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Broken City Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Barry Pepper, Jeffrey Wright, Alona Tal, Natalie Martinez, Michael Beach, Kyle Chandler, James Ransone

Broken City: A cop-turned-P.I. is out for revenge after the corrupt Mayor of New York attempts to frame him for murder. This film is a lot of things, some of them not what you’d expect, but for all the shortcomings, it’s always quite fun to watch, if you go along with it. The casting is top-notch, and for the most part, everyone’s giving it welly – particularly Crowe, who’s clearly having a ball. Marky Mark is playing short-tempered Marky Mark, Barry Pepper is – as always – a solid minor character, Zeta-Jones is a seductive MILF… that’s all fairly standard. My biggest issue is that it’s an out-and-out 40s/50s noir script, but set in contemporary New York. It wants to have all of the classic genre elements, but in a modern setting – but it just doesn’t sit well: unlike something like Brick, which has more of a timeless feel. There’s also a ridiculous sub-plot about his model/actress wife, that doesn’t really go anywhere – he should have just been hardboiled. Although not quite as good as you’d expect from this caliber of actors, it’s nowhere near bad – more like the kind of film that you would see being re-re-re-re-repeated at 11pm on a weeknight on some far-flung channel, but with a stellar cast and decent director.

Score: 6.5/10

Shamelessly stolen from Michael over at It Rains… You Get Wet.

Oldboy Korean Movie1 – A movie you love with a passion

Oldboy: saw it in a tiny – practically empty – 50-seater screen [Aberdeen, Belmont Cinema] and just fell in love right there. It’s got plot, style, direction, acting, editing, originality, and groundbreaking themes that the re-make probably hasn’t touched with a bargepole: I’m not rushing to watch it! Such a fine example of original, bold, and brave film-making.

High School The Musical Logo2 – Movie you vow to never watch

Don’t think I would purposely decide to never watch a particular film on grounds that it’s potentially bad (I’ve sat though old propaganda films, terrible B-movies, outrageous exploitation films with no problems), but you’d be hard-pushed to convince me to watch the High School Musical movies, or any of those “he/she dies of cancer at the end” manipulative sob-fests.

Children of Men Clive Owen Michael Caine No more babes future london dystopia3 – Movie that literally left you speechless

Children of Men: My friend Spencer and I literally walked home slack-jawed, glancing at each other occasionally and muttering phrases like “No way”, “Holy shit” and “Fuck me” for 20 minutes after we left the cinema. Unbelievable, powerful film-making, paired with groundbreaking technical precision that should be watched big, loud and uninterrupted.

City Of God Brasil Brazil Lil Ze Rocket Drugs Crime Gangs4 – Movie you always recommend

City of God: usually to people that haven’t yet been swayed to world cinema yet. My DVD of this has been continuously whored out for the past 5 years. Actually, I don’t even know where it is any more… Poor Rocket! Take that acclaimed coming-of-age crime film Gomorrah, turn that son-bitch sideways, and stick it straight up your candy ass!

Barry Pepper Hollywood's unsung hero5 – Actor / Actress you always watch no matter how crappy the movie

I try to catch as many Barry Pepper films as I can. For me, he’s one of American cinema’s unsung heroes, never the leading man, but always putting in a top shift, and connects with the audience so effortlessly. Jackie Chan too, although he’s done so many movies that it’s hard to keep tabs – and had a few ropy hollywood outings.

Zooey Deschanel GROSS6 – Actor / Actress you don’t understand the appeal of

Zooey Deschanel: seems to have carved herself out as the go-to queen of the quirk. I cannot stand her cutesy, look at me, bug-eyed, big-fringed, dressed-like-a-tranny-from-the-1980s vibe. Arrested Development is Michael Cera’s get out of jail free card, or else he’d be cast off in the same boat.

Russell_Crowe7 – Actor / Actress, living or dead, you’d love to meet

See next question – LOL. Seriously, I’d love to sit down and have a few beers with Russell Crowe. Of all the egos, stars, and reported stories from behind the scenes, he’s been the most fun to follow through the years, and sounds like he’d be a great drinking buddy. It helps that he can act the pants off of most people too, at least when he puts his mind to it.

Gina Gershon OH MY GOD SHE IS SO DAMN HOT8 – Sexiest actor / actress you’ve ever seen

I have always exclusively reserved my Hollywood-wood for the lovely Gina Gershon (Those eyes! Those lips! That hair!) – she’s like an expensive whiskey that keeps getting better with age. Although recently I saw a few photos of Italian actress Sophia Loren and my life hasn’t been the same since. Too close to call. Maybe Lizzie Capplin, or Penelope Cruz. Toughest question on the list for sure.

The Good Bad Weird Korean Blockbuster Dream Cast9 – Dream Cast

The Good, The Bad & The Weird is as close to a ‘dream movie’ I’ve seen in real life. However, if I were a producer I would go for… Brian De Palma directing an international action-thriller with an ensemble including Javier Bardem, Jean Reno, Penelope Cruz, Barry Pepper, Moritz Bleibtreu, Monica Bellucci, Vincent Cassel – all in their prime.

