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Kingsman Secret Service Egsie Taron Egerton, Colin Firth, Samuel L. Jackson, Mark Strong, Michael Caine, Sophie Cookson, Sofia Boutella, Samantha Womack, Mark Hamill,

Kingsman – The Secret Service: a billionaire entrepreneur tries to combat global warming his own way; by inciting a mass population cull. If there’s one thing that Millar, Vaughn, and Goldman are good at; it’s giving their ‘fanboy’ section of the public what they want – action and LOLz. At the beginning you don’t really know what to expect, but once it starts gaining momentum it slowly transforms into something akin to a more mature and relevant Austin Powers film. Kingsman is rarely less than entertaining, especially seeing Firth actually enjoying being A Single Man as the caricatured dapper gent that gets to hand out a copious amount of ass-kicking; it’s also always good to see Mark Strong, even with a bizarre Scottish/Edinburgh accent. More generally, all characters are split between either being an ASBO Chav, or a posh-boy – but  the very broad and thick ‘London Geezer‘ / ‘Landahn Geeza’ accents may require subtitles outside the UK. As you’d expect from the minds of Kick-Ass, Layer Cake, Lock Stock, and Snatch it’s a bloody and violent affair – but why would you assume anything else? The action is solid throughout, although one scene in a church is jaw-droppingly executed – easily the highlight of the movie. Despite a couple of missteps in tone – like a cheap bumsex joke – Kingsman is a funny and entertaining send-up of the ‘classic’ spy TV Shows and Bond Films… adults only though.

Score: 7.5/10

Kingsman Secret Service Huntsman Tailors Taron Egerton, Colin Firth, Samuel L. Jackson, Mark Strong, Michael Caine, Sophie Cookson, Sofia Boutella, Samantha Womack, Mark Hamill,

Now You See Me 01 Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco, Mark Ruffalo, Mélanie Laurent, Michael J. Kelly, Michael Caine, Morgan Freeman, José GarciaNow You See Me: four lowly street illusionists/magicians are brought together to become the world’s most infamous magic show. Unfortunately, this film is just as obsessed with the special effects as it is with telling what’s quite an interesting story. Every time there’s a big trick or set-piece the camera starts whirring around in a physically-impossible, mind-bending and distracting manner. The plot is very entertaining, lots of humour and the story takes some major twists and turns before arriving at a surprising conclusion. The acting’s all solid, but in a film with Eisenberg, Harrelson, Fisher, Ruffalo, Laurent, Caine and Freeman – you shouldn’t don’t expect much less. In a time of infinite re-boots, re-makes and superhero movies – Now You See Me feels surprisingly fresh and different – big cast, and a great story, although spoilt by some flashy direction.

Score: 7/10

Now You See Me 02 Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco, Mark Ruffalo, Mélanie Laurent, Michael J. Kelly, Michael Caine, Morgan Freeman, José Garcia

Dark Knight Trilogy Batman Begins The Dark Knight The Dark Knight RisesWhat makes a movie going experience unique? In the age of Blu Rays / high-definition torrents, and bargainous HDTVs / home cinema kits it’s becoming easier and more affordable to get a totally immersive film-viewing experience at home. To combat this and keep the footfall in the foyers cinemas are having to go above and beyond the standard experience. My local independent – Aberdeen’s cherished ‘Belmont Cinema‘ – has just screened back-to-back showings of the Dark Knight trilogy (all 7hrs 34min!), and although you can pick up the box set for under £30, the event was packed full of things that no amount of money or equipment can replicate.

The Dark Knight Trology Cast Harvey Dent Bane Gordon Ra's al Ghul Batman Catwoman Scarecrow JokerWith films this big there’s absolutely no denying that they’re best viewed in a proper auditorium. Christopher Nolan’s unmistakable eye-opening wide-angle style which is intentionally shot on celluloid for maximum effect; Wally Pfister’s I-MAX cinematography, Hanz Zimmer‘s deep brassy orchestrated scores, the pounding sound effects & sound editing, million dollar stunts, props and CGI… Sure, they all look fantastic on Blu Ray, but when you see them thrown up on a cinema screen and pumped out through a Dolby SR amp/speaker kit – the effect is nothing short of phenomenal.

DARK KNIGHT COSPLAY COSTUMES, CATWOMAN BATMAN, BRUCE WAYNE, Selina Kyle, The Cat

Batman and Catwoman: guardians of… the auditorium!

Beyond mere technical details there was an atmosphere in the theater that you don’t see often, and definitely couldn’t replicate at home: staff and punters dressing up as their favourite characters from the series (and further back down the Batman franchise), hardcore comic fans ‘nerding out’ in the foyers, people shouting out the big lines of dialogue – and particularly in the first two movies – there’s a lot of humour that really falls flat when you watch it on your own.

