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Pierce Brosnan, Luke Bracey, Olga Kurylenko, Eliza Taylor, Caterina Scorsone, Bill Smitrovich, Will Patton, Amila Terzimehić, Lazar Ristovski, Mediha Musliović, Akie Kotabe, Patrick Kennedy

The November Man: a lethal ex-CIA agent is brought back in for a simple extraction that tangles him up with a Russian politician, the CIA, and his former protegé. It’s one of those films set in the Soviet Bloc in which everebadee talkz Eengleesh. It also boasts two former James Bond stars reprising the best bits of their roles – and for what it’s worth, it’s great to see Broz’s charisma again as he pouts and shouts his way from scene to scene in a antiheroic fashion. For a political/thriller there’s more than enough solid action scenes: car chases, foot chases, gunfights (complete with some John Woo style jumping / slow mo). There’s a shape-shifting plot that’s fun to follow, especially because the entire film is back to back plot-action-plot-action, that only briefly dips in the middle. It’s not all roses however; some of the sub-plots (like the mentor / master angle) feel very clunky, there’s a couple of weird directorial choices (like mad Dutch angles everywhere), and the woeful title isn’t explained until last 10 minutes – and it barely makes sense. Most importantly, there’s very little to distinguish this from a thousand other similar sub-Bourne movies based on shady CIA operations. The November Man is a solid – but unremarkable – Spy Thriller that sits just above the middle ground with entertaining performances and action.

Score: 6.5/10

Pierce Brosnan, Luke Bracey, Olga Kurylenko, Eliza Taylor, Caterina Scorsone, Bill Smitrovich, Will Patton, Amila Terzimehić, Lazar Ristovski, Mediha Musliović, Akie Kotabe, Patrick Kennedy

The awesome people that follow me on twitter will be familiar with #searchtermoftheday – a regular feature of the best searches that real people type in to real search engines, which (somehow) directs them to this site.

Unfortunately, Google have started encrypting their searches, meaning that the majority of search engine referrals are no longer known – so enjoy these while you can. Here are some of the greatest hits from the past few years. It should be obvious they they’re 100% genuine / real, because nobody could think them up…

Amusing / phrasing

  • devout ass
  • boobs all size abcdefgh
  • courtroom puns
  • stupid catface photos
  • movie with alot of action and tits
  • hats with special powers
  • james bond licensed chest wigs
  • unimaginable lust
  • Mark ROFLoMark ROFLO
  • jackie chan asian?
  • skid marks + mtv room raiders
  • monkey is a good pet?
  • blowjobs please
  • the fighter ugliest cast ever
  • give me a parafraph about jesus was a commie
  • pancakes are fucking gay
  • massive fannies
  • midget mechanics
  • someone please explain tree of life
  • chick fights boobs everywhere
  • boys bumming each other

Stupid Questions:

Weirdly specific

  • cartoon images of men who is going through menopause
  • japanese naked women on salarymen’s desks
  • first experience of going to the cinema adult style
  • big bouncy tits shot full of bullets by zombies
  • old tv show where a man has two personalities in one hes an assigned killer in the other hes a loving husband
  • big fake titties, guns & manly shit that’s gonna piss your girlfriend off
  • “unique is young, full of energy and a bottom girl that loves big dicks on her men and the darker the better!”
  • write a short paragraph about your experience with your friend to go camping
  • adult foreign film from 1980s where fox hunters on horse back hunted nude women
  • the pornsite jay was using in the inbetweeners movie
  • My parents went to Miami and all I got was molested by my neighbor
  • cannibal story of young girls being fucked milked then gets crushed up

Saught-after celebrity body parts (these are around 40% of incoming hits):

Fetish / Sexy-to-someone / Fapping

  • womenpigsex
  • horse penis
  • dogporn film
  • upskirts vintage martial arts girls
  • sumo sex
  • huge monster dildo shop
  • unthinkable penisNude Nuns Big Guns based on a true story
  • xxx rat torture
  • vibrator fight
  • pointy tits
  • penis biting gore movies
  • bikini clad bitches playing chess
  • women pig sexual
  • mega fuck slut masturbator
  • lara croft bound and gagged
  • http://www.madogasex.com
  • classic porn movie with rose in pussy
  • batman and catwoman get busy
  • bondage chess
  • kate beckinsale tied up
  • bizarre bestiality productions
  • why wank with ham?
  • jock strap stories
  • needles in tits movies
  • “assassin” “porn” “silencer”
  • tall moustached transvestites
  • cool big semi trucks and hot chicks
  • bouncing round breasts in horror thriller film
  • babes on horseback
  • pterodectyl porn
  • guys with huge nipples
  • smurf sex

 

What are your best search terms? And why are some people still allowed online?!?!

