Sucker Punch
Sucker Punch: after being checked into the world’s worst foster home Baby Doll must gyrate for her life, and has some super-crazy dreams to keep her mind off of the job. This is surely the single-biggest attempt to tick every single nerdy niche box: schoolgirls, robots, dragons, ninjas, goblins, WWI, Steampunk, noir, hosiery, vintage undies, pigtails, swords, the future, nazis, girls with guns, manga-influence, lesbian undertones… if geeks like it, it’s in here somewhere! As with previous outings Sucker Punch is very well directed, and a visual orgy-feast. However, this verges into over-direction, and over stylisation, which makes some scenes feel like a music video (with over-emphasised music), and others like a Victoria’s Secret advert (with an over-emphasis of lingerie). The dream sequences in particular look amazing, and are topped off with great fight/action choreography; unfortunately the asylum/caberet aspect gets tedious by the end. Sucker Punch May not be perfect but given the quality of Watchmen and 300 blu rays, I’ll be treating myself to this down the line – despite the pretty bleak colouring. Sucker Punch was a ballsy film to make, but it reasserts that Snyder is to pariah geek culture what Tarantino is to retro-cool.
Score: 6.5/10
Paragraph Film Reviews 
Snyder has something to say here about female action heroines and sexual politics and how women fit into a cinematic genre dominated by men and how women combat male oppression. He does. But he doesn’t know how to say it and it all gets lost in a story that cares much more for style and flair than anything meaningful. It’s a flash-in-the-pan, high-concept action movie that demands to be seen once and forgotten not long after.
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Despite the horrible reviews, I’m interested in watching this. The trailer grabbed my attention. I really like the idea of them going inwards in order to escape the asylum.
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