Enemy [Mild Spoilers]: when a history lecturer spots his doppelgänger in the background of a movie scene he becomes increasingly fascinated by the actor. Quite a difficult film to articulate, this probably falls vaguely under the ‘Psychological Thriller’ banner. There’s a deliberately slow and intense build up, magnified by a doom-laden score that the intensity relies heavily on. This is completely Jake’s film, as we see him pull off playing two people, and then each character ‘impostering’ the other (Imagine Face/Off^²). Stylistically, there’s an intense amber hue for the duration, which I didn’t really see the point of – or understand. Naturally, there’s a lot of playing around with duality, repetition, mirrors, doubles, from the get-go, and although the film’s not explicitly wrapped up (the ending is a bit of a mystery/clusterfuck) there are a lot of clues and lines in there; namely that our lead may have a split personality. Definitely the least accessible film since he started working with ‘big’ names; this bleak, tense, and dark thriller is the perfect appetiser for Arrival; and lays out the “un film de Denis Villeneuve” style that he’s kept right through to his current, mega-budget films.
Inglourious Basterds: (Blu Ray) Not really much of a re-make after all. Straight off the bat the first 20 minutes are among the immense, intense and electric in memory. As the film continues there’s just so many great sections: Jews in hiding, the Jew Bear’s entrance, strudel meal, entire bar scene, cinema premier (Inc. Italian Accents). Cast-wise: Pitt looks ridiculous and uncomfortable, but is still very, very funny again; Stiglitz is great to watch, especially in the bar scene; Fassbender totally outdoes Mike Meyers, who plays a terrible British stereotype, and as for Cristoph Waltz, what can I say that has not already been said… It’s a bingo! He turns an already fantastic script in to comedy and tension of the highest level without even trying – 100% charisma!! The dialogue’s much more focused and natural than any of the previous Tarantino outings. I also applaud the use of foreign actors and dialogue, which most war films don’t usually have, Tarantino has masterfully cast some of the best European talent in a lot of the key roles – and although there are a lot of characters and story threads coming together it’s all managed quite well, with only a couple of minor lapses. The alternative history setting (& ending) is always a strange pill to swallow, but if you roll with it the film still works. The music chosen isn’t his finest to date. The Blu Ray Sound and picture are both fantastic, definitely reference material. While Tarantino may not be every critic’s cup of tea he keeps giving the public exactly what they want. Ballsy & enjoyable WWII action-romp.