Spectre [Plot Spoilers]: a posthumous video from ‘old’ M sends 007 into the belly of the beast; going after the head of the global criminal super-organisation SPECTRE: Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion.
This starts with a beautifully choreographed long single-take; moving from the sky, down through crows, up an elevator, through some rooms, and over rooftops. The pre-credits mission ends with an overlong and confusing shaky-cam helicopter set piece; the Greengrass-style shaky-cam style of which spoils much of the subsequent action – which is defined by big, loud, turned-up-to eleventy-stupid explosions right, left, and centre.
After the initial setup, the film immediately starts throwing up a lot of overly familiar scenes; fortress on a snow-covered mountain top, Austrian forest chase, train fight with a brutish henchman, inviting Bond in to the secret lair before he escaped and blows the place up, scars, cats, exploding watches, Aston Martin gadgets, London chases… it feels like a rejected script for the 50th Anniversary film; that half-assedly tries to tie the last three movies together and leans on the aforementioned ‘classic Bond’ moments, ‘jumping the shark’, and even doing stuff that’s been parodied in Austin Powers – including drinking and advertising Heineken.
Going back to the old mould of ‘classic Bond’ the film also contains a higher level of silliness than the rest of the post-Casino Royal reboot movies: from out of nowhere Blofeld and Bond grew up together? Even bringing back a campy evil genius like Blofeld (who was in a handful of the early Bond films) feels like a strange villain choice; especially following after Javier Bardem‘s demented Skyfall performance. The dodgy science of drilling in to precise parts of the brain that contain memories / facial recognition / balance also feels ridiculous.
While Craig continues his streak of gritty and remorseful Bond, pretty much everyone else feels under-used: Waltz is only in about 20 mins of the movie, and he doesn’t look remotely interested – I can only imagine it’s because he’ll be in the next few movies too? Monica Bellucci (not even a proper femme fatale) is in two back-to-back scenes, and Dave Bautista (silent but violent – Odd–Jaws) gets a couple of frenetically shot action scenes and one word to say. Bond Girl Léa Seydoux starts off promising; but soon turns into the generic helpless love interest. in On the flipside M and Q get slightly more screen time and even a bit of action in the field.
Of course, not everything about the old movies are bad: there’s more tongue in cheek moments, a better script for quips, one-liners, and wordplay (“I guess we know what C stands for now… Careless“). There’s also more of a throwback vibe of escapism and glamour, which somewhat po faced Casino and Quantum films were missing – every shot looks like Bond and the Bond Girl are straight off a GQ cover. Although this goes a little too far with the cheesy ending, and the fact that there’s very little believable threat to Bond and his breakaway MI6 team.
Skyfall and its focus on Bond would always be a tough film to follow; and switching the focus to big names, big story, big locations, big explosions and bigger budget – Spectre doesn’t come close. Being one of the most expensive films ever made (but it’s not that obvious) this had to tick all of the constituent boxes of a ‘classic’ and safe Bond film. Although the surface is presented as the new Post-Bourne reboot Bond (nanotech, drones, cybersecurity) everything under the bonnet is straight outta the 1960s/1970s. Joe Public and those that grew up with the first 15 or so movies will love this because it’s a familiar romp, but I feel that more recent and more hardcore fans of the franchise will be let down by a fairly profunctory and borderline cynical by-the-numbers Bond outing.
Score: 5.5/10
TOP TRUMPS
Villain: Information-hoarding new-age Blofeld. Like Elliot carver after a funectomy – 3
Henchman: Goatee’d Hinx; somewhere between Oddjob and Jaws – 4
Bond Girls: Two-scene widow; and slightly less ridiculous Christmas Jones – 6
Action: Mexican Helicopters / Rome Car Chase / Austrian Forest / Desert Shoot-em-up / London Bombing – 7
Paragraph Film Reviews 