Broken City Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Barry Pepper, Jeffrey Wright, Alona Tal, Natalie Martinez, Michael Beach, Kyle Chandler, James Ransone

Broken City: A cop-turned-P.I. is out for revenge after the corrupt Mayor of New York attempts to frame him for murder. This film is a lot of things, some of them not what you’d expect, but for all the shortcomings, it’s always quite fun to watch, if you go along with it. The casting is top-notch, and for the most part, everyone’s giving it welly – particularly Crowe, who’s clearly having a ball. Marky Mark is playing short-tempered Marky Mark, Barry Pepper is – as always – a solid minor character, Zeta-Jones is a seductive MILF… that’s all fairly standard. My biggest issue is that it’s an out-and-out 40s/50s noir script, but set in contemporary New York. It wants to have all of the classic genre elements, but in a modern setting – but it just doesn’t sit well: unlike something like Brick, which has more of a timeless feel. There’s also a ridiculous sub-plot about his model/actress wife, that doesn’t really go anywhere – he should have just been hardboiled. Although not quite as good as you’d expect from this caliber of actors, it’s nowhere near bad – more like the kind of film that you would see being re-re-re-re-repeated at 11pm on a weeknight on some far-flung channel, but with a stellar cast and decent director.

Score: 6.5/10

Have you always wanted to give foreign films a try but don’t know where to start?

There’s something for everyone in the ‘world cinema’ section of any shop – you just need to know what to look for. Foreign films aren’t all 4 hour-long arthouse softcore snooze-fests; although there are some… The only advice I would give to first-timers is to avoid dub-tracks at all costs and go straight for the subtitles (voice acting is generally stale, lips are out of sync, you lose the performance, and famous voices can distract you)

Below is a list of ‘Entry Level’ movies to get you started. There’s nothing too heavy on dialogue or ideas. These are ‘gateway’ movies to show that there’s an alternative to Hollywood’s churn-and-burn franchises. Some of the choices may seem obvious, but this list is aimed at absolute beginners. Most similar lists I’ve seen seem to stop at around 1970 listing ‘classic after ‘classic’; which aren’t necessarily the most accessible movies for novices.

THE RAID REDEMPTION gareth evans iko Uwais Joe Taslim Donny Alamsyah Yayan Ruhian Pierre Gruno Tegar Setrya Ray Sahetapy kick ass action film fighting scene machete watch streamThe Raid (‘Serbuan Maut‘ – Indonesia): imagine an action film where pretty much the entire runtime is nothing but bone-breaking, innovative, and mesmerising fight sequences! An action film that delivers on real, physical stunts and traditional fighting & filming techniques! An action film that says no to overblown and unnecessarily cheap-looking CGI, and gratuitous back story of 1D characters. The Raid (and The Raid 2) are movies that don’t disappoint. TRAILER

Run Lola Run Lola Rennt Tom Tykwer Moritz Bleibtreu Franka PotenteRun Lola, Run (‘Lola Rennt‘ – Germany): A simple concept played out three times, in a variety of frenetic, stylish, and a adrenaline-pumping ways. The plot follows a girlfriend’s attempts to bail out her debt-ridden boyfriend before his lenders send him to sleep with the fishes. You could watch this and think about free will, chance, the butterfly effect etc – or you can sit back, switch off, and let it hypnotise you. Bright, poppy, and with a pounding dance soundtrack, this plays out like an elongated music video. TRAILER

Hard Boiled 1992 John Woo, Yun-Fat Chow, Tony Chiu Wai Leung, Teresa Mo, Philip ChanHard Boiled (‘辣手神探‘ – Hong Kong): So you love the iconic gun fights from films like Face/Off, The Matrix, and Shoot ‘Em Up – awww, that’s cute. How about some genre-defining gunplay complete with doves, explosions-ahoy, and slow-motion bodies flying in all directions – delivered by the master of infinite-ammo action, John Woo. This is the peak of the ‘Heroic Bloodshed’ genre of action; basically kung fu but with guns. The final hospital shootout is among the best action scenes ever filmed. TRAILER

Love me if you dare Guillaume Canet, Marion Cotillard Yann Samuell La Vie En Rose Jeux d'enfantsLove me if You Dare (‘Jeux d’enfants‘ – France): Love stories, meh, I’m not usually a fan – but here’s one that’s quirky, cool and doesn’t star Zooey Deschenel (WTF, France?!?). It follows two best friends from children to pensioners as they struggle to be in the right place at the right time for their life-long love to truly work out. Any film this poetic, stylish and charming – to the point of warming your heart – could only be French! TRAILER

The Good Bad Weird Korean Blockbuster Dream CastThe Good, The Bad, The Weird (좋은 놈, 나쁜 놈, 이상한 놈Korea):  one of Korea’s best directors, and a handful of the country’s biggest stars in a story about three outlaws trying to find ancient treasure before the Japanese Army and other bandits. This is a fun historical romp that entertains for the duration, like an Indiana Jones film. It’s an Italian-style spaghetti western, with Hollywood sensibilities, but still remains a very ‘Korean’ feeling movie; combining some of the best aspects of 50 years of ‘world cinema’ together perfectly. TRAILER

Los Cronocrímenes Timecrimes Karra Elejalde, Candela Fernandez, Barbara Goenaga, Nacho Vigalondo, Juan InciarteTimecrimes (Spain): Whilst on vacation with his wife everyman Hector sees a lady undressing at the edge of his property, which sets off an elaborate chain of events. Here’s to the highconcept, low-budget timetravel film with no SFX! It’s hard to say more without ruining the film, but this one stands out for being completely rooted in the real world; the characters feel human, the baddie fumbles around, the settings are banal but creepy. Simple, clever, and effective. TRAILER (contains spoilers)

01 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio WatanabeThe Street Fighter (激突!殺人拳 – Japan): when he refuses to kidnap a billionaire heir for the Yakuza, they try to kill the street fighter – which turns out to be a terrible decision for all involved. This is the first movie to get an R rating for violence alone, a major influence of a Mr Tarantino, and while it’s not as shocking as it would have been 40 years ago, it’s still a brilliant Martial Arts movie. It’s also been deemed important enough to be made available for free on the public domain (LINK) TRAILER

Troll Hunter Norway Film Review Movie Pics Screenshots Screencaps Otto Jespersen Glenn Erland Tosterud Johanna Mørck Tomas Alf Larsen Urmila Berg-Domaas Hans Morten Hansen Robert Stoltenberg Knut Nærum Eirik Bech André ØvredalTrollhunter (‘Trolljegeren‘ – Norway): mockdocumentary following an old school troll-hunter (mythical ones, not internet trolls) as he helps keep these magnificent beasts hidden from the unsuspecting public. This one’s a dead-pan slow-burner that packed with loads of tiny details about trolls and their mythology. The central character is played superbly, taking his job very seriously, which engages the viewer. Great black comedy / fantasy satire. TRAILER

