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Tag Archives: The Last Battle

Shamelessly stolen from Michael over at It Rains… You Get Wet.

Oldboy Korean Movie1 – A movie you love with a passion

Oldboy: saw it in a tiny – practically empty – 50-seater screen [Aberdeen, Belmont Cinema] and just fell in love right there. It’s got plot, style, direction, acting, editing, originality, and groundbreaking themes that the re-make probably hasn’t touched with a bargepole: I’m not rushing to watch it! Such a fine example of original, bold, and brave film-making.

High School The Musical Logo2 – Movie you vow to never watch

Don’t think I would purposely decide to never watch a particular film on grounds that it’s potentially bad (I’ve sat though old propaganda films, terrible B-movies, outrageous exploitation films with no problems), but you’d be hard-pushed to convince me to watch the High School Musical movies, or any of those “he/she dies of cancer at the end” manipulative sob-fests.

Children of Men Clive Owen Michael Caine No more babes future london dystopia3 – Movie that literally left you speechless

Children of Men: My friend Spencer and I literally walked home slack-jawed, glancing at each other occasionally and muttering phrases like “No way”, “Holy shit” and “Fuck me” for 20 minutes after we left the cinema. Unbelievable, powerful film-making, paired with groundbreaking technical precision that should be watched big, loud and uninterrupted.

City Of God Brasil Brazil Lil Ze Rocket Drugs Crime Gangs4 – Movie you always recommend

City of God: usually to people that haven’t yet been swayed to world cinema yet. My DVD of this has been continuously whored out for the past 5 years. Actually, I don’t even know where it is any more… Poor Rocket! Take that acclaimed coming-of-age crime film Gomorrah, turn that son-bitch sideways, and stick it straight up your candy ass!

Barry Pepper Hollywood's unsung hero5 – Actor / Actress you always watch no matter how crappy the movie

I try to catch as many Barry Pepper films as I can. For me, he’s one of American cinema’s unsung heroes, never the leading man, but always putting in a top shift, and connects with the audience so effortlessly. Jackie Chan too, although he’s done so many movies that it’s hard to keep tabs – and had a few ropy hollywood outings.

Zooey Deschanel GROSS6 – Actor / Actress you don’t understand the appeal of

Zooey Deschanel: seems to have carved herself out as the go-to queen of the quirk. I cannot stand her cutesy, look at me, bug-eyed, big-fringed, dressed-like-a-tranny-from-the-1980s vibe. Arrested Development is Michael Cera’s get out of jail free card, or else he’d be cast off in the same boat.

Russell_Crowe7 – Actor / Actress, living or dead, you’d love to meet

See next question – LOL. Seriously, I’d love to sit down and have a few beers with Russell Crowe. Of all the egos, stars, and reported stories from behind the scenes, he’s been the most fun to follow through the years, and sounds like he’d be a great drinking buddy. It helps that he can act the pants off of most people too, at least when he puts his mind to it.

Gina Gershon OH MY GOD SHE IS SO DAMN HOT8 – Sexiest actor / actress you’ve ever seen

I have always exclusively reserved my Hollywood-wood for the lovely Gina Gershon (Those eyes! Those lips! That hair!) – she’s like an expensive whiskey that keeps getting better with age. Although recently I saw a few photos of Italian actress Sophia Loren and my life hasn’t been the same since. Too close to call. Maybe Lizzie Capplin, or Penelope Cruz. Toughest question on the list for sure.

The Good Bad Weird Korean Blockbuster Dream Cast9 – Dream Cast

The Good, The Bad & The Weird is as close to a ‘dream movie’ I’ve seen in real life. However, if I were a producer I would go for… Brian De Palma directing an international action-thriller with an ensemble including Javier Bardem, Jean Reno, Penelope Cruz, Barry Pepper, Moritz Bleibtreu, Monica Bellucci, Vincent Cassel – all in their prime.

Boyd Crowder Raylan Givens walton goggins timothy olyphant justified10 – Favourite actor pairing

When Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins) are in the same scene my telly, brain, and Marshall stiffy pretty much explode simultaneously. The back-and-forth banter between those two is some of the best-written TV out there, and the actor’s chemistry is sublime.

BASEketball Court Matt Stone Trey Parker I hear your moms going out with SQUEAK]11 – Favourite movie setting

If I was living in a world where BASEketball or Death Race 2000 were actual sports I’d quit my job tomorrow. Being dropped into a Jean-Pierre Jeunet (Amelie, MicMacs, Delicatessen) or Luc Besson (Fifth Element, Adele Blanc Sec, Angel-A, Nikita, The Last Battle) would be wildly entertaining, although I know for a fact that this is going to change when Snow Crash is finally made – come on Hollywood, pull your finger out!

Amores Perros12 – Favourite decade for movies

I think the 2000s is a tough decade to beat, so much emerging talent and superb movies. Probably helps that I spent most of the decade in front of a cinema screen.

Oldboy, Amores Perros, Mystic River, A Bittersweet Life, Children of Men, Kill Bill Vol 1, Together, No Country For Old Men, 3:10 to Yuma, Battle Royale, Memento, The Fall, Intacto, Infernal Affairs, The Woodsman, Bourne Ultimatum, District 9, 3-Iron, Brick, Eternal Sunshine, Primer, Lilya-4-Ever, In Bruges, City of God, Love Me If You Dare

Commando John Matrix Rocket launcher four barrel carnage moustache guy multipl deaths13 – Chick flick or action movie

Action; every single time. I like the odd chick-flick now and again – Just Like Heaven, Princess Bride, SATC – but even the Mrs prefers a good old action-film over the chick-flicks.

James Bond 007 Everything or Nothing Sean Connery George Lazenby Roger Moore Timothy Dalton Pierce Brosnan Daniel Craig14 – Hero, villain or anti-hero

Two words – James. Bond. Total hero.

Survive Style 5+ Vinnie Jones 15 – Black and White or colour

Colour for the most part. I’m not particularly adverse to black and white – it has its merits – but I’ll take ‘modern cinema’ every time over the classics. Imagine watching films like Volver, Scott Pilgrim, The Fall, Lego Movie, Kill Bill and Survive Style 5+ in monochrome / B&W… no chance.

Le Dernier Combat (The Last Battle): every man struggles for himself in a bleak post-apocalyptic world. Shot entirely in Black and White and with no dialogue, this definitely a unique and memorable style. It looks great: the sets & costumes feel genuinely post-apocalyptic, and the actors are all interesting and peculiar, with emotive faces that lend themselves to silent film – each character’s eyes in particular tells you more than an hour of dialogue could. Despite such a grim vision of the future, there’s a healthy serving of dry, but humanistic, moments of humour and joy to provide some comic relief – the blow up doll piece is hilarious, and the “Hello” scene is cinema gold. Yet, as visually appealing and interesting as the film is, it’s equally stereotypically ‘French arthouse‘ and feels dragged out, disjointed, and pretentious at various points. Another downside is the jazz-lounge soundtrack, which is hideously dated – and with no dialogue, makes for such a crucial part of the film. For being Luc Besson‘s first film, it’s a surprisingly accurate blueprint for his career so far: ambitious, interesting, looks great, but there’s not much under the bonnet.

Score: 5/10