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Pierce Brosnan, Luke Bracey, Olga Kurylenko, Eliza Taylor, Caterina Scorsone, Bill Smitrovich, Will Patton, Amila Terzimehić, Lazar Ristovski, Mediha Musliović, Akie Kotabe, Patrick Kennedy

The November Man: a lethal ex-CIA agent is brought back in for a simple extraction that tangles him up with a Russian politician, the CIA, and his former protegé. It’s one of those films set in the Soviet Bloc in which everebadee talkz Eengleesh. It also boasts two former James Bond stars reprising the best bits of their roles – and for what it’s worth, it’s great to see Broz’s charisma again as he pouts and shouts his way from scene to scene in a antiheroic fashion. For a political/thriller there’s more than enough solid action scenes: car chases, foot chases, gunfights (complete with some John Woo style jumping / slow mo). There’s a shape-shifting plot that’s fun to follow, especially because the entire film is back to back plot-action-plot-action, that only briefly dips in the middle. It’s not all roses however; some of the sub-plots (like the mentor / master angle) feel very clunky, there’s a couple of weird directorial choices (like mad Dutch angles everywhere), and the woeful title isn’t explained until last 10 minutes – and it barely makes sense. Most importantly, there’s very little to distinguish this from a thousand other similar sub-Bourne movies based on shady CIA operations. The November Man is a solid – but unremarkable – Spy Thriller that sits just above the middle ground with entertaining performances and action.

Score: 6.5/10

Pierce Brosnan, Luke Bracey, Olga Kurylenko, Eliza Taylor, Caterina Scorsone, Bill Smitrovich, Will Patton, Amila Terzimehić, Lazar Ristovski, Mediha Musliović, Akie Kotabe, Patrick Kennedy

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Cartel 2 Guns2 Guns: two undercover agents go in for a big drug bust, but neither knows the other is also wearing a badge! With Wahlberg playing a flirty street-smart, wisecracker and Denzel going for the moderately stoic sensible man-with-a-plan it’s safe to say neither is out of first gear, but if it were two unknowns, you wouldn’t have even heard of this – so they’ve already earned their pay cheque. In other departments, the quirky bromance is quite fun to watch, the plot is standard, but entertaining enough to keep you interested, and the action is serviceable for a movie like this. The biggest problem with 2 Guns is that it’s just so forgettable, and about as edgy as an 8-ball: you’ve seen everything in here elsewhere, and better. It feels like the kind of film that was made to fill in a space in the schedules, or because there was some spare cash that absolutely had to be used. While it’s not as good as it should be with two massive stars splitting the bill, it’s another just-above-average entry into the surprisingly difficult to nail “Action Comedy” genre.

Score: 6/10

2 Guns Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton, James Marsden, Fred Ward, Edward James Olmos, Robert John Burke, Baltasar Kormákur

Chopping Mall Killbots Julie Corman, Kelli Maroney, Tony O'Dell, Russell Todd, Karrie Emerson, Barbara Crampton, Nick Segal, John Terlesky, Suzee Slater, Paul Bartel, Angela Aames, Mary Woronov, Dick Miller

Chopping Mall (aka Killbots): it’s the near-future, where mall cops have been replaced by security robots, and “absolutely nothing can go wrong,” but a couple of lightning strikes later… yuuup, things are going wrong for a bunch of “teenagers” stuck in the mall overnight. If one thing defines this film, it’s the knuckle-chewing levels of cheese present in every scene. All characters are hyper-generic (nerd, wallflower, hunk, party boy) and the dialogue / delivery is terrible across the board – even the cool and quotable lines like “Let’s go send those fuckers a Rambo gram!!” The film plods through as a by-the-numbers pedigree b-movie, that’s not quite bad enough to be so-bad-it’s-good – but everyone seems to know how bad it is, and rolls with it anyway. Shopping centre boffins will note that this looks very similar to the one from Commando!! Chopping Mall just isn’t as shocking, gory or violent as the ‘slasher’ title would suggest; it just ends up feeling like a 1950s sci-fi film with a 1980s face-lift.

Score: 3/10

Chopping Mall Killbots 02 Julie Corman, Kelli Maroney, Tony O'Dell, Russell Todd, Karrie Emerson, Barbara Crampton, Nick Segal, John Terlesky, Suzee Slater, Paul Bartel, Angela Aames, Mary Woronov, Dick Miller

It’s like Krieger’s robot and Cheryl/Carol from Archer!