The World's End 01 Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, Edgar Wright, Pierce Brosnan, Bill Nighy, Rafe Spal, Steve Oram,

The World’s End: five middle-aged friends re-unite to tackle the 12-stop pub-crawl that they never finished as teenagers. If you watched the trailer and thought that this looked a bit empty and silly then you’re completely right. No matter how good the director is (which he is), or how on-form the cast are (which they are) this is a great example that if you have a silly idea, you’ll probably end up with a silly film. It also has a few long stretches where there’s not many laughs – namely backstory. The cast are truly the best of contemporary British comedians, and a few bigger players thrown in: Paddy Considine and Pierce Brosnan, to name but a few – a well-picked bunch. The World’s End boils down to being a silly bodysnatchers movie that’s overflowing with 90s nostalgia, whilst pulling from some modern sources like Attack The Block, Hitchhiker’s Guide etc. Given the quality of Sean of the Dead and Hot Fuzz, I’d be lying if I said I didn’t expect more from The World’s End, still, it’s a decent Brit-Com, and a good enough way to close out the ‘Cornetto trilogy’.

Score: 5/10

The World's End 02 Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, Edgar Wright, Pierce Brosnan, Bill Nighy, Rafe Spal, Steve Oram,The World’s End pub crawl route:

  1. The First Post
  2. The Old Familiar
  3. The Famous Cock
  4. The Cross Hands
  5. The Good Companions
  6. The Trusty Servant
  7. The Two-Headed Dog
  8. The Mermaid
  9. The Beehive
  10. The King’s Head
  11. The Hole in the Wall
  12. The World’s End

Note: this is post #500 since starting the site way back in July of 2009! To mark this, next week will feature guest reviews, several ‘feature’ posts as well as some more regular Paragraph Film Reviews. Thanks to everyone that reads, comments and visits the site, particularly the regulars. You folks are ace!

Seraphim Falls: a determined bounty hunter (Neeson) and his hired guns are chasing a skilled man (Brosnan) through the wilderness for reasons unknown. With two big actors centre screen you’d expect this film to play well… Broz takes his grunting to a whole new level as he’s on his own for most of his part – unfortunately, there’s also a scene where he’s genuinely out-acted by a horse! Pre-heroic re-invention Neeson feels miscast here, and in general everyone looks a bit disinterested. The writing is sloppy, and storytelling has a lot to be desired – an Indian and saleswoman appear – only to facilitate a showdown – and we don’t know why Broz is even being hunted for around 90 minutes – who should we be rooting for? With this, there’s not a whole lot of tension (essential for a decent cat-and-mouse story). It’s partially well-shot, making the biggest reason to watch this some great scenery of wilderness and breathtaking landscapes. Overlong, uninteresting and full of questionable acting, Seraphim Falls feels like a bunch of guys walking about in the words, then desert for the most part – it’s is nobody’s finest hour. 3:10 to Yuma is still the daddy of modern westerns!

Score: 3/10

Butterfly on a Wheel (AKA Shattered. AKA Desperate Hours): A perfect couple with the perfect life have their world turned upside down when a madman jacks their car and forces them to obey him for 24 hours. The three main actors are all OK – but have major accent issues, Broz (doing an Irish terrorist a la ‘Blown Away’) and Butler (doing a… I’ve no idea what he was trying). The main issue is, with such a big ‘taaa daaaa’ at the end, it leaves the majority of the film with too much ambiguity and not enough plot / direction – hardly anything makes sense and every time the story advances you’re sitting there thinking ‘WTF did I just see?!!?’ In the words of comic book guy… Worst. Ending. Ever. Particularly it’s retrospective ridiculousness. The only real plus I can think of is that it’s very well shot – framing and camera movement are far more impressive than any of the story. All in, this is a stupid film which hopes that by putting all its cards on the table in the last 5 minutes, that it will save the day. A very low rent Man on Fire, Taken, Ransom scenario – and the fact that a film with big stars needs three titles is very telling.

