The Avengers (AKA Avengers Assemble): ensemble super-cast of characters (and actors) have to save the world from Loki and his army of robo-alien minions. Everything about this flick aims to please: it does a good job of linking Hulk, Iron Man, Captain America, Thor and a few other superheroes together; we get to see superheroes take on bad guys, superheroes brakin’ up monsters, and superheroes fighting each other; Black window is even thrown in as the gratuitous hottie – no complaints. There’s a solid streak of humour, with a bunch of surprisingly funny lines that had the entire cinema laughing. Also, why do people still live in Manhattan when it gets attacked this often? After years of buildup, drip-fed snippets, extended trailers and bags o’ hype, the final product is better than the cynic in me was dreading. The Avengers is a summer blockbuster in every sense of the word: big cast, big budget, big story, big spectacle, big runtime, big characters, big laughs, big noises… BIG FUN! Directed by Joss Whedon, this is a well made, lovingly crafted, humourous mega-buster.
Immortals: King Hyperion will stop at nothing to obtain the Epirus Bow, but he faces an unlikely challenge from a peasant trained by Zeus himself. Directed by Tarsem – as you’d expect the clothes, masks, set designs and attention to detail is immaculate. It’s also technically impressive, well shot, and a good blend of CGI and real images that other directors would shun away from. Tarsem has some moments of intense vivid uber imagery (what he does best) however, the producers have clearly forced in as many ‘300’ similarities that the contract would support: plastic skies, million-man armies, traitors, rippling abs, oracles, boring grey colour pallets, scrolling one-on-twenty fight scenes… which everyone’s seen before, loads. The story is put to the front and played out well, although there are times when you think ‘less talk, more rock please’. It’s well cast, with Luke Evans, Stephen Dorff, Freida Pinto and John Hurt standing atop a mountain of decent performances; for a stylised Greek Myth! While it’s very watchable and a decent film, The Immortals and the Fall perfectly illustrate the differences between such an imaginative and unique director doing a stunning self-financed film, and a studio-backed blockbuster with some shining moments.
Thor: after putting the galaxy’s’ peace at risk Thor is cast out to Earth until he learns to tone down the arrogance, and ramp up the leadership. This is one of the most eclectic mixes of a film I can remember seeing; there’s oodles of tongue-in-cheek camp, so much so that everybody seems to think they’re in an amateur stage play; there’s about 30 characters all turning it up to eleven and vying for attention – not to mention robots, goblins, gods, scientists and feds. Most annoyingly, the SFX are insanely overused – reminiscent of the first wave of GCI laden 90s films. The action scenes are also poorly done – resulting in a series of blurry smashes and explosions until there’s a body is lying on the ground / frozen in ice. The bottom line is that the tone, style and elements of Thor are so erratic, that it ends up feeling like a film that exists just to be the next comic book film. Big, bright, loud and stupid, Michael Bay would be so proud