Ring Ringu Nanako Matsushima Hiroyuki Sanada Rikiya Ōtaka Yoichi Numata Hideo NakataRing (Ringu – Japan): You know the drill; after watching a cursed VHS you get a phone call saying “you gonna die lol”, and you spend your last week in a pants-shittingly terrifying nightmare scenario. A victim of its own success, having being parodied everywhere, it’s easy to forget how scary this film is; it’s broody, atmospheric, restrained, and genuinely terrifying. The haunted mother of the J-Horror genre, which kick-started the trend of (usually botched) Asian horror remakes. TRAILER

Micmacs à tire-larigot Jean-Pierre Jeunet Non-stop shenanigans Dany Boon Yolande Moreau Dominique Pinon André Dussollier Jean-Pierre MarielleMicMacs (‘MicMacs à tire-larigot‘ – France): after losing his dad to a landmine, and being hit by a stray bullet  Brazil sets out to take his revenge on the two weapons manufacturers responsible. Despite being a sharp commentary on the arms industry the title translates as “non-stop shenanigans”, and that exactly what this is. A fun take on the classic ‘revenge’ story, this is from French visionary Jean-Pierre Jeunet; who somehow manages to capture surreal and dream-like worlds perfectly – and manages to make this modern film look and feel like a Golden Age classic. TRAILER

Which foreign film would you recommend for a beginner and why?

Please leave your film suggestions and reasons in the comments.
I’ll hopefully have enough to create a follow-up post – which would credit your entry and link back to your website.
Remember though, these are NOT the best foreign films per se, but the best ones for introducing people to world cinema.

Stoker Chan-wook Park, Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville, Ralph Brown,

Stoker: when a young girl’s close father dies, his mysterious brother appears – a charming, yet mysterious character that she slowly becomes besotted with. Being a ChanWook Park movie, this has his stamp all over it – meticulous direction and framing, packed with striking, bold, elegant, and often haunting visuals. It’s a richly textured film, full of vivid colours, fabrics, designs, and patterns – ultra-visual cinema. Story-wise, it’s a relatively simple three-hander, focusing on layered and complex characters – that unravel, and become more intertwined as the events unfold. Perhaps because it’s a coming-of-age movie, it sticks out as being very level compared to previous works, shying away from the drama and (sensational) gore that director is used to providing, instead coming over as delayed intensity. Written by an actor, and directed by one of the world’s greatest – Stoker is a unique beast where the Korean director appears to be anticipating any ‘lost in translation’ moments from the script, by emphasizing the focus the universal visuals – you could watch this in any language and still make full sense of it. An immersive, throwback Hitchcockian thriller.

Score: 7.5/10

Stoker Chan-wook Park, Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville, Ralph Brown

Pro All Star Wrestlers Vs Zombies Rowdy Roddy Piper, Kurt Angle, Matt Hardy, Hacksaw Jim Duggan, Taya Parker, Reby Sky, Shane Douglas, Richard John Walters, Cody Knotts

Pro All-Star Wrestlers Vs Zombies: when a murdered wrestler’s brother brings him back to life, he tricks several famous wrestlers into an abandoned asylum for a private show – full of killer zombies. Welcome to the dark side of Kickstarter; where any n00b director can get any movie funded by promising fanboys and fangirls a tantalising list of B-movie niches. To get it out-of-the-way – this film is pants. The script is rubbish, the plot is woeful, it’s poorly filmed, it’s terribly edited, the sound/overdubbing is horrible and worst of all, even the fighting scenes are at best averagely filmed and edited. On the plus side the make-up is alright, and the crimson gore is serviceable. I hate sticking the boot in to any film, let alone a cheap indie, but there’s no excuse for bad film-making these days, not even the shoestring $30K (or thereabouts budget). Primer and El Mariachi cost $7K each, Eraserhead – $10K, Paranormal Activity – $15K, Blair Witch – $20K, Catfish – $30K… Film-making equipment is now smaller, lighter, cheaper and more readily available. The main reason I suspect is that the wrestler’s fees took up most of the budget? I love wrestling, and B-movies – and watched this with a die-hard wrestling fan – whilst keeping up with a drinking game (see below for details) and even then it was still a chore making it to the end. Despite the big names and premise, there’s not even that many good wresting in-jokes or terminology (“Jobbers die, not headliners” and a coconut being the two standouts). Wrestlers Vs Zombies is another film where the idea and title are infinitely better than anything in the movie itself. The point below is for Roddy Piper, and nothing else.

Score: 1/10

 

WRESTLERS vs ZOMBIES DRINKING GAME

1 – Every time you hear the phrase “The Franchise”
2 – Every time there is a proper wrestling move: slam, hold, leap etc
3 – Every time you hear a (woeful) heavy metal song

 

 

Nightcrawler Lou Bloom Jake Gyllenhaal, Rene Russo, Riz Ahmed, Bill Paxton, Ann Cusack, Kevin Rahm, Kathleen York, Eric Lange, Eric Lange, Pat Harvey,  Kent Shocknek,

Nightcrawler: when he spots an opportunity to sell footage of crimes to news channels Lou Bloom goes from petty thief to media entrepreneur – and nothing’s getting in the way of his thorough business plan. First off, this is an absolutely stunning portrayal of a sociopath; somewhere between Patrick Bateman and Anton Chigurh (No Country). Gyllenhaal does intensity like few other actors, with a role that covers everything from genuinely motivational speeches to disturbingly perceptive and socially inappropriate awkward-fests. Like all of the best on-screen psychos there’s an unsettling charisma around the character that draws you in; allowing them to supply moments of admiration, and not just shocks. Los Angeles feels equally divided between the soft ethereal skies and harsh emergency & neon lights – providing the perfect setting for this equally bipolar character. More generally, the film’s beautifully shot and put together – with several very intense, heart-racing moments of genuine tension. It also serves up a thick layer of social commentary and (bleak black comedy) leaving you to judge who’s the worst – the guy filming it, the news broadcasting it, the people watching it… or you for enjoying this? Despite being overlooked at awards season I couldn’t recommend this enough; great performances, well-crafted, entertaining, shocking and thought-provoking – Nightcrawler has it all.

