Far from a comprehensive list of last year, below are the Films I watched that are worth another mention.
Inception – Original, smart Sci-Fi Blockbuster… bliss.
Jackass 3D – The most I’ve ever laughed and gagged in the cinema
The Good, The Bad, The Weird – Fantastic modern western fun
MicMacs – Brilliant French vision
MacGruber – Slated by critics but was so, so funny
Toy Story 3 – Perfect ending to the best trilogy in cinema
Up In The Air – Clooney and Farmiga in a modern romance
Dragon Tattoo – Stunning whodunnit from Sweden
The Killer Inside Me – Shockingly realistic portrait of a serial killer
Spartacus (TV) – Fighting, sex and swearing; great trash telly
Luther (TV) – Brilliant UK detective show, a la HBO
We are what we are – a boring horror film about cannibals!
Somewhere – utterly ridiculous non-film
Wall Street: Money Never Sleeps – But I almost did…
Warrior’s Way – Ninjas & Cowboys done so wrongly
Hornet’s Nest – Not a terrible film, but nothing on the first
Skyline – Derivative alien bore
Mega Shark Vs Giant Octopus – so bad it’s bad!
Best of the rest:
Conversations with Other women – Split screen for the duration, and works well.
Hot Rod – Spot on comedy timing
Inglourious – Tarantino’s most mature work
Survive Style 5+ – Eye candy from Japan.
Drag Me To Hell – Throwback horror
Inception: Follows Dom Cob – a man who can enter your mind in the dream state and steal your deepest thoughts & secrets – on his last mission that could finally get him back to his family. The first thing you realise about inception is how original, visionary and well thought out the story is, then worry about how good the film would have to be to pull it all off. Despite the elaborate plot and timelines it’s explained well enough to be understood first time round (if you pay attention), but is still complex and smart enough to be appreciated on multiple viewings. Nolan brings out the best in his outstanding, but not too obvious, ensemble: especially Di Caprio, Cotillard, Levitt, Watanabe & Hardy who all step up and do justice to the great premise. The special effects department deserve a year off after this, and Hans Zimmer’s modern score takes the last 30 minutes to a whole new level. Page is only OK and more could have been made about the infinite possibilities of the dreams but other than that, no real complaints. There’s subtle gestures towards Matrix, 2001, classic Bond, and a whole bunch of crime / noir films. Inception is an iconic, truly original, mind-bending film that has it all, and breathes new life into Sci-Fi, which is currently plagued with sequels & re-makes. My main concern is that this opus will be near-impossible to top, by Nolan, or anyone else. Stunning cinema that surpasses its own massive hype and is easily film of the year.