Boyd Crowder Raylan Givens walton goggins timothy olyphant justified10 – Favourite actor pairing

When Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins) are in the same scene my telly, brain, and Marshall stiffy pretty much explode simultaneously. The back-and-forth banter between those two is some of the best-written TV out there, and the actor’s chemistry is sublime.

BASEketball Court Matt Stone Trey Parker I hear your moms going out with SQUEAK]11 – Favourite movie setting

If I was living in a world where BASEketball or Death Race 2000 were actual sports I’d quit my job tomorrow. Being dropped into a Jean-Pierre Jeunet (Amelie, MicMacs, Delicatessen) or Luc Besson (Fifth Element, Adele Blanc Sec, Angel-A, Nikita, The Last Battle) would be wildly entertaining, although I know for a fact that this is going to change when Snow Crash is finally made – come on Hollywood, pull your finger out!

Amores Perros12 – Favourite decade for movies

I think the 2000s is a tough decade to beat, so much emerging talent and superb movies. Probably helps that I spent most of the decade in front of a cinema screen.

Oldboy, Amores Perros, Mystic River, A Bittersweet Life, Children of Men, Kill Bill Vol 1, Together, No Country For Old Men, 3:10 to Yuma, Battle Royale, Memento, The Fall, Intacto, Infernal Affairs, The Woodsman, Bourne Ultimatum, District 9, 3-Iron, Brick, Eternal Sunshine, Primer, Lilya-4-Ever, In Bruges, City of God, Love Me If You Dare

Commando John Matrix Rocket launcher four barrel carnage moustache guy multipl deaths13 – Chick flick or action movie

Action; every single time. I like the odd chick-flick now and again – Just Like Heaven, Princess Bride, SATC – but even the Mrs prefers a good old action-film over the chick-flicks.

James Bond 007 Everything or Nothing Sean Connery George Lazenby Roger Moore Timothy Dalton Pierce Brosnan Daniel Craig14 – Hero, villain or anti-hero

Two words – James. Bond. Total hero.

Survive Style 5+ Vinnie Jones 15 – Black and White or colour

Colour for the most part. I’m not particularly adverse to black and white – it has its merits – but I’ll take ‘modern cinema’ every time over the classics. Imagine watching films like Volver, Scott Pilgrim, The Fall, Lego Movie, Kill Bill and Survive Style 5+ in monochrome / B&W… no chance.

Casino Jack: the rise and fall of top Washington lobbyist Jack Abramoff, after his increasingly flaky attempts at influencing politicians lead to some ugly outcomes. It’s quite an interesting story, that’s part drama and part comedy / political satire. The film’s at it’s best when it’s dramatic: both Spacey and Pepper are red-hot, top-drawer, scene stealingly good. The comedy moments cover everything, from solid gags and witty lines all the way down the scale to unnecessary quirk – most annoyingly, Spacey‘s cinephile character bursts in to (some pretty good) cinematic impressions in every second scene. The direction matches what’s on screen, ranging from sensible handling of the dramatic moments, through to playful snappy quick-cuts and comedy timing. While the tone leaps all over the entire spectrum, there’s enough good performances, and moments of drama / satire to keep this watchable and entertaining. Not least, the film’s good for bringing Jack Abramoff, and his insane life story to your attention.

Score: 6.5/10

Seven Pounds: (Blu Ray) can’t mention any aspect of the story without giving it away, but this is essentially ‘The Will Smith Experience’ as he plays a stern, distant and socially awkward man with a questionable past. This film stews for far too long, not revealing any of the story for the first hour, starts making sense at the 1:30 mark and the penny finally drops at 1:45. For me this is far too long to rely on a single revelation, and will leave some viewers feeling short-changed or completely zoned out. The 5.1 mix is faint but atmospheric although the picture’s pretty colourless and a lot of the shots are deliberately unclear so this isn’t worth getting on BD, unless you really like Will Smith’s hair. Because they get so little screen time the supporting cast feel like a bunch of necessary extras. Not a lot else to say really, underwhelming.

Score: 4/10

The Three Burials of Melquiades Estrada: a modern western that’s divided between the ways of the old Wild West and the attitudes towards immigration in present America. It’s an outstanding directorial debut by Tommy Lee Jones, who also put in a fine performance: this was probably the biggest factor for his casting in No Country For Old Men. Barry Pepper’s personal journey is also powerful and believable, shame he’s never grabbed a decent leading man part. Although it’s quite slow, the story is so simple and powerful that it draws you in completely, and as the film goes on it all comes together quite nicely. The scenery on offer is magnificent, taking you from a tiny town in West Texas over the border, deserts and down to a Mexican paradise. It’s also got some of the driest humour you’ll find, with the highlight being a corpse comedy side story – morbidly dark but bizarrely funny. Simple and well executed story but the no-frills approach won’t be for everyone.

Score: 7.5/10