Score: 9/10

Nightcrawler Jake Gyllenhaal, Rene Russo, Riz Ahmed, Bill Paxton, Ann Cusack, Kevin Rahm, Kathleen York, Eric Lange, Eric Lange, Pat Harvey,  Kent Shocknek, Nightcrawler Newsroom Jake Gyllenhaal, Rene Russo, Riz Ahmed, Bill Paxton, Ann Cusack, Kevin Rahm, Kathleen York, Eric Lange, Eric Lange, Pat Harvey,  Kent Shocknek,

John Wick Keanu Reeves, Michael Nyqvist, Alfie Allen, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe, Marilyn Manson,John Wick: after his wife dies thugs steal his car and kill his dog, which forces former assassin and ‘bogeyman’ John Wick to go on a rampage of Archer proportions. No need to worry about the Bechdel Test with this film – as the only two women with dialogue appear as a video recording, and a sassy female hit-woman. No need to worry about the plot either, as it’s based around a hotel where assassins live and party with each other – and gold coins are the preferred payment method. Whilst Keanu isn’t the most watchable of frontmen he handles is action scenes with style, and Nyqvist, McShane, Dafoe fill in any gaps with fun roles. Reminiscent of 90s European / Asian action movies like Taxi, District 13, Hard Boiled etc – this is all about the guns, cars, pounding techo music and hyper styalised violence, of which there is shitloads. The action scenes are second to none: graphic and wild gunplay (most villains get ‘double-tapped’ – chest then head), there’s excellent combat which incorporates wrestling holds and slams, and a couple of nifty car chases. One of the directors is a stunt man, which shows as the action scenes are a cut above your standard affair. John Wick is a rarity these days – a no-brainer, balls out, gritty revenge / action film, that sticks to its R-rating and doesn’t claim – or try – to be anything more. It’s the kind of film that Taken 3 wishes it was.

Score: 8/10

John Wick 2 Keanu Reeves, Michael Nyqvist, Alfie Allen, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe, Marilyn Manson,

Taken 3 Bryan Mills, Liam Neeson, Forest Whitaker, Maggie Grace, Famke Janssen, Dougray Scott, Sam Spruell, Jon Gries, David Warshofsky, Jonny Weston,

Taken3: when he’s framed for the murder of his wife ‘Dad of the year’ Bryan Mills needs to clear his name, and keep his daughter out of danger. For a blockbuster film the action sequences are frustratingly disappointing – looks like they’d been filmed for a more violent edit, then cut down to get the lowest certificate possible; leaving them disjointed, and Neeson looking like he’s barely trying (Seagal in Russia style). More generally, everything about this is lifted and slightly shifted from the first movie: he meets the wife, but they’re getting on slightly better; there’s a torture scene, but it’s waterboarding instead of electricity; he meets the lads, but they’re golfing instead of BBQ-ing; they have a chase, but instead of a boat, it’s a plane; Kim’s gift it a teddy bear instead of a karaoke machine… There’s too much time spent re-treading overly familiar ground, trying to add depth to one-dimensional (and already established) characters and relationships – at the expanse of time that should have been piling up Eastern-European bodies. Despite being a derivative and inferior shadow of the first movie, Taken 3 is nowhere near as terrible as the 1* reviews would suggest; it’s just that with the first film being so great the sequels taste all the more bitter.

Score: 4/10

More widely; the Taken trilogy (and Expendables) perfectly sum up the problem with successful “one-hit wonders”. Both were originally Hard-18 blood-and-guts nasty / B-movies, kneecapped to a more timid 15 for the second installment, then a paralysing 12A for the third – removing any semblance of the original films which weren’t actually all that different, but had the edge in terms of violence, and no expectations

Taken 3 Panda Bryan Mills, Liam Neeson, Forest Whitaker, Maggie Grace, Famke Janssen, Dougray Scott, Sam Spruell, Jon Gries, David Warshofsky, Jonny Weston,

FuckYeaPANDA: So long, and thanks for all the dosh

Kung Fury David Sandberg, Jorma Taccone, Steven Chew, Leopold Nilsson, Andreas Cahling, Eleni Young, Helene Ahlson, David Hasselhoff,Kung Fury: After being struck by lightning and bitten by a cobra a cop is transformed into a Kung Fu master and swears to protect his city from evil; evil like Adolf Hitler. Not unlike a Zucker brothers comedy, Kung Fury is crammed with a continuous assault of gags – lots hit the mark, some don’t, but the rapid pace doesn’t give you time to dwell on any of them. There are however a couple of big reservations that hit you when watching this: firstly, it all seems overly familiar because the film’s structured like a collage of ‘cool’ scenes, ideas and parodies from lots of great sources – Danger 5 (literally dozens of ideas stolen from this), Iron Sky, Oldboy, MacGruber, Mortal Kombat, ThunderCats, MASK… all of which are welcome, but you’ll have seen elsewhere. Secondly, with the characters being steampunk Nazis, talking animals, Viking babes with machine guns, dinosaurs etc – it feels like box-checking meme-bait: think SuckerPunch distilled into 30 minutes. Aesthetically, it looks beautiful and feels retro – mostly green screen, but all very well done, with seamless editing, and a couple of nostalgic VHS wear / tracking / distortion moments that really play up the 80s setting. There’s no denying that Kung Fury is fun, entertaining, and particularly well-crafted given the CGI-heavy nature – but ultimately it’s let down by a distinct lack of originality content.

Score:  7/10

You can watch the entire movie on YouTube below

Game of Thrones Season 1 Mark Addy, Maisie Williams, Sean Bean, Harry Lloyd, Emilia Clarke, Michelle Fairley, Jason Momoa, Emilia Clarke, Kit Harington, Iain Glen, Rory McCann, Peter Dinklage, Nikolaj Coster-Waldau, Lena HeadeyGame of Thrones (Season 1): several noble families with royal ties feud over the right to rule all seven kingdoms in a medieval-ish fantasy epic. One year prior, Spartacus was balls deep in rumpypumpy and graphic violence, which felt like it was pushing boundaries; then someone in HBO said had said: “lets take Spartacus as a starting point, then add as much over the top sensational stuff as you can. 3, 2, 1… GO GO GO!”  GoT is loaded with full frontal nudity (sausages, chuffs, and udders), blood, gore, prostitutes, lesbians, and as much offensive language as censors allow; not to mention the taboos like breastfeeding and incest being pretty major plot points. Whilst these add to the show’s notoriety, it detracts from the Rome-like inter-weaving political storylines; continually reminding you that it’s actually being pitched at teenage boys. Other than the odd stinker (Arya Stark!!) the cast are generally decent; although different characters giving their roles different levity levels – from scenery chewing (King) to borderline comedic (Bronn). Peter Dinklage is the one actor that really sticks out from the vast ensemble – impressing and entertaining with his larger than life character. Due to the number of characters, families, locations and concurrent plots there’s a lot of dialogue-heavy slapdash whistle-stop history & exposition lectures between characters – some hit the mark better than others, but most are required. While there’s one big “Holy Shit” moment, Season One feels like a 10-hour teaser – promising better things to come; introducing white walkers (zombie-ish creatures), dragons, teeing up a war – but blatantly not following any of it through to anywhere near conclusion.

