Berberian Sound Studio: A mild-mannered sound designer / foley artist is hired to work on an Italian Giallo (B-move slasher) film – and goes a bit mad in the process. The director is clearly fixated on the mechanics of period cinema: there’s a lot of shots of spinning reels, needles, gauges, readings, dials, etc. This is interesting for about 2 minutes. Then there’s the foley work where you see how everyday objects make unlikely sounds. This is interesting for about 10 minutes (tops!). If only the director had been so fascinated by things like plot, dialogue, editing, and entertainment – all of which are categorically absent from this. It feels like a 10 minute short stuffed to breaking point with so much pointless filler. It keeps cutting to a ‘Silence!’ sign – for no reason. There are lingering close ups of rotten vegetables – for no reason. There’s a tantalisingly sexy Italian receptionist – for no reason. Finally, for a movie about movie sound, the sound mix is laughable – quiet LOUD quiet LOUD and some generically eerie scratching / screetching for dramatic effect. This 100% feels more like an art/pet project than a legitimate movie. Schmerschmerian Schmoud Schmudio. Bleurgh.