Chopping Mall Killbots 03 Julie Corman, Kelli Maroney, Tony O'Dell, Russell Todd, Karrie Emerson, Barbara Crampton, Nick Segal, John Terlesky, Suzee Slater, Paul Bartel, Angela Aames, Mary Woronov, Dick Miller“Where the shopping can cost you an arm and a leg”

Law Abiding Citizen 01 Jamie Foxx, Gerard Butler, Colm Meaney, Bruce McGill, Leslie Bibb, Michael Irby, Gregory Itzin, Regina Hall, Christian Stolte, Annie Corley, Richard Portnow, Viola Davis, Michael Kelly, Josh Stewart, Roger Bart

Law Abiding Citizen (mild spoilers): when his wife and kid are murdered and the legal system fails him, a disgruntled everyman with nothing to lose spends years engineering his quasi-legal revenge. Gerrard Butler (Shut up, Butt wad), WTF are you doing man? You’re all over the place and why the fuck did your character get nude when you were arrested? The Fantastic Mr Foxx is OK, doing what he does (normal guy in a moral quandary) but his character’s role is unbelievably wonky: supposed to be a prosecutor, but does loads of detective work. The film starts off interesting – and the opening in particular is powerfully violent – the set-up is theatrically gruesome, but once Butler is in prison it turns absolutely ridiculous – and when you hear about his previous employment it’s like being slapped in the face with a big silly stick. However, it’s quite funny and enjoyable despite being so bizarrely cheesy and shockingly stupid. Deliberately 18-rated, over-the-top B-movie with an A-list cast.

Score: 4/10

Law Abiding Citizen 02 Jamie Foxx, Gerard Butler, Colm Meaney, Bruce McGill, Leslie Bibb, Michael Irby, Gregory Itzin, Regina Hall, Christian Stolte, Annie Corley, Richard Portnow, Viola Davis, Michael Kelly, Josh Stewart, Roger BartLaw Abiding Citizen 03 Jamie Foxx, Gerard Butler, Colm Meaney, Bruce McGill, Leslie Bibb, Michael Irby, Gregory Itzin, Regina Hall, Christian Stolte, Annie Corley, Richard Portnow, Viola Davis, Michael Kelly, Josh Stewart, Roger Bart

The Condemned, Stone Cold Steve Austin, Vinnie Jones, Masa Yamaguch, Emelia Burns, Manu Bennett, Dasi Ruz, Marcus Johnson, Nathan Jones, Rick Hoffman, Robert Mammone, Tory Mussett

The Condemned: ten of the toughest death-row prisoners from around the world are dumped on a remote island for 30 hours – the last person standing wins their freedom. Sound familiar? The plot is essentially Battle Royale, right down to the explosive jewelry. Leading man “Stone Cold” Steve Austinis pretty stale, but as an ex-wrestler, expectations weren’t massive – I can’t believe there’s not a single stone cold stunner, fan-appeasement FAIL! Vinnie Jones (and most other people) are laughably typecast  and/or wooden, 2D, flat characters. A few other things to mention: lots of bad RAWK / Nu Metal songs; a piss-weak attempt to add a morality angle to the story; and some forced lines about kewl stuff like the internetz, bloggerz, and gamerz!!! The only real positive is that because it’s a WWE and Lionsgate film, the bad taste / violence etc is more than you’d expect. As a brain off, mindless, plotless, characterless, action film, The Condemned is alright – but there’s absolutely nothing that stays with you after the fireworks.

Score: 2/10

The Other Guys Will Ferrell, Mark Wahlberg, Eva Mendes, Michael Keaton, Steve Coogan, Ray Stevenson, Samuel L. Jackson, Dwayne Johnson, Lindsay Sloane, Natalie Zea, Ice-T 01

The Other Guys: when New York’s most badass detectives come to an untimely end, two unlikely schmucks try to step up and fill the gap. Didn’t expect much from this one but was pleasantly surprised by how funny the film was, with Wahlberg and Ferrell both flexing their comedic muscles with ease. The script and scenarios do a great job of mocking every buddy-cop-film scenario you could think of; and there’s a few amazing running gags about Ferrell’s past  and Keaton‘s chief detective unknowingly quoting TLC songs. Story-wise, it follows the classic up-down-up relationship you see in these movies, but it loses its way a little by the end when the jokes thin out and the story needs a-wrappin’ up. Didn’t really understand the random narration from Ice-T, and despite the film being entertaining enough the infographic credits were one of the most interesting parts of the film! The Other Guys isn’t a masterpiece by any stretch but it’s absolutely carried by all of the jokes – especially the delivery by Will and Marky – which make it funnier and more quotable than your average buddy cop comedy.