Score: 2/10

Matador: a struggling salesman and troubled hitman meet in a bar… no it’s not a joke! First thing’s first, Brosnan absolutely owns this film as an alcoholic, borderline psychopathic, burn-out, jaded, lonely, vulgar assassin with homosexual undertones, including a wicked tache and fashion sense. He is nothing short of pure entertainment, with great comedy timing and black comedy vibe, effortlessly creating an unforgettable character. Greg Kinnear’s also rock solid, and plays the straight-laced guy perfectly – because there’s only two mains they’re both fleshed out well. There’s a great off-kilter tone throughout and it harks back to the classic screwballs – which keeps the film interesting. Visually, it’s delightful with lots of bright colours, tourist-friendly cinematography and some unique direction. There’s a few great songs masterfully inserted too. Of all the decent things that Broz has ever done, this is the one film that put him up for a Golden Globe – make sure you see why! Bottom line, it’s a well-made, very funny, black screwball comedy with two great characters at the centre.

Score: 8.5/10

Die Another Day: A mission in North Korea is sabotaged, goes tits up, and 007 is captured! After a prisoner exchange, losing his 00 plates, and going dark James Bond is determined to find the traitor, and investigate a newfangled millionaire with a history that’s too good to be true.

Another Day... of pointing guns at things

Die another Day starts fantastically: huge hovercraft action sequence (well handled, superb choreography, definitely cool), Bond gets captured, tortured to shit, ends up looking like The Dude then gets released back to a country that turned its back on him – so he goes off the grid again. M herself says “You’re no use to anyone now”, letting us all know that even James Bond, at the end of the day, is an expendable commodity.

14 months in prison and he comes out looking like Jeff Bridges?!?

I remember that with rumours circulating of another James Bond hitting the screen in the new millennium you were genuinely uncertain as to whether Brosnan’s Bond would make it back from Korea, if he’d live long enough to go on an adventure, or simply be replaced, mid-film for the first time…

A new super-group of villains... or ABBA tribute, I can't remember.

Looking back, a mid-film replacement would have been amazing for several reasons. It would have freshened up the films and their now standardised formula. It could be used to shed some light on the identity of “James Bond”. Most importantly, it would have saved Brosnan from looking pretty awkward for a lot of the movie. As Bond, Brosnan brought a lot of sides to the character, but his key feature was undoubtedly his sophistication, suaveness and confidence no matter what he was doing. Here however, after the opening he can only play it from one angle; dark, tortured, jaded Bond – and being honest, it just doesn’t work. I can’t tell if it was solely the Broz, or the B-movie script he was given but some of the scenes were absolutely shocking – watching him try to seduce Halle at the bar is cringe-inducing. It’s a shame because he has the best actor track record – to date.

What EVERYONE in Cuba looks like... not just their leader... everyone!

As 007 follows the leads we end up in Cuba, and – as always – the exotic nation is represented accurately and with taste: apparently everyone just samba‘s their way around town, has grey Castro-beards, smokes Cuban cigars and drinks Mojitos… Once Bond’s fucked up a health club in style he heads back to London, and the blades club. The first swordfight of the film is an absolute master-class in action, with loads of nice little innovations, both actors putting their back in to it, and a gradual build up – it really is gripping stuff. So far, this film’s surprisingly fresh, with an intriguing story that we want to see through…

This scene was so good it could have been a grand finalé

Then some problems start appearing in the as soon as we pass the halfway mark because – as we all know – people in the 2000s use to get bored after 60 minutes of good storytelling, so someone in production decided to turn everything up to eleven. The film starts throwing dozens of ridiculous things at the audience… virtual reality, invisible cars, a war suit, a dream machine, switchblade mini planes, a tiny ring that breaks any glass… Then there’s an onslaught of CGI that makes the film look like a low-budget affair; buildings, waves, icebergs, ice and hundreds of explosions!!! That can’t be boring at all, right?!?! Wrong! The film makes two supercars drifting on ice, firing rockets and machine guns at each other boring. It makes two scantily clad chicks having a swordfight to the death boring. It even makes an airplane perilously breaking up and exploding in the air… boring. The aforementioned CGI doesn’t help either – looking like it’s been drawn with crayons – the old-school rear-projection would genuinely look better than this.

