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Yet another film review site’s year in review… below are the films I watched in 2011 that are worthy of another mention.

The Best:
Real Steel – hands down, the most fun I had at the cinema all year.
The Guard – ultra blunt, black humor. Gleeson steals the show, but don’t forget about Don.
TrollHunter – captivating and humorous ‘found footage’ about Trolls, with a superb central character.
Your Highness – so good I’ve watched it twice. Swords and tits medieval questing film, with swearing.
Fast Five – despite being one of the worst scripts of the year it delivers the action, cars, babes and guns in abundance.
Black Swan – follows a high-pressure demented dancer. masterclass at both sides of the camera.
Hobo with a Shotgun  – nasty, bloody, schlocky horror in the vein of banned ‘classics’. Perfect homage.
Drive – moody and broody stylized tale of a stoic badass. Bursts of ultra-violence.
In Time – solid sci-fi concept with great execution and plenty ticking clock scenarios.

Stinkers:
The Dilemma – utter stinker of a ‘bromance’, less rom-com and more wrong-non-com…
Giallo – former master of horror gives us a masterclass in shit direction. Made in 2009, not released until 2011 because the star, Brody sued them!
Battle: Los Angeles – loud, blurry, messy, scrappy, shaky telling of an alien invasion. Nice SFX though.
The Eagle – Jamie Bell tramping around the woods for a few hours in a boring Scottish history class.
Faster – about as braindead as the central character. The Rock + Gun – Script – Action = steamy turd.
Bad Teacher – fell asleep, total stinker
A Lonely Place to Die – sloppy and nasty Scottish horror set in the bonnie hills and highlands.
The Tree of Life – WTF WTF WTF WTF, and some more WTF.

Best of the rest:
Infernal Affairs – the daddy of all Asian crime/mob pictures. Never gets old. Never gets boring.
Amores Perros – storytelling at it’s finest, no fancy tricks, just riveting drama.
James Bond January – all 22 spy films watched and reviewed in 1 month. Links to every article.
Black Mirror – prophetic, cutting UK TV Drama about life in the near-future.
The Good Wife – arguably the best show on TV at the moment. Stories, characters, production…
Timecrimes – pre-Triangle sci-fi thriller/horror. Original, clever, not spelled out.
Sleepers – fantastic example of drama and acting making sweet, sweet movie babies.
Alice Creed – Tight, tense drama with just three characters.
Jennifer’s Body – expectation-blasting teen-horror movie, surprisingly dark and funny.
Matador – Brosnan at his peak as the strangest hitman in cinema.

Giallo: when a string of beautiful foreign women are abducted, brutalised and dumped in the streets of Torino an air hostess and jaded detective join up to catch the killer. Everything about this reeks of a cheap 1980s horror; the foreign setting, production values, film quality, characters, hairstyles, music, storytelling, and the ridiculous villain… Other than a few modern-ish torture scenes, this could easily be mistaken for an old, cheap film. There’s an eccentric pan-European cast, with some terrible acting and broken-English phonetic dialogue delivery, headed up by Brody, as a hammy New Yorker who looks like he’s forgotten everything he learnt about convincing acting. What’s most disappointing is that Dario Argento, someone who was once a master of the horror genre, is still pumping out films that show zero progression from his 1970s/1980s titles – if anything, they were far superior. It’s under 90 minutes long, yet contains so many unnecessary filler shots. Basically, this is no better or different to any of the thousands of low-budget shitty horrors you’d find on satellite TV  (although some score higher!). At its best, this is a semi-competent euro-slasher. At its worst, it’s like a spoof genre picture where a pursuing policeman falls over after running into a mop. I’ve seen it all before, far better.

Score: 2.5/10