Tag Archives: upskirt

Spring Breakers: to fund their Spring Break, a ‘curvaceous quartet’ of gals rob a diner, which leads them to a decadent gangbanger rapper called “Alien”. Not one to watch with your parents, this opens with some terrible dubstep, and bikini babes partying (and a record-breaking 30 seconds ‘til the first slow-motion beer-covered tiddies). Despite being so sensational in parts the runtime hopscotches between a) surreal mix of “poignant & brilliant coming-of-age moments” (some of the most authentic-feeling ‘college girl’ insights) and b) “handheld/realistic/hedonistic Girls-Gone-Wild-type shenanigans”. It uses a very peculiar – non-standard – cinematic language that takes a while to tune in to; feeling almost dream-like, or stream-of-consciousness. Something more akin to a music video or (trying my hardest not to sound like a wanker here) “Liquid narrative”. There’s a heavily saturated / neon-drenched / golden hour colour palette that bumps already strong imagery up to the next level. Although it sells the film short; Spring Breakers feels like Michael Bay, Gaspar Noe, and Nicolas Winding Refn (content, narrative, cinematography respectively) got together to create a subversive alternative to the coming-of-age genre. The pairing of director Korine and legendary cinematographer Benoít Debie has produced something so sensorial and peculiar that it’s impossible to articulate. Is Spring Breakers a great film? Doubtful. Is it an important film? Possibly. Is it an interesting film? You bechurass it is!

Score: 7/10

The Girl on the Train

February 15, 2017

Film Reviews

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The Girl on the Train: follows a homo sapien with two X chromosomes on a track-based transport vehicle. Seriously though, blackout drunk alcoholic becomes involved in a missing person case that keeps throwing up more questions than answers. Blunt is outstanding. One of the best performances I’ve seen anyone give in a long time; complaints about her being too glamorous (duh, she is Emily Blunt!!) don’t wash with me, as she’s looked like a trainwreck for the majority of the film. The remaining cast – championed by an equally impressive Haley Bennett – are firing on all cylinders, it’s impossible to pick out a bad performance. Like the best narratives, the film is continually revealing new information that changes how we view the relationships between the main characters, and constantly shifting the focus and blame. It’s also refreshing to see a film centered on three completely different women; providing various view on motherhood, being a wife, and their strange three-way relationship, which are intelligently pleated through one another. I think the off-kilter, dark, and borderline horror tone (screechy strings, close-ups, titled cameras) will have alienated a lot of casual viewers. Critics and book snobs couldn’t beat this film down enough but as someone going in completely cold, it really impressed me: the only part I could imagine tightening up would be the lengthy introduction, but even then, it’s not too flabby. Although it was sold as “if you liked Gone Girl, you’ll love this” I’d sooner watch this again. The Girl on the Train is a gripping, dark, Hitchcockian thriller where nothing is spelled out, and it’s constantly swaying and misdirecting you, through to the revelatory ending.

Score: 8/10

Heavy Metal

October 26, 2016

Film Reviews

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Heavy Metal: animated action-fantasy anthology movie for adults. Technically, it should really be called “Heavy Metal, and soft rock, and a great movie score”, but that’s nitpicking… all you need to know is that the soundtrack is very varied and really drives the movie. The over-arching story is ambitious and comes together in the vein of a grand intergalactic rock opera with elements of Noir / Fantasy / Sci-Fi / Sword & Sandals – something for every type of nerd.. The 9 segments were made by different animation studios – giving each one a unique style, and they’re all so fantastically rendered that it feels like a showcase of the best hand-drawn animation of that period. Being a ‘cartoon for adults’ this is packed to the brim with violence, gratuitous nudity, and ladies with unimaginably large waps (it is based on a French fantasy magazine made for alternative teenage boys – duh). As with most anthology movies not all parts are created equally, and ‘trippy’ doesn’t come close to describing the more eclectic parts of the story; clearly all of the drugs were taken during the making of this, it’s probably the most 80s thing I’ve ever seen – at least since Tenebre. You have two choices with Heavy Metal: try to figure it out, fight it, and piece it together, or simply let it wash over you and absorb the crazy-good, now-defunct retro animation.