Whoa!! Two supercarsszzzzzzzzzzzzzzz

Hale Berry’s character Jinx is pretty poor, literally waddling into the film and constantly quacking some of the most generic American lines with absolutely zero tact or timing – yo mama jokes, in a Bond film? Really? What’s the point in even having a US-UK sparring match, it’s 007, we all know he’s the best. Plotline redundant! Gustav Graves is a rubbish character, but sub-standard acting only makes him cheesier. And that’s it… nobody else really of note.

Kinky Jinxy gets stuck in her Bondage Bed - 007 has to bust her out. zzzzzz

Other unhealthy titbits are: ‘saved by the bell’, rubbish theme song (sounds like it was thrown together in an afternoon), credits that are integrated with the story (worked for me), an actual appearance by Madoga, “Sex for dinner, death for breakfast” (So good they say it twice!), and electricity manifesting itself in the form of 1980s blue lines, like it totally does in the real world.

Save christmas trees, lick wall sockets - zzzzzzzz

This film is what the word Bi-Polar was actually created to describe: the first hour is a solid, well-made classical Bond film with modern twists. The second half IS memorable but for all the wrong reasons, worst of which being the terrible CGI – my rule on this; if you can’t do it in-camera with a Bond budget, don’t bother!

Score: 4/10

Too many special effects makes this guy puke... (zzzzzzzz)

TOP TRUMPS
Villain: Bad actor – overly smug, diamond merchant. 4
Henchmem: Diamond-faced Zao – strong, smart, athletic, good match. Fiji guy – laser face. 6
Bond Girl: Hale Berry,  pretty. Fencing chick, ultra hot at the end. 7
Action: Hovercraft. Health Centre blowout, fencing/swordfight, MI6 break-in, Ice car chase, plane fight. 6

What a cool multicoloured face ma-zzzzzzzz

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The World is Not Enough: [Spoilers] when an oil tycoon is assassinated 007 is sent to protect the endangered daughter, a former hostage to one of the world’s most wanted men. After some success on the protecting front, Bond gets to the bottom of a scheme that will… erm… jack up the price of oil… (Note: villain aspirations were quite low in 1999, with Y2K getting all the attention)

Super mega cool submersible jet boat!!

Another Brosnan film, and another absolutely outstanding opening scene & mini-mission; Spanish bank robbery followed by MI6 bombing then the most ridiculously cool and insane boat chase ’round the Thames, over some streets (still on the boat!), wrapping up at the Millennium Dome.

Hot chick with a leather jacket and grenade launcher... <"blowing away" joke>

We sadly say goodbye to Q who, after the token gadget-based verbal jostle with Bond, Q says “always have an escape plan” and disappears before our eyes. While I may sound pathetic, this was hands down the most emotional and moving scene of the entire series for me (Sorry Mrs Bond). Not only is it’s laden with ‘he’s going to die soon’ overtones – he literally sinks into the ground – but it reminds you that Q has had the best relationship with every 007 for over 35 years and played a crucial part of Bond’s survival in at least 17 films. Q branch isn’t let down here, with some awesome gadgets like the X-ray specs, BMW, credit card lockpick, grapple watch and Q-boat!

One of 007's only friends (that didn't get killed)

Brosnan‘s still on a winning streak here, much aided by a whole lotta of shots of him pointing guns at people and looking angry and/or displeased. We also see Bond properly, and semi-convincingly, injured for the first time ever with a gammy shoulder for the film’s duration (although he did fall about 150 feet!). Most infuriatingly, Bond once again falls for the his one weakness, the oldest trick in the book, and the one thing that continually lands him in trouble… a vagina. If he carried out his job professionally he wouldn’t end up in so many perilous situations!!! (Although a procedural Bond movie would be pretty shit.) How many times has he been betrayed by a chick now!? Really?!

BOOM! Chestshot!!! Right in the tits!