Score: 6.5/10

The Other Guys Will Ferrell, Mark Wahlberg, Eva Mendes, Michael Keaton, Steve Coogan, Ray Stevenson, Samuel L. Jackson, Dwayne Johnson, Lindsay Sloane, Natalie Zea, Ice-T 02

The Other Guys I Just Did My First Desk Pop

Taken 2: Bryan Mills and his ‘very particular set of skills’ are hunted down by the relatives of the bad guys from Paris (Taken). If Mr Megaton had stuck to the surefire winning formula of the first film, he’d have been OK, however, he strays way off topic. Action, drama and no-brain story: 66% – this is far to silly to have any sense of drama or threat. Hard-hitting fight-scenes: 33% – my beloved, worn-down, Taken DVD is 18-rated, this was a 12A, with all of the bloody bone-crunching edges are taken off. Liam Neeson acting well: – 15% – he totally looks like he can not be arsed here, as do most of the cast. A brief list of the memorable moments tell you more about the tone of the film that any sensible review could:

  • Maggie Grace gratuitously running around in a Bikini
  • Maggie Gracehaving not passed her driving test – executing perfect evasive/offensive driving
  • Maggie Grace throwing grenades on Istanbul roofs so Neeson can locate her.
  • Neeson being left in a room, alone, for a long time
  • Neeson having a mini-phone in his pocket
  • Neeson walking through Istanbul navigating using only his ears.

Overall, it feels like far more like a “Shit, we accidentally got a worldwide hit from a B-movie – may as well cash-in with a rushed sequel” affair, over a well-thought out, original, nasty, well done action flick. All that being said, Taken 2 is nowhere near as bad as the critics have made it out to be, there’s more than enough mindless action scenes to keep audiences entertained.

Score: 5.5/10

The Expendables 2: when they’re ambushed during a simple job the team have to avenge a fallen comrade… and shoot the crap out of anything that gets in their way. First off, the costume department deserve a medal; these guys are going in to action with cardigans, wooly jumpers, trench coats, French berets, designer jeans, cashmere scarves – they’re the most metrosexual mercenaries on the planet! The action is a whole other level of ace… blood, guts, explosions, limbs flying, heads exploding, bullet-riddled bodies dropping everywhere – only downside is that everything from the weapons to entire set pieces feel like copy/paste jobs from recent Call of Duty games. The majority of the runtime is like eating a cheese sandwich, made with cheesy bread whilst drinking mozzarella brine, but in a totally knowing, tongue in cheek fashion – like Willis and Arnie mocking each others characters and catchphrases. Lundgren should be singled out as a great sport, being the butt of almost every scene & joke. My only real petty concern is that there’s only one big/famous baddie – and considering some of the iconic action villains over the years, it’s the only thing they could really have done with upping. Having a real director makes such a big difference – everything is improved, although the comic timing is so far out that it’s embarrassing to watch (but does help add to the cheese-effect). The Expendables is essentially the male equivalent of Valentine’s Day or New Year’s Eve – an ensemble of big names that puts an entire demographic’s bums on seats, and where everything else is secondary. In saying that, there’s still something inherently satisfying and watchable about seeing Willis / Arnie / Norris and co firing big guns at things. Expendables 2 is a highly enjoyable Action/Comedy romp – it’ll be difficult to top.

Score: 9/10

The Interceptor: [Blu Ray] [not even going to try to explain the plot here]. It boils down to being a hardcore Sci-Fi picture featuring the paranormal, supernatural, people from another realm… and that’s just the headlines. It starts with a dude jumping out of an exploding plane, and has similarly insane and impressive stunts for the duration. The action’s handled and executed very well – edited perfectly with long steady takes so you know what’s actually happening! (Speedboat chase / huge fight scenes and generally a shitload of car-flipping stunts) To balance out the awesomeness there’s an overdose of artsy-fartsy dreamy sequences that don’t really make much sense, or advance the story much, but nevertheless look pretty. There’s Assassins creed style visuals with symbols and glyphs all over the shop, an overload of suits ‘n’ shade dudes, and a few hotties thrown in for good measure – put everything together and it’s a nerds wet dream. The BD picture detail is stunning and the minimal pallet ensures that any colours leap out; the sounds solid enough too, particularly in the action sequences. After Nightwatch and Daywatch it’s strange that Russia’s biggest films still go down the Black Vs White, Good Vs Bad… route. A more technically proficient, stylish and insane film you could not ask for – a simpler story, you could.

