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Far from a comprehensive list of last year, below are the Films I watched that are worth another mention.


The Best
:

Inception – Original, smart Sci-Fi Blockbuster… bliss.
Jackass 3D – The most I’ve ever laughed and gagged in the cinema
The Good, The Bad, The Weird – Fantastic modern western fun
MicMacs – Brilliant French vision
MacGruber – Slated by critics but was so, so funny
Toy Story 3 – Perfect ending to the best trilogy in cinema
Up In The Air – Clooney and Farmiga in a modern romance
Dragon Tattoo – Stunning whodunnit from Sweden
The Killer Inside Me – Shockingly realistic portrait of a serial killer
Spartacus (TV) – Fighting, sex and swearing; great trash telly
Luther (TV) – Brilliant UK detective show, a la HBO

Stinkers:

We are what we are – a boring horror film about cannibals!
Somewhere – utterly ridiculous non-film
Wall Street: Money Never Sleeps – But I almost did…
Warrior’s Way – Ninjas & Cowboys done so wrongly
Hornet’s Nest – Not a terrible film, but nothing on the first
Skyline – Derivative alien bore
Mega Shark Vs Giant Octopus – so bad it’s bad!

Best of the rest:

Conversations with Other women – Split screen for the duration, and works well.
Hot Rod – Spot on comedy timing
Inglourious – Tarantino’s most mature work
Survive Style 5+ – Eye candy from Japan.
Drag Me To Hell – Throwback horror

Drag Me To Hell: An everywoman accidentally insults a gypsy – cue an ancient curse and impending doom for our gal. The five minute prologue is totally old school; OTT music, effects and a huge-ass demon. Fortunately, the entire film stays in this vein, and what I liked best was that while there is the odd big jump the rest of the frights come from good old-fashioned sources; wind, leaves, squeaks and creaks – no wet long-haired lizard women rattling down staircases or other such gimmicks. While it’s Genuinely terrifying this also has some subtly funny motifs like the face-fucking/hair-grabbing corpse, funeral, Goat, Dancing Ghost and even the ridiculous gross outs. There’s the best use of a stapler & ruler I’ve ever seen and a pretty sweet, but obvious, ending. Raimi’s direction is great, really proving he’s a pro by milking every drop of suspense and terror, yet making it fun and watchable – all while he’s pretty much parodying an entire genre. Drag Me to Hell effortlessly walks the line between comedy-stire and terror and I’ve not enjoyed a horror film this much in years. Classic Raimi. Classic horror. Instant Classic, just add blood.

Score: 8/10