The supporting cast and characters are such a mixed bag here. Robert Carlyle and Denise Richards seem to turn up and sleep through their scenes; sure they’re both vaguely memorable / strong / smart but they lack any presence. The character Bullion (Goldie) feels like his agent managed to sneak him in last minute, and no other henchmen do anything worth noting. On the upside Coltrane goes out in style as Bonds love-hate Russian contact, and Elektra King is played so, so well – Marceau’s beauty, strength and damaged background make her the perfect siren.

Another chick with a gun... someone in production must have a fetish

Other decent touches in this are the hypnotic oily credits, banking Pun-O-Rama, stereotype of ‘Bonnie Scotland’, “strictly plutonic”, “Christmas comes once a year” (Boom, Boom, Chiii!), classic nuke disarmament ultimatum, and Bond jumping from a normal house and landing in a submarine dock!!! There’s also a clear taste for new modes of transport: para-hover-sledge, mini super boat, pipe inspection pod, and the chopper chopper.

All aboard the tube! Next stop, nuclear warhead.

Even though you can’t fault the technical elements of most of the Bond pics, this one’s shot and framed particularly well. While it’s a good film, has a pretty interesting story and is well put together, this one feels like it’s missing some mojo and coherency. So many scenes feel gratuitous (let’s fly to somewhere snowy to have a ski-chase / let’s go to a casino so you can wear a tux…).  Despite some great twists and cool bits it just seems flatter and more lifeless than the previous few outings.

Score: 6/10

Bond's actual nemesis in this film... EXPLODING SNOW!?!WTF!!!!

TOP TRUMPS
Villain: Anarcho terrorist thug with a headache and no feelings. 6
Henchmen: Skinhead Russians x100 / Gold-toothed Bullion / DREADful Gabor. 3
Bond Girl: Assassin – Cruz-esque. Elektra – foxy siren. Denise Richards – Lara Croft entrance/ purple dress – smocking – 8
Action: Opening 10 mins, ski chase, nuclear bunker fight, caviar factory, submarine fight. 5

Goldie looking a bit rapey in the background...

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Elektra looking a bit rapey in the foreground

Tomorrow Never Dies: when a UK ship sinks in Chinese waters all is not what it seems. After some rummaging about 007 uncovers a crazy man’s plan to start WWIII, for exclusive media coverage and ratings!

Genuinely one of the more average days in the life of James Bond...

Another top-quality intro side-mission in the form of Bond gatecrashing a terrorist arms bazaar where he kicks the shit out of everyone, blows the shit out of everything (with the help of a jet fighter) then out-flies the shit out of a trained pilot; or as M calls it ‘doing his job’

Hands down the coolest scene in the film!

This opening really sets the bar for Tomorrow Never Dies and the action throughout is second to none; soundproof studio fist fight, newspaper factory punch up, RC car chase, Hong Kong building traversing and bike chase, Jackie Chan inspired technical Kung Fu fight, stealth boat finale… the last three films have such a great action track record!

Stomper - yet another henchman in the mould of From Russia's 'Red'.

Bonds era-specific calling card for the 1990s appears to be technology. Not only is it becoming more prevalent in the stories, but one of GoldenEye‘s main baddies was a – then – rare and mysterious computer H4x0r! Upping the ante here, we have the visual stereotype of a IT virgin (fat, beard, probably plays Warhammer in his mum’s basement) branded a “Techno Terrorist” and given the same billing as the physically perfect and ruthless Stamper. As far as henchmen go, must try harder.

China's answer to 007, waving him on from the sidelines

Q branch also rolls along with the times, producing two of the best gadgets to come out of the department: the burglar-and-bulletproof RC BMW, and the Phone/Taser/Car Control/Fingerprint scanner. What a combo! This is the very outer-limits of Bond gadgetry in that they seem completely plausible, but so ridiculously cool that they couldn’t possibly exist.

Ladies and Gentlemen - you're looking at the perfect James Bond here!

Brosnan pulls out what’s probably my single favourite Bond performance. He amplifies all of the traits displayed in GoldenEye,  honing in on becoming even smoother, smarter and deadlier. Biggest improvements are the action, and dry one-line deliveries – “They’ll print anything these days” is delivered absolutely perfectly. This performance looks as effortless as the horizontal Bond controlling the car from the back seat of his BMW.

