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Blackhat Festival Michael Mann, Chris Hemsworth, Leehom Wang, Viola Davis, Ritchie Coster, Holt McCallany, Yorick van Wageningen, Tang Wei, Andy On, Manny Montana, William Mapother, Archie Kao, Cheung Siu Fai

Blackhat: when a Chinese powerplant is hacked (and blown up) using parts of his old code a l33t h4x0r (‘elite hacker’ to you and I) is released from prison to help the FBI hunt down the threat. Q: how do you sex up a computer attack at the hardware level? A: lots of flashy and swooshy CGI of bits, bytes, circuits, electricity, keyboards, transistors – obviously. Unfortunately, none of the actors really shine, because none of the characters feel developed beyond their required contribution to the story line. Even parts of the plot don’t really work, like the weird romance angle, which feels like it’s just in there to broaden the film’s appeal: strangers becoming sacrificial lovers in a couple of days, just because the film required it. Pushing that stuff aside, you still get a solid Michael Mann film with two big shootouts (a decent one at an airport, and a fucking great one in a shipyard) and a very realistic crime scenario: from the IT Security stuff and hackers evading surveillance, through to the inter-departmental squabbling and larger China-US relations – it all feels authentic. You can see how this film could flop – it’s about hacking / security / information, non of which are popular movie subjects – but I fail to understand the hate/backlash for Mann: he’s one of the few directors that could shoot a dumpster and make it look fantastic; he is pure cinema – abusing colours, locations, and an always-moving camera. Blackhat uses a somewhat wooden story to ask bigger questions about technology and global security – and with all of the slick visuals you’d expect from a world-class director.

Score: 6/10

Blackhat matrix code python PHP Java Michael Mann, Chris Hemsworth, Leehom Wang, Viola Davis, Ritchie Coster, Holt McCallany, Yorick van Wageningen, Tang Wei, Andy On, Manny Montana, William Mapother, Archie Kao, Cheung Siu Fai

 

 

 

Bullet to the Head Sylvester Stallone, Sung Kang, Jason Momoa, Sarah Shahi, Christian Slater, Adewale Akinnuoye-Agbaje, Jon Seda, Holt McCallanyBullet to the Head: a career hitman and police detective team up in order to bring down a corrupt politician. From the opening scene (and every other frame of the duration) this is 100% a shameless Sly Stallone action vehicle – making him out to be as cool and badass as possible for the duration – which, let’s face it, a 66 year-old action hall-of-famer, doesn’t really need to do. His voice sounds like a sub-sonic stroke victim – so close to requiring re-dubbing or subs. Almost every minor character (wannabe models and actors) seem to be using this film as nothing more than exposure. The action scenes are poorly handled; but even blurry focus, fast cuts and shaky cam can’t spice up what’s clearly shit fights! To make up for this Sly and Walter Hill cram as many other things from the action B-movie checklist as possible: big loud guns, sexy cars, booze, nudity, drugs, tattoos, broads and more fights – and it never aims higher than that. The bi-racial ‘buddy’ element (90% of the film) reeks of 1980s – and generates cheap ‘cultural misconceptions’ and ‘hilarious’ misunderstandings RE: opposing work-ethics. The final talking point is some in-yer-face product placement – namely cars and Bulleit Burbon. While The Expendables (& #2) takes everything that was awesome about 80s action films and cranks them up past 11, up to 15; Bullet to the Head feels like a typical action B-movie with one big star and half a budget, and in the end, it’s not a bad film, but despite their best efforts, this is nowhere near Stallone or Hill’s glory days.

Score: 5/10