Score: 6/10

Game Of Thrones Season 1  Mark Addy, Maisie Williams, Sean Bean, Harry Lloyd, Emilia Clarke, Michelle Fairley, Jason Momoa, Emilia Clarke, Kit Harington, Iain Glen, Rory McCann, Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey Game of Thrones Season 1 Mark Addy, Maisie Williams, Sean Bean, Harry Lloyd, Emilia Clarke, Michelle Fairley, Jason Momoa, Emilia Clarke, Kit Harington, Iain Glen, Rory McCann, Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey

Winters Bone Jennifer Lawrence, John Hawkes, Lauren Sweetser, Garret Dillahunt, Dale Dickey, Shelley Waggener, Kevin Breznahan, Ashlee Thompson, Tate Taylor, Sheryl Lee

Winter’s Bone: an old-before-her-time teenager must hunt down her estranged father in order to keep her house, and troubled family together. The general structure of almost any film is: set up, complication(s), and resolution. In Winter’s Bone all three sections consist of Jennifer Lawrence running around in the wilderness looking for her dad, which is so flat and one-dimensional that it tires very quickly. Almost every scene plays out like this – “Is my dad here?” “Can’t tell you child”, “tell me”, “no” – repeat x40. It’s also tear-inducingly bleak in it’s visuals and style – everything greyed out and void of any interest. It’s all a bit Cormac McCarthy-esque, not unlike The Road. Lawrence is decent – in a HungryGames style role – but the standout for me is her uncle Teardrop (John Hawkes) who is absolutely spellbinding. What with all of the plaudits this comes with, you can’t help but feel a bit cheated by it. A very, very solemn version of “Dude, where’s my Dad?”

Score: 3/10

Winters Bone 2 Jennifer Lawrence, John Hawkes, Lauren Sweetser, Garret Dillahunt, Dale Dickey, Shelley Waggener, Kevin Breznahan, Ashlee Thompson, Tate Taylor, Sheryl Lee

Se7en Seven 1 Morgan Freeman, Brad Pitt, Gwyneth Paltrow, Kevin Spacey, R. Lee Ermey, John C. McGinley, Richard Roundtree, Leland Orser,

Se7en (aka Seven, 7, Sept, Siete, Sieben, セブン, 七, 일곱 …) during a veteran detective’s final week a gruesome serial killer surfaces, whose work is based around the seven deadly sins. Despite being released in the mid-90s and framed as ‘modern’ this has a sense of timelessness; it’s puply and Noir to the core – especially Freeman’s character, who’s straight out of the 40s. This is just part of Fincher’s portrait of an extremely nihilistic vision of ‘downtown’ America – a nameless, timeless city characterised by sirens, rain, fear, vice and filthy, dilapidated buildings mirroring their residents. It’s a dingy look, but one that has subsequently influenced a lot of movies and TV (The US Killing as a prime example). Whilst the story takes a while to properly get going once it gains momentum it’s an unstoppable force -right through to the very last scene. It’s also remarkable that 20 years on it’s still effective, and shocking – which is a testament to Fincher’s directorial skill.  Despite all of the larger than life blood and guts, Se7en is all about the minor details; everything helps to flesh out the characters and explain their behaviours – allowing you to pick out more details every time you watch it, which is what makes it a classic.

Score: 8.5/10

Se7en Seven 2 Morgan Freeman, Brad Pitt, Gwyneth Paltrow, Kevin Spacey, R. Lee Ermey, John C. McGinley, Richard Roundtree, Leland Orser,

The Factory John Cusack, Jennifer Carpenter, Mae Whitman, Ksenia Solo, Dallas Roberts, Sonya Walger, Maxim Roy, Mageina Tovah, Michael Trevino

The Factory: when his daughter is taken by a kidnapper who has successfully evaded him for years the clock is ticking faster than ever for a Buffalo detective. Featuring Cusack, and a similar type of story, you may expect something like The Frozen Ground; or a movie like Insomnia, Se7en, Mystic River etc… Unfortunately, this isn’t in the same ball park. The story’s horribly clunky, and the clues/pointers are even worse – in particular a ridiculously bumbling angle about fertility and infertility which would stick out in any dialogue. The film (and detective) flounder from missed clue to missed clue before it throws up a preposterous ending – complete with flashbacks for those at the back not paying attention. The title of the film makes no sense until the last 2 minutes of the movie – which is also distracting. Character-wise you’ve got the clichéd married-to-the-job detective, rookie sidekick, and a kidnapper that should have been demented and scary (Buffalo Bill style), but was played like a comedy redneck character. Despite a promising synopsis and Cusack in the lead is not much more than a bottom of the barrel, bargain bin, by-the-numbers, straight-to-DVD, B-movie with an A-List star and some TV actors (minor characters from Dexter, Good Wife, Arrested Development).

Score: 2/10

Justified Season 6 Timothy Olyphant, Nick Searcy, Jere Burns, Joelle Carter, Jacob Pitts, Erica Tazel, Walton Goggins, Sam Elliott, Mary Steenburgen, Justin Welborn, Garret Dillahunt, Rick Gomez, Duke Davis Roberts, Patton Oswalt,

Justified: The Final Season (Season 6) –  Old-school kick-ass US Marshall Raylan Givens tries to put his lifelong nemesis Boyd Crowder behind bars before he gets re-posted to Miami. I didn’t get round to writing up reviews of Seasons 4 & 5 as they felt like the show was resting on its laurels – but Season 6 brings back all of the elements that make Justified a great show to watch; well written storylines and characters, fantastic dialogue, and a thick streak of humour – it’s entertaining TV in its purest form. The writing is particularly special in this season, which boasts an intricate, overlapping and multi-layered story that sees the upper hand continually shift between the law, and Harlan’s various quibbling crime factions. Everyone that’s still alive gets drafted back in, and because it’s the final season there’s no shortage of people being written out either – usually at the behest of Boyd, to make him seem more dangerous than the last few seasons. The only thing that is missing is a baddie that matches the villainous heights of Quarels or Maggs Bennett – or even a consistent henchman – but with all of the other fireworks going on, it’s not as big a deal as the previous seasons. The final 20 mins our may divide people, as it plays out in an ‘X years later’ fashion, trying to round everything off. Season six had a major legacy to uphold and close out, which it managed comfortably, while staying true to the characters, which are the biggest draw to the show – Olyphant and Goggins will always be Raylan and Boyd to Justified fans. Season six is a satisfying conclusion to one of the most enjoyable and truly entertaining shows on TV – sad to see it hand over its gun and badge.