Not unlike the gadets, carver treads that line between rediculous and real

The supporting cast are all overshadowed by Pryce as Elliot Carver – who is fantastic at being restrained and subdued, yet ridiculously theatrical (especially in his eyebrows, scheme and super-ridiculous typing). Despite little screen time Teri Hatcher does well to convince us that she’s known Bond from way back.

Bottoms up. Teri makes an arse of herself!

With big GoldenEye boots to fill Tomorrow Never Dies is every bit as good a film, although it does switch the character development for more straigh-up action set pieces. There are plenty of hits, but it’s not without a few misses – the most cringe-worthy being a Mel Brooks style parody hitman. Another rock-solid stripped down Bond film.

Score: 7/10

This guy could genuinely walk straight into an Austin Powers film

TOP TRUMPS
Villain: Elliot Carver – dastardly pantomime baddie with insane delusions. 7
Henchmen: Stomper – another Red-Esque brute / Gunther: Fat beardy hacker / Weird-faced hitman. 6
Bond Girl: Mrs Carver – beautiful. Lucy Lui – hot, feisty and hold her own well. 8
Action: Terrorist Bazaar / Soundproof Studio / Newspaper Printer / Hong Kong HQ escape / Motorbike Chase / Kung Fu / Stealth Boat. 9

Handcuffed on a bike - made for some good 'out of the box' moments

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GoldenEye: [Spoilers] when a global terrorist organisation steals a civilisation-busting weapon system called GoldenEye only one super spy can save the world from the looming doom.

Can a normal man catch up with a heavy, aerodynamic aeroplane... Duh!!

Who’s this idiot-hole jumping off the side of a reservoir and grapple-gunning his way to the bottom? Then taking on a room full of Russians, then stealing a bike, then the plane in mid air… The guy’s insane! This is an outstanding pre-title sequence with 007 and 006 (but how did he get there?) carrying out a break-in at a Russian chemical plant – definitely one of the best, most exciting, most tense and most action-packed of the intros. The (now legendary) N64 game captured facility so well when you see the film again.

It's all 6s and 7s in this scene - and film!

With the fantastic Licence to Kill proving to be a box office misfire – I blame the studio – and the franchise stuck in a rut for over five years the series was having a bit of an identity crisis, and it definitely shows in GoldenEye, which to me feels like a half-arsed re-boot.

Not particularly menacing, unless you have a fear of penis-shaped noses

On one hand we have the good old Commies getting themselves into trouble, a trusty space weapon of doom, a villain that wants to wrong all of the world’s rights, a bunch of big-budget action set pieces, enough explosives to match Licence to Kill and some truly awful accents (taxi  for Janssen & Cumming)… It’s like nothing’s changed.

M, a lady, in a Bond film.... OUTRAGE!!!!

On the other hand hand we have a new Bond (with an 80s lady haircut), a new female M (with a boys haircut), a new Moneypenny (with a drag queen haircut – I’M SO CONFUSED!). Despite having a typical Bond story, there’s something different about it… The original parts are all here, but it just doesn’t feel the same! In one of the film’s most telling scenes M notes that in a post Cold War world James Bond is a sexist, irrelevant dinosaur – shame on her!! A few other characters also jibe with Bond about being old hat…Definitely uncalled for given what JB has done over the years, and guess who has to save the day / world / girl / civilisation again!?!? – idiots!!

Bond nerd and Bond girl, two great characters that are both crucial to the story

As far as the new Bond goes, I really rate Brosnan. Growing up through his films (this was the first one I saw in in a cinema, thanks mum!) he’s the Bond of my era, but also, looking back through the years – for me, he’s the first ‘full package’. Sure, Connery is the Bond – oozing charm and humour, Lazenby was the timid one, Moore too theatrical and Dalton quite mysterious – Brosnan rolls all these traits into one performance, creating a full character for the first time.

Sharpe and Steele - surely a winning 00-combo!

Other unforgettable moments from GoldenEye are the: Tank Vs Train fight, the sexually charged vixen Onatopp (hubba hubba), unashamed 1990s SFX abuse with everything and everyone being blown and smashed up, the blatant IBM advertising, “I am invincible” and the super-cool satellite fight at the end.

