and although I wasn’t expecting much it still disappointed; it really is one of those films that is so bad it’s… bad. Note to Tarrantino: please stop presenting shite films!

Score: 2.5/10

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Straight-to-the-point movie reviews: from Action to Zombies

Archive

Tag Archives: bitchslap

Catfight

Hatchet

Danger 5

Versus

Drive

The Disappearance of Alice Creed

The Secret In Their Eyes

The Lincoln Lawyer

The World Is Not Enough

For Your Eyes Only

Moonraker

On Her Majesty’s Secret Service

From Russia with Love

Hard Boiled

District 13

Bullet In The Head

We Are What We Are

Coffy

Salt

Maléna

Blazing Saddles

Hamlet 2

The Good, The Bad, The Weird

Love Me If You Dare

Zinda

Titanic

Drunken Master II

Kill Bill Vol. 1

Slumdog Millionaire

Hell Ride