Score: 9/10

Kung Fu Jungle, Kung Fu Killer, Last of the Best, 一個人的武林, Donnie Yen, Wang Baoqiang, Charlie Young, Michelle Bai, Alex Fong, Louis Fan, Xing Yu, David Chiang, Deep Ng

Kung Fu Killer (AKA Kung Fu Jungle, 一個人的武林, Yī Gè Rén De Wǔ Lín): a ‘Maritial Arts Maniac’ is making his mark by fighting – and killing – the best of the best in each of the traditional fighting disciplines. Donnie Yen fronts this movie, which is absolutely crammed with HK & Chinese action legends in supporting roles and bit parts – from this aspect it almost feels like a love-letter to the industry that has served up some of the most influential and heart-pounding action movies of the past few decades. Despite this, and including fights centered around boxing, kicking, grappling, swordfighting etc the film struggles to deliver. The the action scenes are a 50-50 mix of good old-fashioned kung fu and the worst of modern fights (shaky cam, quick cuts, too much wire work, lazy CGI) – leaving a lot of the action as sketchy and hard to follow. There’s also a lot of ropey and wholly unnecessary CGI of inane things like hanging washing, traffic and bamboo sticks – all of which should have been done in-camera given the budget of the movie. The choice of villain being a physically disabled person with an axe to grind also felt like a misstep. Despite the stellar cast, and grand ambitions this movie falls down through a distinct lack of originality – it feels like you’ve seen the story, fights, and characters do all of this before. I used to expect a lot more from Donnie Yen, but these days, he appears to be more interested in quantity over quality.

Score: 5.5/10

Mad Max 4 Fury Road GUITAR GUY Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, Courtney Eaton, Josh Helman, iOTA

Mad Max: Fury Road – in a bleak future where oil and water are scarce and controlled by gangs, two rebels at different ends of the system go head-to-head with the status quo. From the opening scene the aesthetic of the movie feels fresh and unique – like a cross between a high-production Slipknot video, and a demented steampunk circus gone wild; it’s like nothing else you’ll see on the big screen with this much budget behind it. Everything about Fury Road is certified batshit mental – the ganglords and their henchmen are all grotesque and eccentric with masks, nipple clamps, and caricatured physicalities. Big shout out to the ridiculous moshing / headbanging gayerish masked flamethrower guitarist suspended to one of the armored rigs – not just a mascot for his clan, he perfectly sums up everything that’s demented but enjoyable about this movie. The score is another crucial element that lifts the film far beyond mediocrity; a mix of classical orchestral licks paired with magniloquent tribal drumming – it’s a delight to listen to, and keeps your pulse racing. Conceived in 1998 and spending until now in ‘development hell’ or cancelled, Mad Max 4 is 100% worth the wait. A balls-to-the-wall straight up action movie that has it all; epic and sustained action set-pieces that continually impress; great actors, and set in a unique and impressive world – just shut down your PC right now and go see it on the biggest screen you can find.

Score: 8.5/10

FRD-08534.JPG Mad Max 4 Fury Road Chase Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, Courtney Eaton, Josh Helman, iOTA 2

Maniac 1980 Orginal Joe Spinell, Caroline Munro, Abigail Clayton, Kelly Piper, Rita Montone, Tom Savini, Hyla Marrow, James Brewster, Linda Lee Walter, Tracie Evans

Maniac (Original – 1980): A psychopathic killer is on a spree in New York, terrorising and scalping the public. This one bursts out the gates with two pretty graphic murders, and is evenly punctuated with some full-on eye-opening, jaw-dropping gore throughout. Once scene in particular had me completely shocked – which is a total rarity. Joe Spinell puts in a top shift as the unhinged lead; switching from feral, deranged and demented through to normal, vulnerable, childlike, and charming. The audio helps emphasise the unsettling vibes the movie gives, with creepy internal dialogue and an off-kilter synth/electro track for tension building. It’s visually strange too, with creepy mannequins, seedy New York locations, and a bizarrely open ending. Put this all together and you have a film that’s way above the standard of the genre, and arguably beyond the taste of other slashers from this era. Dark, completely bonkers, and still genuinely shocking 35 years on; Maniac is a thoroughbred slasher film that’s difficult to enjoy, easy to appreciate – but ultimately hard to recommend to anyone that doesn’t like video nasties.

Score: 7.5/10

Maniac Original 1980 Joe Spinell, Caroline Munro, Abigail Clayton, Kelly Piper, Rita Montone, Tom Savini, Hyla Marrow, James Brewster, Linda Lee Walter, Tracie Evans

 

Brick Mansions 3 Paul Walker, David Belle, RZA, Catalina Denis, Robert Maillet, Carlo Rota, Kwasi Songui, Ayisha Issa, Richard Zeman, Bruce Ramsay

Brick Mansions: a cop must team up with a convicted cop killer to take down Detroit’s most vicious drug dealer, who’s holding the city ransom with a nuclear bomb. The biggest thing that this has going for it is action; lots and lots of action. David Belle action is always a treat to watch, and his stunts are all to a high standard. David Belle’s dubbed face on the other hand isn’t as fun to watch, if anything, a little distracting, and it’s not just the syncing, but the ultra low gruff effects that make him sound like Vin Diesel. Paul Walker doesn’t lag too far behind Belle in the action stakes, which is surprising. With 90 minutes of sweet action, a ticking clock scenario, lame-ish acting and a basic, predictable story – it’s essentially a flashy B movie. Then there’s a massive elephant in the room though; the originals – which, if you’ve seen them, completely take the wind out of Brick Mansion’s sails as large sections are literally scene for scene, jump for jump, punch for punch re-shoots – with a bigger budget. Add to the fact thar this that 10 years on, Parkour is not as cool or fresh, and that the crucial social commentary (and plot in general) feels like more of an afterthought in this one – it lets the film down. If you have no interest in foreign films, this is as solid a B movie action film as they get, but if you’re feeling adventurous I’d absolutely recommend D13 and D13 Ultimatum over this.