Score: 6.5/10

Soft Landing

Grimaldi

Harry Canyon

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Den

Captain Sternn

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B-17

So Beautiful and So Dangerous

Taarna

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Epilogue (Loc Nar)

November Man

November 30, 2015

Film Reviews

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The November Man: a lethal ex-CIA agent is brought back in for a simple extraction that tangles him up with a Russian politician, the CIA, and his former protegé. It’s one of those films set in the Soviet Bloc in which ‘everebadee talkz Eengleesh‘. It also boasts two former James Bond stars reprising the best bits of their roles – and for what it’s worth, it’s great to see Broz’s charisma again as he pouts and shouts his way from scene to scene in a antiheroic fashion. For a political/thriller there’s more than enough solid action scenes: car chases, foot chases, gunfights (complete with some John Woo style jumping / slow mo). There’s a shape-shifting plot that’s fun to follow, especially because the entire film is back to back plot-action-plot-action, that only briefly dips in the middle. It’s not all roses however; some of the sub-plots (like the mentor / master angle) feel very clunky, there’s a couple of weird directorial choices (like mad Dutch angles everywhere), and the woeful title isn’t explained until last 10 minutes – and it barely makes sense. Most importantly, there’s very little to distinguish this from a thousand other similar sub-Bourne movies based on shady CIA operations. The November Man is a solid – but unremarkable – Spy Thriller that sits just above the middle ground with entertaining performances and action.

Score: 6.5/10

Tokyo Tribe

November 9, 2015

Film Reviews, Japan-O-Rama

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Tokyo Tribe (AKA Tokyo Tribe2, トウキョウトライブトゥー, Tōkyō Toraibu Tū): near future Tokyo is divided into sections ruled by street gangs; but war is about to breakout when one gang tries to take over. Just when you think you’ve seen everything from Japan they throw out a West Side Story style film, acted out almost entirely though musical rap battles – a Hip-HOpera! It’s a sweet idea to begin with, but at two hours long it’s stretched to the limit; the continually repeated drum breaks become grating, and forcing the lines to rhyme means the dialogue feels clunky in parts – although it could be lost in translation. Also, because modern music videos have massive production, parts of this look a bit cheap in comparison. The set and character designs are impressive, epic sprawls of graffiti’d urban decay, futuristic nightclubs, and a grand dining room. Not that this needed it, but the manga origins give this licence to be crazy with some hammy acting (Buppa), big haircuts, robo-mecha babes… classic Japan! The action is well executed, and the large-scale finale battle is particularly impressive. It feels like the director knew that the rap-battles would only be novel for so long (it doesn’t help that the narrator / central character is uncharismatic) so he throws up something risqué every 5 mins or so to perk you up; gratuitous nudity and fondling, or provocative and controversial dialogue. From the director of Love Exposure and Cold Fish, this couldn’t be more different – but it’s an even more ambitious, unique, and admirable feat than those.

Score: 5/10

The ABCs of Death

November 1, 2015

Film Reviews, Short Films

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The ABCs of Death: Horror and Horror-Comedy anthology consisting of 26 short films from different directors, including some of the best and most notorious in the genre. The brief is simple; small budget, unlimited imagination, and be as anarchic, ambitious and outrageous as you can. Although there are a couple of stinkers, on-the-whole there are a lot of interesting, fun, and exciting segments in here; and hopefully it will be a gateway into world cinema, as the ‘foreign’ shorts are generally a cut above in terms of story and execution.

