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Tag Archives: Moritz Bleibtreu

Shamelessly stolen from Michael over at It Rains… You Get Wet.

Oldboy Korean Movie1 – A movie you love with a passion

Oldboy: saw it in a tiny – practically empty – 50-seater screen [Aberdeen, Belmont Cinema] and just fell in love right there. It’s got plot, style, direction, acting, editing, originality, and groundbreaking themes that the re-make probably hasn’t touched with a bargepole: I’m not rushing to watch it! Such a fine example of original, bold, and brave film-making.

High School The Musical Logo2 – Movie you vow to never watch

Don’t think I would purposely decide to never watch a particular film on grounds that it’s potentially bad (I’ve sat though old propaganda films, terrible B-movies, outrageous exploitation films with no problems), but you’d be hard-pushed to convince me to watch the High School Musical movies, or any of those “he/she dies of cancer at the end” manipulative sob-fests.

Children of Men Clive Owen Michael Caine No more babes future london dystopia3 – Movie that literally left you speechless

Children of Men: My friend Spencer and I literally walked home slack-jawed, glancing at each other occasionally and muttering phrases like “No way”, “Holy shit” and “Fuck me” for 20 minutes after we left the cinema. Unbelievable, powerful film-making, paired with groundbreaking technical precision that should be watched big, loud and uninterrupted.

City Of God Brasil Brazil Lil Ze Rocket Drugs Crime Gangs4 – Movie you always recommend

City of God: usually to people that haven’t yet been swayed to world cinema yet. My DVD of this has been continuously whored out for the past 5 years. Actually, I don’t even know where it is any more… Poor Rocket! Take that acclaimed coming-of-age crime film Gomorrah, turn that son-bitch sideways, and stick it straight up your candy ass!

Barry Pepper Hollywood's unsung hero5 – Actor / Actress you always watch no matter how crappy the movie

I try to catch as many Barry Pepper films as I can. For me, he’s one of American cinema’s unsung heroes, never the leading man, but always putting in a top shift, and connects with the audience so effortlessly. Jackie Chan too, although he’s done so many movies that it’s hard to keep tabs – and had a few ropy hollywood outings.

Zooey Deschanel GROSS6 – Actor / Actress you don’t understand the appeal of

Zooey Deschanel: seems to have carved herself out as the go-to queen of the quirk. I cannot stand her cutesy, look at me, bug-eyed, big-fringed, dressed-like-a-tranny-from-the-1980s vibe. Arrested Development is Michael Cera’s get out of jail free card, or else he’d be cast off in the same boat.

Russell_Crowe7 – Actor / Actress, living or dead, you’d love to meet

See next question – LOL. Seriously, I’d love to sit down and have a few beers with Russell Crowe. Of all the egos, stars, and reported stories from behind the scenes, he’s been the most fun to follow through the years, and sounds like he’d be a great drinking buddy. It helps that he can act the pants off of most people too, at least when he puts his mind to it.

Gina Gershon OH MY GOD SHE IS SO DAMN HOT8 – Sexiest actor / actress you’ve ever seen

I have always exclusively reserved my Hollywood-wood for the lovely Gina Gershon (Those eyes! Those lips! That hair!) – she’s like an expensive whiskey that keeps getting better with age. Although recently I saw a few photos of Italian actress Sophia Loren and my life hasn’t been the same since. Too close to call. Maybe Lizzie Capplin, or Penelope Cruz. Toughest question on the list for sure.

The Good Bad Weird Korean Blockbuster Dream Cast9 – Dream Cast

The Good, The Bad & The Weird is as close to a ‘dream movie’ I’ve seen in real life. However, if I were a producer I would go for… Brian De Palma directing an international action-thriller with an ensemble including Javier Bardem, Jean Reno, Penelope Cruz, Barry Pepper, Moritz Bleibtreu, Monica Bellucci, Vincent Cassel – all in their prime.

Boyd Crowder Raylan Givens walton goggins timothy olyphant justified10 – Favourite actor pairing

When Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins) are in the same scene my telly, brain, and Marshall stiffy pretty much explode simultaneously. The back-and-forth banter between those two is some of the best-written TV out there, and the actor’s chemistry is sublime.