Score: 6/10

Brick Mansions Paul Walker, David Belle, RZA, Catalina Denis, Robert Maillet, Carlo Rota, Kwasi Songui, Ayisha Issa, Richard Zeman, Bruce Ramsay Brick Mansions 2 Paul Walker, David Belle, RZA, Catalina Denis, Robert Maillet, Carlo Rota, Kwasi Songui, Ayisha Issa, Richard Zeman, Bruce Ramsay

Rudderless - Billy Crudup, Miles Heizer, Anton Yelchin, Felicity Huffman, Laurence Fishburne, William H. Macy, Jamie Chung, Ben Kweller,Ryan Dean, Selena Gomez, Kate Micucci

Rudderless: after his son dies in a school shooting a grieving father finds his musical demos; learns them, plays them live and inadvertently ends up in a band that’s becoming successful. It’s all about the music, kind of like that film Once, but doesn’t suck hairy Irish balls. The musical aspect of this is solid; with believable songs and a good portrayal of gigging, jamming, the minutia of band life etc. The plotline is also an interesting take on taboo/sensitive material, and runs along nicely – if a little slowly – until the last act where it becomes more of a paint-by numbers affair, as the loose ends get tied up. Performances are top drawer too; Crudup is strong, and pulls you right in to his situation – it helps that he can play guitar and sang. Fishbourne steals all his scenes, and it’s clever casting Selena Gomez in despite being in 2 just scenes. Some would probably point out that the characters are thin, but it feels deliberate, in order to force the audience’s interest – enough subtle hints are laid out in the script for you to piece things together, and only key elements are eventually explicitly mentioned in the dialogue. The only major thing that bugged me was the continuous non diegetic music trying to manipulate you in to feeling what William H Macy wants as each scene plays out. As far as directorial debuts are concerned, WHM couldn’t have done much better; an interesting and compelling story, well acted, shot and edited – but was just a little too low-key / indie / shoe-gazing to fully enthrall.

Score: 7.5/10

 

 

Killers Mo Brothers, azuki Kitamura, Oka Antara, Rin Takanashi, Luna Maya, Ray Sahetapy, Ersya Aurelia, Epy Kusnandar, Mei Kurokawa, Denden, Motoki Fukami, Tara Basro, Dimas Argobie

Killers (キラーズ, Kirazu): a serial killer who uploads his work to a ‘DeathTube‘ site inspires an everyman to go vigilante. It’s the first time in a while that I’ve seen directors harness everything down to the distributors & funders logos to add to the film’s aesthetic; and with this level of detail from the get go, the film is technically admirable – sound, editing, camerawork etc. The opening 5 minutes really set the mood, with a shocking and ultra-graphic murder: the violence slowly escalates and darkens as the runtime progresses. Unlike The Raid‘s gritty-but-styalised – and even poetic – gore, this film is just plain gritty. One killer is a savvy psychopath fit for Dexter, the other is an everyman pushed over the edge, Falling Down style. Another unique aspect is that it’s a collaborative effort from two directors (The Mo Brothers – not real brothers), filmed in two locations – Japan and Indonesia – with English spoken parts when the two leads interact; it doesn’t hinder the film’s international appeal, although something feels lost in translation story-wise. At 140 minutes it does lose feel rather long-winded and intricate for what is essentially a serial killer movie with a disjointed story and not much in the way of themes or messages. If you like your gore gory, and your films stylish this ticks both boxes – although not a lot else. The main stars of Killers are the directors, who with more focus (shorter runtime and tighter story) could pose a serious threat to Gareth Evans as the king of contemporary Indonesian action.

Score: 6/10

Killers 3 Mo Brothers, azuki Kitamura, Oka Antara, Rin Takanashi, Luna Maya, Ray Sahetapy, Ersya Aurelia, Epy Kusnandar, Mei Kurokawa, Denden, Motoki Fukami, Tara Basro, Dimas Argobie Killers 2 Mo Brothers, azuki Kitamura, Oka Antara, Rin Takanashi, Luna Maya, Ray Sahetapy, Ersya Aurelia, Epy Kusnandar, Mei Kurokawa, Denden, Motoki Fukami, Tara Basro, Dimas Argobie

Danger 5 Season 2 David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Pacharo Mzembe, Elizabeth Hay, Fumito Arai, Robert Tompkins, Nathan Cain, Daniel Becker

Danger 5 (Season 2): the team of global super spies are re-united, this time in the 1980s, to stop another of Hitler’s quests for world domination. It’s soon apparent that this is – paradoxically – undeniably Danger 5, but also quite different to the previous season. The writers tampered with the cocktail recipe a little too much; Pierre has totally changed for no explained reason, another lead was swapped out for a ridiculous brat-character, most of the established running jokes dropped, and 80s throwback has been done to death lately – giving it a less cool / kitsch feel than the 1960s format. On the other hand the show manages to remain funny, wacky, surreal, psychedelic, and a celebration of satire (there’s an episode called “Back to the Führer” – come on!). I hate using the word ‘random’, but the ‘randomness’, madness and surrealism of the gags is the main thing that raises Danger 5 and sets it apart from the mediocrity that you expect of most modern comedies. All of the changes add up to fewer laughs per episode, but despite this Danger 5 Season 2 is still a great show, that is equally bonkers – but has a significantly different look and feel.

Score: 7/10

Danger 5 Season 2 3 David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Pacharo Mzembe, Elizabeth Hay, Fumito Arai, Robert Tompkins, Nathan Cain, Daniel Becker Season 5 Season 2 4 David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Pacharo Mzembe, Elizabeth Hay, Fumito Arai, Robert Tompkins, Nathan Cain, Daniel Becker Danger 5 Season 2 2 David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Pacharo Mzembe, Elizabeth Hay, Fumito Arai, Robert Tompkins, Nathan Cain, Daniel Becker

Gone Girl Poster Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Carrie Coon, Kim Dickens, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, David Fincher, Gillian Flynn Gone Girl [Spoilers!]: on their 5th wedding anniversary an American Sweetheart goes missing, and it doesn’t take the public long to turn on the husband. This is a film of two halves split right down the middle: the first part is a dramatic and gripping missing person case that leads you down one path. The second half is where the film unravels – it would have been better if Amy had just stayed in the wind, followed her plan, or the plot just followed the downward spiral of Nick, but when Amy meets up with the demented ex, it opens up so many ‘that’s silly / the police would totally be all over it’ aspects and undercut the hard work of part I. It’s almost as if the longer the film goes on, the more silly it becomes – to the point of TV/B-movie. As with all Fincher movies it looks fantastic, it’s beautifully shot, well acted, but it’s all rather low-key, with none of the flare you’d expect from a director this good. The Blu Ray sound mix is also pretty shocking; music and soundscapes dominate and dialogue is completely lost in the mix. Had to watch with subtitles on. There’s a good critique of the media and how dangerous their clout is, paired with some minor social commentary – but for the most part it feels bolted on. All in all, an unremarkable David Fincher film is still way above your average movie – and for that reason alone, this is worth checking out – just dont’ watch it if you’re in a new relationship, or about to get married!