Score: 7.5/10

Apocalypse (Nacho Vigalondo): Some great use of black humour and physical effects. Great opener. 8/10

Bigfoot (Adrian Garcia Bogliano): Babysitting done right. Bogyman style Mexican ‘Snowman’. 8/10

Cycle (Ernesto Diaz Espinoza): Mini Triangle/Timecrimes style horror. Garden hoez! 7/10

Dogfight (Marcel Sarmiento): Best animal acting I’ve ever seen. Good mini plot & twist. 8/10

Exterminate (Angela Bettis): A campaign of terror from a spider. Too CGI reliant, but good fapping humour. 5/10

Fart (Noboru Iguchi): Some classic Japanese madness; schoolgirl lesbians overdosing on their teacher’s farts. 7/10

Gravity (Andrew Traucki): POV death by drowning. First stinker on the reel. 2/10

Hydro-Electric Diffusion (Thomas Malling): Steampunk Nazi Stripper Cat in XXX Loony Toons. 5/10

Ingrown (Jorge Michel Grau): Bathtubs, needles, scratching, vomit. Proper nasty & hard-hitting. 9/10

Jidai-geki (Yûdai Yamaguchi): Seppuku gone wrong. Very funny and awesome gore / FX. 8/10

Klutz (Anders Morgenthaler): Animation of a poop that just wont flush. One of the tamer segments. 6/10

Libido (Timo Tjahjanto): Very dark Mortal Kombat style masturbation competition. Unsettling and provocative. 9/10

Miscarriage (Ti West): Not scary, not well made, one cheap shock. Worst thing on the reel. 1/10

Nuptials (Banjong Pisanthanakun): Laugh out loud marriage proposal with a parrot. Charming and witty. 9/10

Orgasm (Bruno Forzani / Héléne Cattet): Feels more experimental and artistic-based than horror/gore. 4/10

Pressure (Simon Rumley): A prostitute doing a ‘crush film’ to pay the bills. Poignant and harrowing. 8/10

Quack (Adam Wingard / Simon Barrett): Too meta! A segment featuring the directors talking about their segment. Zzzzz 5/10

Removed (Srđan Spasojević): Surreal skit about a man being hacked to bits for his celluloid skin. Gross FX, potty mouth! 6/10

Speed (Jake West): Babes in the Desert trying to avoid death. Attitude, sass, style and striking visuals. 8/10

Toilet (Lee Hardcastle): A kid’s irrational fear of toilet training. Claymation madness! 9/10

Unearthed (Ben Wheatley): POV Vampire Vs Angry Mob. One of the slicker and better made efforts. 8/10

Vagitus (Kaare Andrews): Big action featuring a baby-eating robot and fertility. Slick CGI. 9/10

WTF! (Jon Schnepp): Another Meta segment, but genuinely WTF. Zombie clowns, pervy animation, hippy visuals & bloody babes. 6/10

XXL (Xavier Gens): Plight of a fat woman in today’s image-obsessed world. Repulsive SFX, hard-hitting story. 8/10

Youngbuck (Jason Eisener): a paedophile teaches a kid to hunt. 1980s montage style, mental, absurd, and great fun. 9/10

Zetsumetsu (Yoshihiro Nishimura): most outrageous segment; a topless Nazi babe with a big penis fights a girl firing veg from her lady garden. 9/11 depicted on tits; 3/11 (Fukushima disaster) on buttocks. Sex, violence, lesbians, and a fittingly OTT finale. 7/10

AVERAGE SCORE: 6.8/10

Air Doll

March 12, 2014

Film Reviews, Japan-O-Rama

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Air Doll (空気人形): a lonely singleton falls in love with the blow-up doll that has replaced his girlfriend; and one day she comes to life (this could only be Japanese). The first five minutes are an explosive combination of funny, creepy, peculiar and entertaining. The remaining two hours however is essentially a grating portrayal of childhood innocence, but here’s the kicker: it’s played through the eyes of a sex doll!omfg!! The moment you notice this is the moment this film bursts. It’s full of ludicrously whimsical and increasingly pretentious ‘life lessons’ about what makes humans human, played through a handful of seriously irrelevant stories and sub-minor characters (which I guess is to beef up the runtime). It also features one of my biggest pet hates: the doll gets a job in a DVD rental store so the director can crowbar in a bunch of his favourites / influences / kewl moviez. Worst. Trope. Ever. There are a couple of funny-ish cultural confusion moments, but they’re balanced out by several close-up shots of a removable rubber vagina being washed in a sink: can you say “shock value”? In fact, the only saving grace is the lead actress Bae Doona who does a great job and for the most part doesn’t feel the slightest bit human. Other than the first five minutes this is literally – and figuratively – as exciting as spending almost two hours watching something slowly deflating in front of you. Air Doll comes off the rails far too quickly, never picks back up.

