The Wailing (aka 곡성, 哭聲, Gokseong): when a remote Korean village sees a spate of mysterious infections and violent murders all fingers point to an outsider from Japan that has recently moved to the area. This starts off as a darkly funny black comedy for the first 30 mins or so – that isn’t above fart jokes – but it slowly pivots 180-degrees into an intense, slow-burning, atmospheric supernatural mystery. The films doesn’t limit itself to one particular horror genre either; crossing possession (difficult to watch seizures) with slasher gore, demons, ghosts, and hints of zombies. One of the film’s climaxes involves a claustrophobic cutting together of three separate scenes involving two nauseating pagan rituals and a girl being exorcised; which reaches sustained levels of doom that are rarely seen. At around the 2 hour mark it does start to feel like a long film, however, the multi-layered ending that keeps folding in on itself is extremely satisfying, serving up a superbly tense and sustained showdown, with the kind skin crawling creepiness that Hollywood just can’t zero in on. There are also some very strong performances in the lead (a flawed bumbling cop), his daughter, and the entertaining shaman – who all shine in their roles. My only real fault of the film is that western – or even non-Korean – audiences will probably want to Google the film to the pick up on a lot of the significant cultural details that add to the film’s intricate plot – although it does still make plenty sense watching it cold. Very few films reach the sustained intensity of The Wailing; only the claustrophobia of Kill List, and the violent madness of something like Cold Fish come to mind. Chalk it up as another film which proves that Korea has one of the strongest film industries in the world.