BASEketball Court Matt Stone Trey Parker I hear your moms going out with SQUEAK]11 – Favourite movie setting

If I was living in a world where BASEketball or Death Race 2000 were actual sports I’d quit my job tomorrow. Being dropped into a Jean-Pierre Jeunet (Amelie, MicMacs, Delicatessen) or Luc Besson (Fifth Element, Adele Blanc Sec, Angel-A, Nikita, The Last Battle) would be wildly entertaining, although I know for a fact that this is going to change when Snow Crash is finally made – come on Hollywood, pull your finger out!

Amores Perros12 – Favourite decade for movies

I think the 2000s is a tough decade to beat, so much emerging talent and superb movies. Probably helps that I spent most of the decade in front of a cinema screen.

Oldboy, Amores Perros, Mystic River, A Bittersweet Life, Children of Men, Kill Bill Vol 1, Together, No Country For Old Men, 3:10 to Yuma, Battle Royale, Memento, The Fall, Intacto, Infernal Affairs, The Woodsman, Bourne Ultimatum, District 9, 3-Iron, Brick, Eternal Sunshine, Primer, Lilya-4-Ever, In Bruges, City of God, Love Me If You Dare

Commando John Matrix Rocket launcher four barrel carnage moustache guy multipl deaths13 – Chick flick or action movie

Action; every single time. I like the odd chick-flick now and again – Just Like Heaven, Princess Bride, SATC – but even the Mrs prefers a good old action-film over the chick-flicks.

James Bond 007 Everything or Nothing Sean Connery George Lazenby Roger Moore Timothy Dalton Pierce Brosnan Daniel Craig14 – Hero, villain or anti-hero

Two words – James. Bond. Total hero.

Survive Style 5+ Vinnie Jones 15 – Black and White or colour

Colour for the most part. I’m not particularly adverse to black and white – it has its merits – but I’ll take ‘modern cinema’ every time over the classics. Imagine watching films like Volver, Scott Pilgrim, The Fall, Lego Movie, Kill Bill and Survive Style 5+ in monochrome / B&W… no chance.

Speed Racer: (Blu Ray) Follows the Racer family of car-enthusiasts as their son Speed takes on the biggest companies in the world. Off the bat this is blatantly aimed at kids but off the bat I didn’t really care much because this looks absolutely outstanding. The Wachowski‘s mash together so many elements for the visuals: the Jetsons space age, Metropolis, 1920s, Al Capone, Neo Tokyo, extreme sports, The Gumball Rally, Wipeout & Rollcage games, and the list just keeps going… pretty much all green-screen. The editing adds another layer on top, with some awesomely bamboozling wipes and cuts. The comic roots shine through as the overall visuals sit somewhere between classic manga and souped-up CGI. With all of this behind it, the visuals are almost too good as it ends up being a sustained assault on your eyes over the 2hr 10min runtime – especially during every race / ‘Car-Fu’ battle. Looks aside, the story & characters are terribly textbook and the absurd Kid & Monkey combo kept trying their hardest to make me hate the film, it started to work by the end. There’s some genuinely funny nubs of humour throughout like the R-R logo and Paul Frank ‘human’ shirt on the monkey. There’s also a nice James Bond assassination-attempt homage and couple of criminally underused actors – like Moritz Bleibtreu. The BD Picture’s is among the best I’ve seen so far – with everything from the huge city-scapes down to the roads rendered so sharply it feels like 3D in parts – the sound quality is less impressive but the mix still flies out all the speakers during the action scenes. Overall, despite the plain story and shallow characters I was absolutely mesmerised by the spectacular visuals. One of a kind.

Score: 5.5/10

Run Lola Run: a stunning red head must find 100,000 Marks within 20 minutes to save her boyfriend. Despite this movie being almost all action you really get to know the two mains, thanks to them nailing their characters in what little screen time they have. The biggest feature for me was the music; pounding German dance tracks that emphasise the urgency and get you totally pumped up, especially through the first 15 minutes. Paying attention to every detail shows how neat and well-planned the film is, but doesn’t necessarily to add enjoyment – just a nice touch. It also has a themes of fate, coincidence and the butterfly effect, but again, they’re just there, and you don’t have to analyse them. It’s a very original idea, executed brilliantly and remains stylish throughout – all the scenes with Lola / Manni are striking in one way or another. With the dominant music, stunning visuals and a simple story it’s like a long music video, yet it never wears thin or peters out. A great example of film-making and essential viewing.

Score: 8.5/10