Xenia Onatopp: has the gadget to rule all gadgets, killer thighs

For the first time in decades we have a great (and quite large) number of solid – fleshed out – characters that all bounce off and balance each other – because although the action is memorable in GoldenEye, it’s really the cast that have to make us believe that the world’s change AND push the picture forward. While it’s more of a facelift than a proper restart the Bond team did well to nail GoldenEye and save the feanchise that so many had written off. Solid 90s blockbuster.

Score: 7/10

A massive tank, drifting 'round corners and through buildings... awesome

TOP TRUMPS
Villain: Sean Bean – pretty insane, wants to throw the UK to the dogs!! 7
Henchmen: Femke Janssen, Penis-nose’d Russian, Invincible Boris. 7
Bond Girls: Femke Jannsen – likes it rough. Programmer chick – very attractive. 8
Action: Opening Scene, Car Chase, Jail Breakout, Tank Chase, Antena & Base destruction 7

First film and we've already seen Brosnan's Ohhhhhhh-Ohhhh face!

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Aye em eenveenseebiilll

Bonus round - so you'll never, EVER look at this poster the same again

As a kid, I was one of the millions that grew up watching the James Bond films in total amazement – over and over on VHS and on the TV every Christmas. In the UK, James Bond is arguably the single biggest institution – everyone from your young cousins to grandparents has watched most of the films and has an opinion on their favourite Bond, film, Bond Girl, villain, poster… Globally, Bond is nothing short of a phenomenon, proving himself to be one of the UK’s biggest exports.

First Bond collection, bought film by film

Starting in 1962 the Bond films are the longest-running franchise in cinema history, and hold the 2nd best all-time non-adjusted box office for a film series after Harry Potter (beating Star Wars, Lord of the Rings, Batman, Star Trek…) To pinpoint the one thing that makes Bond so successful would be impossible, but I suspect that it has something to do with 007 having a dream job, dream girls, dream gadgets, dream cars all topped off with a dangerous lifestyle.

At the risk of ruining all of my fond childhood memories, I’m going to watch every single Bond with a critical eye over the next month to find out how Fleming and Broccoli managed to mould a single spy into one of the most cultural, global & timeless icons of all time. Everyone’s welcome to join in. There’s a schedule below this post and more info here and here.


From memory, Bond is a modern day cowboy who’s swapped his six-shooter for a PPK and horse for horse-power. He does little thinking, and lives for danger, jumping foot first into the action. He’s well dressed, and has exquisite tastes in everything from food & drink though to clothes and women. Most importantly for the movies, Bond has blind loyalty to his country and will do absolutely anything to progress the mission – naturally, this always gets him into perilous situations, which is the lifeblood of each movie. Despite spanning almost 50 years it seems like the Bond films have stuck to the same formula for

Hero + Villains + Babes + Danger + Action = Great cinema!

Over the course of January we’ll see how that formula holds up!

Cheers,

Paul
Paragraph Film Reviews

3rd Jan – Dr No
4th Jan – From Russia With Love
5th Jan – Goldfinger
6th Jan – Thunderball
7th Jan – You Only Live twice

10th Jan – On Her Majesties Secret Service
11th Jan – Diamonds Are Forever
12th Jan – Live and let Die
13th Jan – Man with the Golden Gun
14th Jan – The Spy Who Loved Me
15th Jan – Moonraker

17th Jan – For Your Eyes Only
18th Jan – Octopussy
19th Jan – A View To A Kill
20th Jan – The Living Daylights
21st Jan – Licence to Kill

24th Jan – GoldenEye
25th Jan – Tomorrow Never Dies
26th Jan – The World is Not Enough
27th Jan – Die Another Day
28th Jan – Casino Royale
29th Jan – Quantum of Solace

Quick follow-up from my last post about James Bond January – more details here. It’s still not too late to sign up; from today there’s over seven weeks – or 54 days – until the Quantum of Solace posts get published. That’s a Bond flick every 2 1/2 days, so still totally achievable if you wanted to do every film!

Content wise, the posts don’t have to be limited to reviews, they can be memories, features, lists, observations, pictures, critiques or even anti-Bond posts! Anything that will generate discussion on the franchise is cool by me.

A final clarification – you can do one film, all twenty-two films, or any number in between. Just be sure that they match the schedule in this post and are all tagged “James Bond January” so everyone can follow this.

Here’s a list of the current participants, I’ll keep this as up to date as I can.