Score: 2/10

Love Exposure

March 31, 2013

Film Reviews, Japan-O-Rama

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Love Exposure (愛のむきだし): everything’s epic these days: a night out, food, car insurance, 99% of fails… how about this for a movie epic: a 4 hour film examining the relationships between religion, cults, family, perversion, sins, obscenity, love, erections, and upskirt photography. THAT’S EPIC! First-off, it feels a lot more like a TV series: technically (camerawork, budget, quality etc) and story-wise in the four, quite individual hour-long segments of the film. The acting however is fantastic; all three youngster are great to watch, but the two main adults are particularly engaging and believable – really adds to the drama. When one of the main story threads is the usage of ninja moves (and weapons) to take upskirt pictures in order to sin – it’s mental, it’s batshit mental, and when you throw in some schoolgirl karate lesbians it could really only be from Japan. In saying that, it’s all done very well and with lots of humour, much like the pervert’s motto the film is “Careful, Oblivious and Bold”. Staying true to it’s subject matter, there’s at least one – if not a montage – panty shot every 10 minutes – so if that’s your bag, this is an absolute must-own. For being as long as it is, the melodramatic final half hour is the only time the film feels like it’s truly stretched. Love Exposure is a lot of things, but at four hours (237 minutes!) long, and containing this subject matter – forgettable is definitely not one of them.

Score: 7/10

Sucker Punch

April 4, 2011

Film Reviews

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Sucker Punch: after being checked into the world’s worst foster home Baby Doll must gyrate for her life, and has some super-crazy dreams to keep her mind off of the job. This is surely the single-biggest attempt to tick every single nerdy niche box: schoolgirls, robots, dragons, ninjas, goblins, WWI, Steampunk, noir, hosiery, vintage undies, pigtails, swords, the future, nazis, girls with guns, manga-influence, lesbian undertones… if geeks like it, it’s in here somewhere! As with previous outings Sucker Punch is very well directed, and a visual orgy-feast. However, this verges into over-direction, and over stylisation, which makes some scenes feel like a music video (with over-emphasised music), and others like a Victoria’s Secret advert (with an over-emphasis of lingerie). The dream sequences in particular look amazing, and are topped off with great fight/action choreography; unfortunately the asylum/caberet aspect gets tedious by the end. Sucker Punch May not be perfect but given the quality of Watchmen and 300 blu rays, I’ll be treating myself to this down the line – despite the pretty bleak colouring. Sucker Punch was a ballsy film to make, but it reasserts that Snyder is to pariah geek culture what Tarantino is to retro-cool.

Score: 6.5/10

Quantum Of Solace

January 29, 2011

James Bond January

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Quantum Of Solace: we join Bond about ten minutes after Casino Royale, trying to bring his main lead – Mr White – to M for questioning. After the culprit is busted out of custody by double agents in MI6, 007 has to find out how deep the terrorist group Quantum has compromised their operations. Back to back viewings definitely aids QoS as it’s definitely not a stand-alone film.

... and here's the government worrying about texting and driving!

The movie expands and reinforces what we previously learned about 007. As before, he remains a violent (yet arguably successful) instrument, with no self constraint or controllability, and a tendency to leave a trail of destruction wherever he goes – killing off almost every potential lead. Sadly, because 007’s riding solo for much of the story, and his Russian pal is a lady of few words we don’t get much new information, other than an emphasis on his insatiable desire to avenge Vespa. Revenge hasn’t looked this good since Bittersweet Life – Bond looks very sharp; wearing stylish suits, jackets and the very best of London high-fashion!

