Red State: a kidnapping, turns into a hostage situation, which goes south pretty quickly from there. Be warned: this is nothing like anything Kev Smith previously done. For me, Smith films are defined by his ridiculously snappy / witty / unrealistic dialogue – none of those traits were overly abundant, but conversations are still not quite natural. There’s a mumble jumble of social commentary, gunfighting, politics, government handling of situations and blood-splattering gore; none of which were pushed to the front of the film, giving it a bouncy tone and a premise that constantly changes. In saying that, it’s all quite enjoyable and entertaining at the time, but ultimately the cinema equivalent of junk food – it fills a 90 minute void -isn’t too memorable! Cast-wise, Goodman steals every scene, but is closely followed by Park’s ultra-extreme rambling hate Baptist. It reminded me a lot of Burn after Reading in a ‘govt f-up’ way, especially the abrupt wrap-up, although it’s not quite in the same league.
Stake Land: when his mum, dad and baby sibling get their shit ruined, Martin is taken under the wing of a Vampire Hunter, and they make their way north to a vampire-free sanctuary. It’s easy to forget that this is a B-movie; no stars, no big sets, ton of gore, no-name production company… yet it’s well filmed, looks great an doesn’t just rely on schlock or clichés. in fact, it’s because this is a B-movie that this packs more of a punch; there’s not much character sentimentality, and several pretty rough scenes to watch. The story’s great, and keeps you intrigued, even with a distinct lack of dialogue, ridiculous cult, and almost no character backstory. The creatures are somewhat of a Zombie/Vampire mish-mash, that land somewhere between Romero, Rami and a manga adaptation. Breathing new life in to busy, but rapidly boring genre, Stake Land is a solid entry, proving that vampires don’t have to suck, and that the horror genre can step up it’s game now and again.
The Mechanic: after wiping out his boss and mentor a Mechanic (Hitman) takes it upon himself to train the boss’s wayward son – but will the son find out his dirty secret… What can you really say about this one? Jason Statham playing another Jason Statham character in a Jason Statham film for the umpteenth time – if you don’t know the drill by now, please exit the cinema quietly. The story’s 100% predictable, right down to the very last Statham scene – absolutely no surprises. On the other hand the acting’s generally pretty damn fine and although there’s not as much Statham action as you’d expect, it’s all done really well and there’s some really memorable Statham deaths. Knowing what kind of Statham film this is – and needs to be – everything is geared at the lads; there’s the gratuitous nudity & Statham sex scene, antique cars, and laughable close up shots of manly men (i.e. Statham) firing big guns with huge bullet casings flying out the side. The fantastic Statham script pleases the crowd, with all the cheeky Statham hard-man line’s you’d expect; someone even tells Statham: “I’ll put a bounty on your head so big you own reflection will want to shoot you in the face” a quality Statham film line by any previous film standards. Disappointingly, there are two major distractions from this Statham fest in Ben Foster‘s scrawny little tramp beard and ridiculously shitty French muse hat – no points to the costume designer! If you like Statham doing his Statham thing in a Statham film this will certainly not disappoint Statham fans. The mechanic is nothing new, or nothing original but it’s a well-excecuted popcorn action flick. Statham!