Score: 7/10

Gone Girl Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Carrie Coon, Kim Dickens, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, David Fincher, Gillian Flynn

01 Fifty Shades of Grey Dakota Johnson, Jamie Dornan, Eloise Mumford, Jennifer Ehle, Marcia Gay Harden, Victor Rasuk, Luke Grimes, Rita OraFifty Shades of Grey: when a fumbling Plain Jane student interviews a perverted and tormented young millionaire both of their lives are oh so romantically changed forever. Firstly; this is the least sexy film you’ll ever see about kinky sex, mostly due to the fact that everything else about it is a total turn off. The dialogue is atrocious; the wannabe racy/saucy lines don’t even come close to innuendo, although with the source material it didn’t really stand a chance. Secondly, the colouring is laughably basic: everything is depressingly washed out and grey (we get it!) except for sexy red things like mood lighting, cars, and arse-smacking paddles. The films is unashamedly uninterested in doing anything even remotely interesting with any of the characters, plot points or even the technical aspects. You want a better love story? Watch Twilight. You want to see some kinky bondage? Browse the internets. You want to see a proper film about this stuff? Watch ‘The Secretary‘, which is better than this in literally every way. As it was obviously going to be a number one smash, Fifty Shades of Grey never had to try, so it didn’t. A ham-fisted, disappointingly fist-free softcore movie with boringly-acted one-dimensional characters on a non-story that takes forever to go anywhere.

Score: 0.5/10

02 Fifty Shades of Grey Dakota Johnson, Jamie Dornan, Eloise Mumford, Jennifer Ehle, Marcia Gay Harden, Victor Rasuk, Luke Grimes, Rita Ora,

We are the best WATB 1 Coco Moodysson, Lukas Moodysson, Mira Barkhammar, Mira Grosin, Liv LeMoyne, Mattias Wiberg, Jonathan Salomonsson, David Dencik, Charlie Falk, Alvin StrolloWe Are the Best!: three teenage girls embrace counter-culture and form a punk band in 1980s Stockholm. Directed by controversial Swedish auteur Lukas Moodyson, Adapted from his wives graphic novel. Moodyson is the back in his wheelhouse; fly-on-the-wall documentary style retro Sweden; and it’s what he does best. He’s also great at capturing snapshots of youth that transport you right back to your childhood – of which there are plenty in this movie. Plot-wise, it pretty much follows the same arc as his movies, particularly Fucking Amal (Show me Love), but with younger kids – unfortunately, it’s not quite as powerful a coming-of-age story. Together was all about family, Fucking Amal was a love story two girls, but We Are the Best tries to juggle family, girls, boyfriends, and punk… making it feel less focused. Another Moodyson-stamped nostalgic and enjoyable trip down memory lane, with good music and all of the teenage feels.

Score: 6/10

 

Special ID Donnie Yen, Jing Tian, Andy On, Zhang Hanyu, Ronald Cheng, Collin Chou, Paw Hee-ching, Yang Zhigang, Ken Lo, Terence Yin, Evergreen Mak Cheung-ching, Yen Ji-dan,

Special ID (Tè Shū Shēn Fèn, 特殊身份): an undercover cop finds himself in danger when he’s set on a collision course with an old protégé. Tonally, this film is an absolute mess; there’s Loony Tunes style moments of slapstick comedy in the middle of realistic MMA-Style fight scenes; despite it being a big-budget movie with slick intentions it continually returns to the super-cheese with bawdy music and silly melodramatic over-acting; there’s also a few sleep-inducingly boring scenes (one about Tattoos in particular). The timeline is all over the place, jumping around with no explanation, unaided by the lax direction and editing. There’s some woeful Volvo product placement: not satisfied with having their ‘City Safety’ mode blatantly pimped, there’s an entire fight scene AROUND THEIR CAR – it also doesn’t blow up when it’s dropped from height, unlike those rubbish Land Rovers!!! Ppsschhhtt!!! On the plus side, the action is generally impressive (particularly the two elongated fights at either end of the movie) despite some superhuman abilities being thrown in to the mix here and there. I love Donnie Yen and will watch anything he’s in, but he’s going for a Jackie Chan style cheeky-chappy role here, and doesn’t quite have the charm/charisma to nail it. In the end, this is amounts to little more than another completely forgettable Asian undercover cop film – with two decent fight scenes.

Score: 4/10

Special ID 2 Donnie Yen, Jing Tian, Andy On, Zhang Hanyu, Ronald Cheng, Collin Chou, Paw Hee-ching, Yang Zhigang, Ken Lo, Terence Yin, Evergreen Mak Cheung-ching, Yen Ji-dan,

 

New mini-feature about the great use of great songs to make a great scene even better.

Lilja Lilya 4-Ever Oksana Akinshina, Artyom Bogucharsky, Lukas Moodysson

Song: “Mein Herz brennt” by German ‘Industrial Metal’ group Rammstein

Film: Lilja-4-Ever / Lilya 4-Ever

Scene: the central character Lilya has escaped from imprisonment and is running through a foreign city, not knowing where to go, and nobody is offering to help.

Why it’s awesome: it’s Rammstein. It’s a brutal mashup of rhythmic orchestral strings and over-distored heavy metal guitars. The sound is overwhelming, and the visuals are distressing (shaky cam and frenetic cuts), which makes this a very memorable and powerful opening. It puts you right in the scene with her, disoriented, afraid, and desperate.

http://www.youtube.com/watch?v=UGVyhiVUROc

Edge of Tomorrow Live Die Repeat Hiroshi Sakurazaka, Doug Liman, Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda 2

Edge Of Tomorrow (Live Die Repeat): when a slimy Army PR guy is marked as a deserter and put in the front lines he finds himself reliving the same day over and over again. This is at its best when it’s having fun with the concept of time looping, and doing the tongue-in-cheek sci-fi comedy moments; of which there are enough, but could have easily got in a heap more. It’s at its most boring however when it breaks the cycle, and turns into a fast/shaky/quick-cut generic alien invasion action film. Tom Cruise is playing Tom Cruise for about the 7,000th time; Emily Blunt puts in a good shift in as the kick-ass love interest; and they’re supported by a fine indie ‘OMG where’s he from again?’ cast. Of all the unbelievable alien stuff going on, the daftest thing in here is that a United Global Military is ruled by an Irishman (Gleeson) – LOL Hollywood! The phrase “Tom Cruise Action Vehicle” tells you everything you need to know – if you like him and Sci-Fi doesn’t turn you off, you’ll almost definitely like this. The Edge of Tomorrow AKA Live Die Repeat is an above par alien film, in the middle of a decade where Alien Invasions are becoming boring as shit.