Making sure hit kills go out with style!

The action set-pieces in this film are shockingly handed. The cuts are so short, editing so rapid, and camera movement so shaky that trying to establish what’s happening and where the people are in relation to each other – and their surroundings – is impossible. Definitely the most poorly constructed action of all the movies.

Someone's falling? Running? Rooftop? Behind the other guy? In front? WTF?!?!

The single biggest thing that Quantum of Solace has going for it is the story, carrying on from the previous film, it follows Bond’s quest for revenge, coupled with his Carmille’s similar story. These stories are tied in with the great, and scarily realistic, idea of a secret society – similar to SPECTRE but with more humble, profit-driven plans – that permeates every institution from the British secret service to the CIA and some rotten dictatorships in Latin America. Not content with slating the easy political targets, it also casts a cynical eye over the UK and US governments for the first time – with both countries stating that they’ll work with anyone that has oil, or any other desirable resources.

Corrupt businessman and corrupt politician... I miss the megalomaniacs

As with the past few movies this one harks back to some of the older adventures, although I’m not sure if these are smug and subtle self-referencial nods, or just a side-effect of the franchise having to recycle old ideas because after 22 films, there ain’t a whole lot left to work with. QoS has the classic suffocation scene from Goldfinger re-done with oil, two people one parachute and the good ol Citroen – among others.

Strawberry Fields - Bond's wondering if the carpet matches the curtains...

The lack of gadgets is also starting to get pretty uncool. I realise that the re-boot is firmly rooted in reality – and we definitely don’t need another battle suit or invisible car – but it doesn’t have to be this boring. The only remotely technological things are a normal phone and a few Minority Report style computers.

"Folks, how do we compensate for no gadgets? Ah, explosions"

Other reasons this film stands out: sandy credits (that stuff goes everywhere!), gunbarrel sequence appearing at the very end (insane!), and someone in photography having a hard-on for contemporary architecture with the Opera house, Bolivian Hotel and Desert Hotel given lots of attention. Most insulting, is the ridiculous collection of stereotypical fonts used to represent different countries. Serious London font. Stylish Italian font. Quirky Latin American fonts. ЯúSSIдN font! How dumb do they think new-age Bond fans are?!?!

As the follow up to Casino Royale, Quantum of Solace is just not handled near as well, and while it’s not a bad film by any stretch of the imagination, it would be somewhat unfortunate to end a 22-film legacy with this. It it’s well photographed, has a villain, some Bond girls, a henchman and a nasty plot, but they’re all just so boring.

Score: 6/10

Felix looking like a mean-ass mo-fo!!

TOP TRUMPS
Villain: European, cool, short, hunched and limping, no talents. Booo! 3
Henchmen: Elvis – literally a secretary with a gun. Booo! 2
Babe: Sunburnt Russian girl. Ms Fields – a tasty toff. 7
Action: Car chase / Footchase / Boat chase / Aerial dogfight / Hotel fight at end (+ lift fight / bar escape). 5

With Bond 23 being kicked in to production James Bond January has done its job!

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Note: this was the very first ‘film review‘ I posted back in summer ’09!

Nick & Norah’s Infinite Playlist

June 20, 2010

Film Reviews

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Nick & Norah’s Infinite Playlist: 3 gay guys try to set up the ultimate band-nerd guy with the ultimate Indie Cindy, for double the awkwardness. Michael Cera plays himself again but to balance it up there’s loads of shots of Kat Denning‘s extraordinary, super-sized, super-bouncy, jiggly-and-beatuiful… lips. The first hour has a drunken side-story that Ke$ha seems to have based her career on, although it’s got the most rancid (toilet) gross out I can remember. Samberg & Burrell get blink-and-you’ll-miss-it cameos. The film only just loses out to (500) Days of Summer on the quirk score leader board, no mean feat! There’s some good running gags (chewing gum/Taxi) and a few good scenes; the romantic moment where the camera follows the mic leads through to the studio is great. It’s enjoyable but totally vapid and inoffensive with a predictably boring N.Y. based indie/art rock soundtrack.