Aiden (Cut The Crap Movie Reviews)
Darren M (The M0vie Blog)
Marc (Go See Talk)
Heather (Movie Mobsters)
Caz (Lets Go To The Movies)
Andrew (Andrew at the Cinema)
Andy – (Fandango Groovers)
Clara (Via-51)
Mikey (The Reviewer)
Nicola (Average Film Reviews)
Andrew (Row Three)
Clarabela (Just Chick Flicks)
Sledge (Battle Royale with Cheese)
Erik (Film Jabber)
Klaus (Ming)
Jason (The Athletic Nerd)
Sarah (She Likes to Watch)
Joem (Does Writing Excuse Watching?)
Stu – (Undy a Hundy)
The Peoples Movies Blog
Susannah -(Not Really Working)
Java – (Java’s Journey)
Steve – (Watching the Detectives)

If you fancy spreading the word by re-blogging / linking / e-mailing / tweeting some info on your blogs – or to individuals that may be interested in this – it would be greatly appreciated.

Many thanks,

Paul,
Paragraph Film Reviews.

Calling all film reviewers!!

Given that the Bond films are THE most successful, and one of the few universally-loved franchises in the history of cinema I thought it would only be fitting to to give the world’s greatest spy his own awesome feature.

The idea’s simple; everyone that wants to take part watches all – or any – of the Bond movies and posts up their reviews to the schedule (below) throughout the January, tagging them all “James Bond January” so we can all keep up with the event.


UPDATE POST HERE

Best case scenario: over the course of January the 22 clustered film reviews bring this project worldwide notoriety, re-emphasises why Bond is so great, the next movie is finally green-lighted and we all get a million blog hits!!!!Awesome!!!

Worst case scenario: a massive group of avid Bond fans all get to watch and discuss the villains, gadgets, cars and babes of every James Bond film – from Dr No through to Quantum of Solace!!StillAwesome!!

If you’re interested in participation, please comment or send an e-mail to the address below and I’ll put your name/blog link on list I’ll publish nearer the time. If you think you know anyone that would be interested, please, please, please forward this message to them. And feel free to re-post, hot-link, podcast or tweet this post.

It doesn’t matter if you want to do one, two or every single film; the more people that muck in, the better!

Cheers,

Paul
Paragraph Film Reviews
paragraphfilmreviews@hotmail.com


James Bond January – Schedule

3rd Jan – Dr No
4th Jan – From Russia With Love
5th Jan – Goldfinger
6th Jan – Thunderball
7th Jan – You Only Live twice

10th Jan – On Her Majesties Secret Service
11th Jan – Diamonds Are Forever
12th Jan – Live and let Die
13th Jan – Man with the Golden Gun
14th Jan – The Spy Who Loved Me
15th Jan – Moonraker

17th Jan – For Your Eyes Only
18th Jan – Octopussy
19th Jan – A View To A Kill
20th Jan – The Living Daylights
21st Jan – Licence to Kill

24th Jan – GoldenEye
25th Jan – Tomorrow Never Dies
26th Jan – The World is Not Enough
27th Jan – Die Another Day
28th Jan – Casino Royale
29th Jan – Quantum of Solace

UDATE POST HERE

The Ghost (Writer): A Ghostwriter replaces his predecessor who died under mysterious circumstances, as he researches and re-writes the memoirs of Britain’s ex-Prime Minister all is not what it seems on the surface. It’s a pretty generic conspiracy story, and just when it’s starting to drag everything happens in the last ten minutes, which feels a bit rushed: the ending’s quite disappointing / obvious but the final scene more than makes up for it. It’s very contemporary, political, and unashamedly based around Tony Blair; portraying him in the worst possible light! For a political movie the script’s quite warm and funny in parts, and other than some dodgy accents the cast are pretty solid – Cattrall’s just a more educated version Samantha, Olivia Williams is all over the place but you can’t go wrong with the Broz or Ewan McGregor. The main star for me though was Polanski, whose direction is outstanding (especially given he was under house arrest!). He lets this thriller tell itself, with no fancy trickery and just plain old-fashioned brilliant directing. Definitely worth a watch if you like this type of movie.

Score 7/10

Note: As mentioned on Have I Got News For You: the film’s been given a 15 certificate in the UK, Polanski swears it’s 18!