Score: 7.5/10

Edge of Tomorrow Live Die Repeat Hiroshi Sakurazaka, Doug Liman, Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda,

Cartel 2 Guns2 Guns: two undercover agents go in for a big drug bust, but neither knows the other is also wearing a badge! With Wahlberg playing a flirty street-smart, wisecracker and Denzel going for the moderately stoic sensible man-with-a-plan it’s safe to say neither is out of first gear, but if it were two unknowns, you wouldn’t have even heard of this – so they’ve already earned their pay cheque. In other departments, the quirky bromance is quite fun to watch, the plot is standard, but entertaining enough to keep you interested, and the action is serviceable for a movie like this. The biggest problem with 2 Guns is that it’s just so forgettable, and about as edgy as an 8-ball: you’ve seen everything in here elsewhere, and better. It feels like the kind of film that was made to fill in a space in the schedules, or because there was some spare cash that absolutely had to be used. While it’s not as good as it should be with two massive stars splitting the bill, it’s another just-above-average entry into the surprisingly difficult to nail “Action Comedy” genre.

Score: 6/10

2 Guns Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton, James Marsden, Fred Ward, Edward James Olmos, Robert John Burke, Baltasar Kormákur

Danger 5, Isla, Claire, Jackson, Tucker, Pierre, David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Aldo Mignone, Andreas Sobik, Robert Tompkins, Paul Muscat

Danger 5 (Season 1): a team of Allied super-spies are tasked with stopping Hitler’s various advances in a 1960s interpretation of WWII. With a premise like that, you’d expect the show to be a little bit mental… and it is. The plot lines and characters are insane: it’s a show where a jazz improv band of white-suited apes fighting Nazi dinosaurs & reptiles isn’t just normal, but somehow funny. About half of the major characters have massive animal heads, and nobody seems to speak the same language… but you just roll with it. It has a very unique ‘tapey’ aesthetic, with grain, bad dubbing, Gerry Anderson style miniature sets (locations & action set pieces) and a 60s style surf rock soundtrack – it’s 100% kitsch and kampf. On a comedy level it’s very strong, with good loads of one-off belly laughs, and some cracking running gags like cocktail recipes, Hitler jumping through windows, bad food analogies and bizarre product placement. Although the first few episodes are the strongest the show is consistently funny. Danger 5 is what happens when you draw from a bunch of great TV Shows like Archer, Thunderbirds, The Young Ones (and throw in a pinch of Iron Sky). If you’re after a raunchy, risqué, alternative / subversive comedy packed with b-movie gore, sexy damsels, and – most importantly – laughs by the truckload, look no Führer than this. Pure cult TV that will undoubtedly snowball for years to come.

Score: 9/10

Danger 5, Isla, Claire, Jackson, Tucker, Pierre, David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Aldo Mignone, Andreas Sobik, Robert Tompkins, Paul Muscat,2 Danger 5, Isla, Claire, Jackson, Tucker, Pierre, David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Aldo Mignone, Andreas Sobik, Robert Tompkins, Paul Muscat,3

Episode Titles

I Danced For Hitler

Lizard Soldiers Of The Third Reich

Kill-Men Of The Rising Sun

Hitler’s Golden Murder Palace

Fresh Meat For Hitler’s Sex Kitchen

Final Victory

Danger 5, Isla, Claire, Jackson, Tucker, Pierre, David Ashby, Natasa Ristic, Sean James Murphy, Amanda Simons, Tilman Vogler, Aldo Mignone, Andreas Sobik, Robert Tompkins, Paul Muscat,4

Night Watch, Nochnoy dozor, Timur Bekmambetov, Konstantin Khabenskiy, Vladimir Menshov, Valeriy Zolotukhin, Mariya Poroshina, Galina Tyunina, Yuriy Kutsenko, Aleksey Chadov, Zhanna Friske, Ilya Lagutenko, Viktor Verzhbitskiy

Night Watch (Ночной дозор): after a truce that has lasted for centuries, tensions between Russia’s light and dark sides come to a head when the most powerful ‘Other’ has to choose which side to join. This is an ultra-styalised, almost indie-spirited blockbuster that combines multiple sci-fi/fantasy genres and glues them together with a large dose of Russian folklore. It’s filmed with an impressive style; the colours are bold and bright, the cinematography is striking, the camera work is technically sound, and the editing is fast and exciting… The most impressive aspect of this is that it was made for $4.2M despite being CGI heavy, and looks better than most $100M pictures. Good vs Bad, Light Vs Dark – it’s just a shame that the story is nothing to shout about. Overall, this is a solid pre-twilight vampire film that’s less about the emotional complexities of being a vamp, and more about utilising their superpowers to create exciting action set pieces. Night Watch is totally watchable, entertaining, and big/loud/shiny enough to help you forget that the story is actually a bit pants.

Score: 7/10

New mini-feature about the great use of great songs to make a great scene even better.

Breaking Bad Series Bryan Cranston, Walter White, Anna Gunn, Aaron Paul, Jesse Pinkman, Dean Norris, Hank, Betsy Brandt, RJ Mitte, Danny Trejo

 

Song: “Rocket Scientist” by Swedish electro group The Teddybears.

Show: Breaking Bad

Scene: Jessie, Badger and Skinny Pete are spending all of Walter’s savings on strippers, champagne and drugs instead of an RV for cooking meth. They’ve never partied like this before, and don’t really know whento stop, as the damming polaroids show.

Why it’s awesome: it’s simply a great party song that makes the on-screen antics seem even more decadent. A mix of fat and fuzzy bass & guitar riff, with crisp and clean electronic drums, synthesized vocals and lots of pop-hook lyrics that jump straight into your head. Short of Party Hard by Andrew WK, it’s a song I’d like to be used to soundtrack my boozy antics.

 

 

It also appeared in The Good Wife, when Grace is filming her tutor dancing on a train. And the Seven Psychopaths trailer.