Score: 5/10

The Fox Family

March 3, 2010

Film Reviews

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The Fox Family: bear with me here… it’s a comedy musical about 4 foxes trapped in people’s bodies that need to find live human livers to eat at a specific time in order to become fully human, they also run a circus; makes sense? Because it’s Korean and weird the style is characteristically slapstick, raunchy, gory and camper than a row of tents. The ‘musical’ element is overplayed with only a handful of songs, none of which are catchy. There are some good jokes and memorable scenes like lapdancing on a subway carriage, sexy noodle montage and tramps / riot police / activists bursting into dance but you kind of get the feeling the story and music were written in one big (stoned) session and nobody bothered to check it afterwards. Unfortunately this ‘unique’ idea ends up being mediocre so for birazzo Asian musicals, best stick to the ‘Happiness of the Katakuris’

4.5/10

Hell Ride

January 23, 2010

Film Reviews

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Hell Ride: Biker ‘Pistolero’ is out for revenge after a rival gang had his lady killed years back. Scene one: guy lying on the ground with an arrow in his stomach. Scene two: some chick being beaten, tied, throat slit and burned. Rest of film: bodies dropping right, left and centre. This my friends, is ‘Bikesploitation’ – bikes, babes, beards and beer tediously linked by a wafer-thin plot. The casting is just as poor, especially Michael Madsen, who is 100% Budd from Kill Bill, Vinnie Jones as another badass, and remember cyber nerd Milo from 24, just pretend he’s really mean. The dead men walking supporting cast were so indistinguishable (hairy, shades and stupid names) that it was pretty hard to follow who was who, although they all got killed, so meh! It’s good to see Dennis Hopper and Dave Carradine on screen again. It had so much potential and although I wasn’t expecting much it still disappointed; it really is one of those films that is so bad it’s… bad. Note to Tarrantino: please stop presenting shite films!

Score: 2.5/10

The Machine Girl

January 20, 2010

Film Reviews

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Machine Girl: (Blu Ray) the story’s just a vehicle for the onslaught of gore, so it’s not even worth dwelling on… ‘revenge’ should cover it. This action & blood fest includes… <spoilers> shot in the eye, face shot to bits, hand hacked off, exploding head (2), maid murder, extreme bullying, tempura arm, brains facial, intestine facial, blood facial showers (gave up counting – ?), cook brutality, forced cannibalism, ninja stars (?), fingers sliced, amputation (2), necrophilia, urban ninjas (3), decapitation(?), blood drinking, nails in the face, fountains of blood (?), chainsaw deaths (?), bucket of death (2), limb fighting, an unforgettable boob job and many an OTT gory death. To lighten he mood they also chucked in some… swordfights, cleavage, ghosts, questionable first aid, midriff, sexy lingerie, a drill bra, pant wetting, death by strobes, Japanese schoolgirls and a MILF. </spoilers> The picture quality drifts between barely acceptable and below upscaled DVD, the sound is also poor – definitely not worth paying more for the BD. Bad and camp acting throughout, but for being on a budget the gore’s pretty good and is more comical than serious. It’s pretty entertaining but definitely a required taste: think ‘Story of Ricky’, ‘Braindead’, ‘Versus’, ‘Bad Taste’…

