Archive

Tag Archives: Emile Hirsch

The Autopsy of Jane Doe Emile Hirsch, Brian Cox, Ophelia Lovibond, Michael McElhatton, Olwen Kelly, Parker Sawyers,  André Øvredal

The Autopsy of Jane Doe: two small-town coroners investigate a fresh “Jane Doe”, whose cause of death becomes increasingly difficult to pin down as they learn about the body. This film is the embodiment of tight and efficient: a brief 15-minute setup; 30 mins of live/real-time autopsy, and the last half the film shifts gears into a full-on supernatural horror / thriller. Not for the faint-hearted, parts of this are horrifying to watch; the autopsy is shown in all of it’s snapping, sawing, scalping glory, and is coloured with buckets of crimson – this will definitely root out the weak and the woozy. Although there are a couple of big (and cheap) ‘modern’ jump-scares the majority of the film’s tension comes through the satisfyingly old-school method of very slowly building a sustained and overbearing sense of dread; the film lets your imagination run wild, and shows some incredible restraint – a couple of moments even stray into ‘pure terror’. As mentioned above, it’s a very tight movie: tight script (tons of subtle clues that tie in together nicely); tight setting (claustrophobic, well-established, and inherently creepy morgue); tight cast (Hirsch and Cox are a great/safe pair of hands, with fantastic chemistry). In fact, the only thing that minorly lets the film down is the ending, which is good, but doesn’t do justice to the slow-cooker setup. A completely unrelated follow-up to the fantastic TrollHunter, Norwegian director André Øvredal is proving himself as a very strong and competent film-maker – once again his direction is meticulous, without being the slightest bit ‘auteurial’ or flashy. Few things excite me less than ‘modern horror’, yet because of its throwback sensibilities ‘Autopsy’ feels more a John Carpenter picture than the ‘Paranormal Conjuring 27’ films modern audiences are being served up.

Score: 7.5/10
The Autopsy of Jane Doe Emile Hirsch, Brian Cox, Ophelia Lovibond, Michael McElhatton, Olwen Kelly, Parker Sawyers,  André Øvredal

“Every body has a secret”

The Autopsy of Jane Doe Emile Hirsch, Brian Cox, Ophelia Lovibond, Michael McElhatton, Olwen Kelly, Parker Sawyers,  André Øvredal

Lone Survivor I SEE YOU PEEKABOO Lone Survivor, Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Yousuf Azami, Ali Suliman, Eric Bana, Alexander Ludwig, Rich Ting, Dan Bilzerian,

Lone Survivor [Title Spoiler: only one of ‘em survives]: follows a Navy Seal team as their recon mission goes south and they’re ambushed by Taliban militia. From the get go it’s a flag-waving military recruitment advert; glorifying the Army Bro lifestyle and full of manipulative shots: wide aperture, emotional music, golden hour lighting. It takes a while to get going, but when the action starts the movie completely shifts gear. After a quick round of various viewpoints on killing potentially dangerous civilians (also the only real characterisation we get) there’s an epic, sustained and very intense action scene, that goes on just long enough to become a bit silly; as the protagonists are shot dozens of times but keep limping on, literally throwing themselves face first down massive cliff faces while mowing down seemingly infinite hajis with seemingly infinite clips of ammo. This set piece is grittier than most too, with blood splattering headshots, close-ups of wounds, shrapnel surgery – not much left to the imagination. This kind of action, and the way it’s shot make the film feel more like a HK influenced heroic bloodshed film than a traditional army or Hollywood action movie. The final five minutes are a tribute to the dozens American soldiers that died in this operation; a nice touch, but ultimately raises more questions about why America perpetually sacrifice so many young people to interfere in the middle-east. As a War Movie, Lone Survivor is pretty light, but as a no-brainer action film it works spectacularly, with one of the best gun battles in recent memory.

Score: 7/10

Lone Survivor ARMY BROS B4 HOEz 4lyf Crew Squad Goals Lone Survivor, Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Yousuf Azami, Ali Suliman, Eric Bana, Alexander Ludwig, Rich Ting, Dan Bilzerian,

“Been around the world twice. Talked to everyone once. Seen two whales fuck, been to three world faires. And I even know a man in Thailand with a wooden cock. I pushed more peeter, more sweeter and more completer than any other peter pusher around. I’m a hard bodied, hairy chested, rootin’ tootin’ shootin’, parachutin’ demolition double cap crimpin’ frogman. There ain’t nothin’ I can’t do. No sky too high, no sea too rough, no muff too tough. Been a lot of lessons in my life. Never shoot a large caliber man with a small caliber bullet. Drove all kinds of trucks. 2by’s, 4by’s , 6by’s and those big mother fuckers that bend and go ‘Shhh Shhh’ when you step on the brakes. Anything in life worth doing is worth overdoing. Moderation is for cowards. I’m a lover, I’m a fighter, I’m a UDT Navy SEAL diver. I’ll wine, dine, intertwine, and sneak out the back door when the refueling is done. So if you’re feeling froggy, then you better jump, because this frogman’s been there, done that and is going back for more. Cheers boys.”