Add to this that the staff had gone out of their way to ‘make a day of it’, including an in-character Batman – with the voice – for the duration, special food/drinks promos, cosplay competition, a riddler quiz with awesome prizes, and giving everyone a goodie bag on the way out – it really did make the experience feel unique, and elevated it far beyond the scope of any regular visit to the movies. It also made the 1pm-10pm shift fly by.

DARK KNIGHT COSPLAY COSTUMES, THE JOKER, POISON IVY, HARLEY QUINN, Dr. Harleen Frances Quinzel, Dr. Pamela Lillian IsleyI believe that the variety and novelty of screenings and events like this will become a larger part of remaining cinema’s revenue, and Aberdeen’s Belmont Cinema is putting a lot of effort in to such programming. At Christmas there was a festive Die Hard screening, a 90s Action Classics season has just wrapped up (Matrix, Total, Recall Con-Air…) and coming up there’s a special screening of the notorious ‘The Room‘, a Wes Anderson retrospective, and one-off re-releases of cult cinema favourites such as The Princess Bride and the ABCs of Death – to name but a few!

Seeing the films together in one sitting also helps pull the story together, with a lot of detail slipping through the cracks of the three, and four year gaps in theatrical releases. More than anything, it’s a glowing testament to Nolan as a director: he has made three very individual, stand-alone movies that will appeal to general punters, whilst having enough detail and plot threads to make them a proper trilogy, AND appease hardened Batman fanboys.

DARK KNIGHT COSPLAY COSTUMES The Joker, Harley Quinn, Henri Ducard, Ra's al Ghul, Catwoman, Batman The Riddler, Robin

The staff really made the day, and led by example with their awesome costumes.

REVIEWS

Batman Begins (Review) – perhaps a little harsh on it, but the one that benefited the most from a proper theatrical viewing. It’s funnier with a crowd, and the ‘filler’ is more necessary when viewed as part of the entire trilogy. Overall, it’s an interesting examination of fear – last-minute cameo from Katie Holme’s nipples. Trilogy score: 7/10

The Dark Knight (Review) – the closest thing to a Bond film that Nolan has done. Travel, big stunts, cooler gadgets (and quips about them), peril, awesome villain – it feels in parts like Nolan was using this as a CV. SOMEONE PLEASE LET HIM DIRECT A BOND FILM!! Still awesome. Trilogy Score: 8.5/10

The Dark Knight Rises (Review) – less action, and a whole lot of plot to wrap up the trilogy. Still massive voice issues with Bane – I think my biggest gripe is that unlike the other sound like their being recorded on set, Bane’s booms from all speakers – giving him a bizarre omnipotence. The tone and accent are far too silly for such a bad badass. Still, great way to cap off one of cinema’s best Trilogies. Trilogy Score: 7.5/10

The Dark Knight Rises: eight years after The Joker’s antics Batman faces his latest, and toughest opponent – Bane. The tone straddles the story-driven Batman Begins, and the action/spectacle of The Dark Knight. Rises also functions surprisingly well as both a stand-alone movie, and trilogy wrap up: epitomised by Scarecrow, who appears, but isn’t dwelled on. The action set pieces are great (especially the Police Vs Goons fight!!) and when it’s matched with such slick visuals and the booming post-Inception soundtrack – it’s an unbeatable force. Of the three new characters, JGL does the most impressing, although it’s mostly because of the other two’s costumes: masking a performer like Hardy, reducing him to just eyes is nothing short of a travesty, and Hathaway amounts to little more than her catsuit, merely serving as a story catalyst. All other performances are rock-solid across the board – particularly Caine, who I’ve rarely enjoyed, but was surprisingly emotive in this. The biggest pain in my ass was the unresolved voice issues with Batman in costume, hospitalised Gordon being too gravelly to fully understand, as well as Bane whose voice is both hard to tune in to and so ridiculous that it wouldn’t be out-of-place in a South Park episode. I also felt that the duality between Bane and B Wayne was interesting, but even as someone who has never read the comics – it could probably have been explored further. What’s impressed me most about the trilogy is the dedication to keeping everything grounded and realistic – even with the list of ‘superhero’-style of characters, there’s always an explanation and it always feels plausible. I’ll take my hat off to Nolan, who has made yet another smart, sophisticated film out of ‘superheroes’ / comic book material – while keeping it accessible and enjoyable to all audiences.

Score: 7.5/10

MEOW!!!