Score: 3/10

Survive Style 5+

January 16, 2010

Film Reviews

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Survive Style 5+ : I wish I was in the meeting when this was pitched! The fun & upbeat DVD menu / opening credits do their best to prepare, although I don’t think anything could. It’s so amazingly colourful, the music’s beat-tastic and the pace is nothing short of rapid – this is totally fresh and original. The only way I can remotely describe this is an enjoyable ‘Punk Film’ if that makes sense!? Above the style, the characters are also memorable and unique: an outrageously hot wife that keeps getting reincarnated, a hip-thrusting tiger-obsessed hypnotist, a hitman who kills anyone who’s ‘function in life’ is unnecessary, a man that thinks he’s a bird and 3 gay burglars (‘Come baby, come come baby’ is ingrained in my brain). Despite the crazy ideas and characters all five stories are connected and, although it’s fragmented, the narrative makes sense. It grinds to a halt in the last 20 minutes, other than the last scene, which is the only fault I have on this. The most fun I’ve had watching a film in ages. Modern Japanese cinema at it’s very best!

Score: 8.5/10

Rollerball

December 14, 2009

Film Reviews

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Rollerball: ‘updated’ re-make of 1975 classic. NHL potential heads over to the Soviet Bloc to partake in a dangerous sport. Opens with an awesome downhill street luge race through ‘cisco. Everything about Rollerball is totally macho: the sport, cars, bikes, heavy metal, technology, steel, babes, action… which begs one question: who cast the effeminate Chris Klein as the hero? He’s far too nice & boyish to be a convincing gruff badass – and looks ridiculous with fake stubble. Even LL Cool J is a bit cuddly these days. Surely a pair of real badasses would have been more appropriate!? The industrial / metal music’s used well for heightening the action scenes and it seemed to borrow visuals from the Running Man, Starlight Express and PS1 game Dead Ball Zone, neither of which is a bad thing. Some crazy spot-the-cameo moments. The last half hour absolutely ruined the film with a lame night-vision chase, feeble sound effects (boi-oi-oing), a clichéd ending, poorly edited action, and the super-crap super-dated symbolism of an American starting a revolution on Soviet territory. Not quite ‘RollerBollocks’, but not far off.

Score: 3.5/10

The Toxic Avenger Part II

November 3, 2009

Film Reviews

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The Toxic Avenger Part II: 5 years after the original, Melvin’s still sweeping up crime with his mop – from NJ to Japan. You know it’s going to be good when, 2 minutes in, a blind pensioner gets shot out of her wheelchair. Unfortunately most versions of the T.A. series have been very heavily edited, with most gore cut out and the gratuitous nudity blurred. Films like this were never meant to be taken seriously: the camp script, silly slapstick gags and playing on stereotypes make it really enjoyable, even fun, to watch. The stunts, special effects and explosions are all great and it has a feel somewhere between Cannibal the Musical and the original Power Rangers. People slate this and compare it to the first film, although twenty years later this is still one of the most entertaining B-movies around. Great example of independent film, that’s well worth watching if you can track it down! Radioactive Fun.

Score: 6/10

Evil Aliens

September 30, 2009

Film Reviews

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Evil Aliens: from the opening abduction scene you know this film’s going to be staple b-movie territory: social stereotypes, urban legend, broken down vehicle, drugs etc… The one thing this film does better than the rest is Gore, by the bucketload. Limbs, blood and guts fly around for the duration and there’s at least a dozen blood-facials – I’ve not seen gore on this scale since Braindead! It looks and feels like a mix between a Welsh Independence Day and a Slipknot music video, yet it’s shot and mixed pretty well. The story oscillates between disturbing and ridiculous, but it’s totally watchable and never makes you cringe, coupled with the gratuitous smattering of babes and it’s a winner. Pretty generic story but it’s saved by the gore and the humour – definitely one of the better B-movies.

Score: 5/10

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Straight-to-the-point movie reviews: from Action to Zombies

Archive

Tag Archives: upskirt

Spring Breakers

The Girl on the Train

Heavy Metal

November Man

Tokyo Tribe

The ABCs of Death

AVERAGE SCORE: 6.8/10

Air Doll

Love Exposure

Sucker Punch

Quantum Of Solace

Nick & Norah’s Infinite Playlist

The Fox Family

Hell Ride

The Machine Girl

Survive Style 5+

Rollerball

The Toxic Avenger Part II

Evil Aliens