Score: 5.5/10

The Mechanic: after wiping out his boss and mentor a Mechanic (Hitman) takes it upon himself to train the boss’s wayward son – but will the son find out his dirty secret… What can you really say about this one? Jason Statham playing another Jason Statham character in a Jason Statham film for the umpteenth time – if you don’t know the drill by now, please exit the cinema quietly. The story’s 100% predictable, right down to the very last Statham scene – absolutely no surprises. On the other hand the acting’s generally pretty damn fine and although there’s not as much Statham action as you’d expect, it’s all done really well and there’s some really memorable Statham deaths. Knowing what kind of Statham film this is – and needs to be – everything is geared at the lads; there’s the gratuitous nudity & Statham sex scene, antique cars, and laughable close up shots of manly men (i.e. Statham) firing big guns with huge bullet casings flying out the side. The fantastic Statham script pleases the crowd, with all the cheeky Statham hard-man line’s you’d expect; someone even tells Statham: “I’ll put a bounty on your head so big you own reflection will want to shoot you in the face” a quality Statham film line by any previous film standards. Disappointingly,  there are two major distractions from this Statham fest in Ben Foster‘s scrawny little tramp beard and ridiculously shitty French muse hat – no points to the costume designer! If you like Statham doing his Statham thing in a Statham film this will certainly not disappoint Statham fans. The mechanic is nothing new, or nothing original but it’s a well-excecuted popcorn action flick. Statham!

Score: 6.5/10

Licence to Kill: on his wedding day Felix Leiter’s runs into some trouble. When the CIA or MI6 don’t want to pursue the case, Bond goes dark and has to infiltrate a drug cartel to avenge his long-time friend and partner, who’s bailed 007 out over the years more than he’s ever given credit for!

I'll take your feeble car-wheelie and raise you, Moore!

It’s quite unfortunate that the next film was delayed for so long, rendering this Dalton’s last appearance by default. He gets a hard time for only having two films, but given that he turned down the first offer some 20 years prior to The Living Daylights and got shafted by a rights war at the other end, he’s definitely the unluckiest actor to play Bond. As mentioned before I think he’s great, and this film has my favourite Dalton moment, when he shouts at the Bond girl “Ya bloody luckey ta be alyve!!” Fantastic accent lapse! The also has a toughness lapse at the end when he turns all gooey and gets the girl.

"Are you sanchez? No? Are you sanchez? No!? But I... I am Sanchez!"

There’s two great bad guys at the table here; Sanchez (Davi) and his right-hand runt man Dario (Del Toro) – and being honest, even if these guys were to glide around the scenes in bright pink suits they’d still be absolute badasses. Unlike previous villains these guys don’t just look the like nasty pieces of work; they carry out of the most brutal and often senseless murders of all the movies. True to the 1980s, their story is essentially America’s ‘War on Drugs’ put on the big screen – spookily foretelling a similar story to real criminals like Pablo Escobar.

Toilets are over there gringo

The bottom line in Licence to Kill is that when you pit the darkest James Bond against two of the most ruthless villains, it can only mean one thing – a bloody corpsemageddon!!

Even though he helps terrorists, this guy could smile his way to safety

There’s not a lot of balls-to-the-wall action, but when it rolls round it’s handled expertly and stylishly done; particularly the barfight (even though it’s a little Airplane! there’s some cool bits) and the final 20 minutes – peaking with the coolest multiple uses of 18-wheelers known to man – are absolutely fantastic to watch; just stunt after stunt after stunt punctuated with massive (real) explosions.

KABOOM!!! Looks a lot better than CGI explosions

This is the first film that’s fully an out-and-out revenge-driven story, and that’s why it’s one of the better plots. There’s very little backup, and Bond has to rely more on his smarts than anything else. He gets into some pretty hairy situations too, and watching him escape or get bailed out is just a little edgier knowing that the cavalry isn’t just around the corner.

Q's supposed to be on holiday... yet still has Bond's back. What a guy!

Other delightful portions of Licence to Kill are: the plane fishin’ scene at the start, manta ray disguise, cutting edge computers that made ‘CD-ROMs’ look tiny, everyone smoking furiously, and Felix himself being scarily calm considering that he’d just lost is better half (and lower half).

Felix getting a bum deal in the shark pen

This is easily one of the better Bond films and one with the most clout, not just because it’s dark and violent, but because it’s the most grounded Bond picture to date. The mix of a gripping story, believable characters and well-made action is a truly explosive combo. Finally, there’s Dalton, who’s not just a great Bond in his own right, but reiterated the darker side of the worlds best spy, a side that Brosnan and Craig would both use to their advantage. Criminally underrated film.

Score: 7.5/10

Knife to the head... not the best first date 007's ever had. Nor the worst...

TOP TRUMPS
Villain: Sanchez – ruthless escobarian guy. Soft spot for ‘loyalty’ though. 8
Henchmen: Switchblade Dario – pretty nasty smile / Killfer (bent cop) / Milton (sailor moustace). 7
Action: shootout and ‘plane fishin’ / underwater fight / Barfight / Grinder / Tankers. 8
Babes: Ginger toy boy exec secretary – boys haircut / Sanchez’s deceitful girlfriend – eyebrows. 7

Bond daydreaming... probably about shooting someone in the face. Let's hope Dalton one day gets proper recognition for his time with the PPK

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