Savages 2012 Taylor Kitsch, Aaron Taylor-Johnson, Blake Lively, Salma Hayek, Benicio del Toro, John Travolta, Demián Bichir, Sandra Echeverria, Emile Hirsch, Oliver Stone

Savages (mild spoilers): when two pro pot dealers have their shared girlfriend kidnapped by a cartel for leverage, they don’t take it lying down. This one is absolutely packed to the brim with torture, violence, action sex, drugs and rock & roll – it’s all turned up way past 11. All the characters are all pretty broad stereotypes, however it’s the cast and story that raise this above your standard gang-banger flick. Hell, it’s worth watching this just to see the scene with Del Toro and Travolta – each doing their thing and loving every second of it. For a 2hr30 film, it’s so packed with action and plot that it never drags: as it plays out like a dramatic chess match. Savages barely puts a foot wrong until it doubles back on what would have been a powerful, Shakespearian out-of-the-blue ending – instead copping out at the last second for a crowd-pleaser. The only real downer for me was a sloppy, grating, “ike-OMG-totally-I-was-like-and-she-was-all” So-Cal voiceover that does nothing more than point out the obvious – and annoy the shit out of viewers. After a couple of duffers, this one definitely puts Oliver Stone back on the cinemap, and with ample style to spare.

Score: 7/10

Film Title: Savages

Killer Joe: a young redneck with bad debts finds out that his mother has a $50,000 life insurance policy, so he contacts the world’s dodgiest cop – Killer Joe. While this is pitched as a thriller, it’s more like a deep-south trailer-trash crime-caper, which was a nice surprise. More surprising, is the absolutely wicked streak of very, very black humour that holds the movie together, providing an unexpectedly high number of laughs. Better still is the perfectly selected cast, all of whom portray brilliant – memorable – characters, but it’d be wrong not to single out Juno Temple (for her no-holds barred performance) and McConaughey, for his portrayal of a scary, twisted, stickler-for-manners-and-the-rules dirty cop – he’s unbelievably good. A few scenes (the dinner date in particular) feel overlong and lifted directly from a play – because this is based on a play, doh! There’s tons of nudity, a jarring/uneasy synth soundtrack and a totally subversive ending that you couldn’t begin to predict. Not unlike The Killer Inside Me, this is a difficult one to recommend: it’s unbelievably dark and uncomfortable to watch in large parts yet it works so well as a piece of entertainment, with some great laughs: above all else, this is a stunning performance piece from all actor involved… including Emile Hirsch!!! (And Gina Gershon, and Thomas Haden Church…)

Score: 7.5/10

The Air I Breathe: Four separate stories of characters based on the emotions Happiness, Pleasure, Sorrow and Love are linked by a ruthless gangster. A somewhat tired idea these days that lands in the Crash / Amores Perros / Babel genre. For the most part the casting is unadventurous, Garcia, Bacon, Whitaker all play bread and butter roles. Hirsch is chronic. Michelle Gellar is really good but the real standout was Brendan Fraser; especially given how unconventional his character is. He pulls off an awesome performance; gruff, grim and interesting. FAO his agent, sack shit like Furry Vengeance and get him more roles like this, pronto! The cheesy voiceovers give the film a bizarre aftershave commercial feel and ‘Fingers’ is such a terrible name for a baddie. The big problem was that the four individual segments were too short and broad to build on the characters effectively. Towards the end the story comes together nicely (albeit quite cheesily) but just doesn’t quite have the full effect. Overall this has good intentions but just fails to rock you. A decent effort by any standards but could have been a real tour de force.

Score: 6.5/10

Speed Racer: (Blu Ray) Follows the Racer family of car-enthusiasts as their son Speed takes on the biggest companies in the world. Off the bat this is blatantly aimed at kids but off the bat I didn’t really care much because this looks absolutely outstanding. The Wachowski‘s mash together so many elements for the visuals: the Jetsons space age, Metropolis, 1920s, Al Capone, Neo Tokyo, extreme sports, The Gumball Rally, Wipeout & Rollcage games, and the list just keeps going… pretty much all green-screen. The editing adds another layer on top, with some awesomely bamboozling wipes and cuts. The comic roots shine through as the overall visuals sit somewhere between classic manga and souped-up CGI. With all of this behind it, the visuals are almost too good as it ends up being a sustained assault on your eyes over the 2hr 10min runtime – especially during every race / ‘Car-Fu’ battle. Looks aside, the story & characters are terribly textbook and the absurd Kid & Monkey combo kept trying their hardest to make me hate the film, it started to work by the end. There’s some genuinely funny nubs of humour throughout like the R-R logo and Paul Frank ‘human’ shirt on the monkey. There’s also a nice James Bond assassination-attempt homage and couple of criminally underused actors – like Moritz Bleibtreu. The BD Picture’s is among the best I’ve seen so far – with everything from the huge city-scapes down to the roads rendered so sharply it feels like 3D in parts – the sound quality is less impressive but the mix still flies out all the speakers during the action scenes. Overall, despite the plain story and shallow characters I was absolutely mesmerised by the spectacular visuals. One of a kind.

Score: 5.5/10