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Blade Runner, Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong, Morgan Paull, Ridley Scott, Wake up time to die

Blade Runner (The Final Cut): A retired replicant hunter (aka a Blade Runner) must return to track down four fugitive android impostors in 2019 Los Angeles. It’s unbelievable to think that this was released in 1982 as everything about it looks and feels like a ‘modern’ movie: it’s still breathtaking, brimming with scenes and imagery that are nothing short of pure spectacle. Almost every shot is striking; and the scale/intricacy of the sets & worldbuilding is unbelievable. Despite all of this, Ridley isn’t above some tremendously naff product placement: Coca Cola billboards, Budweiser signage, Atari holograms, and a final fight illuminated by a humongous neon TDK sign… classy! There’s also a questionable sex scene and dubious mis-use of midget actors – to give the film a little edge and distraction. If imitation truly is the sincerest form of flattery; you know that Blade Runner is a top-drawer sci-fi, as the future-metropolis aesthetics and theme of ‘what makes us human’ are echo through pretty much every subsequent Sci-Fi classic: Ghost in the Shell, The Fifth Element, Minority Report, The Matrix, Dark City, Total Recall, Brazil, Looper, Akira, Ex Machina… the list is endless. Of course, it doesn’t hurt that the starting point for the movie (Philip K. Dick’s “Do Androids Dear of Electric Sheep?” is a SF masterpiece). Overall, Blade Runner is a parodically boilerplate pulp/noir story; yet the world created & proto “cinema du look” style paired with the outstanding source material & sci-fi twists, propel this film into classic territory.

Score: 9/10

Blade Runner, Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong, Morgan Paull, Ridley Scott, Wake up time to die

Blade Runner, Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong, Morgan Paull, Ridley Scott, Wake up time to die

Blade Runner, Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong, Morgan Paull, Ridley Scott, Wake up time to die

Blade Runner, Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong, Morgan Paull, Ridley Scott, Wake up time to die

Mutilator Fall Break Poster High Resolution Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper

The Mutilator [AKA Fall Break]: years after accidentally killing his mum (which drove his father insane), a teenager brings some friends to the estranged dads beach condo for an autumnal break. Despite being firmly in B-Movie territory, it’s quickly apparent that this is a completely amateur production. The big faults of the film fall at the feet of one-time director/writer/producer Buddy Cooper: there’s no tension, lots of awkward silence, bad original music, stale acting, and every scene feels dragged out for longer than it needs to be – to hit the coveted 90-minute mark. In fact, everything about this picture is so corny and cheap, it gives The Mutilator a certain charm that all the money in the world couldn’t buy: things like the second-long pause between lines in conversations, the stilled delivery of dialogue, the seemingly straight sentences like “I got a baaad feeling about this”, the awkwardness of every extra, and the campy death screams… The saving grace are the substantial gore effects of Mark Shostrom (Videodrome, Evil Dead II, X-Files, Buffy) as each character gets picked off with boat motors, battle-axes, pitchforks and fishing gaffs – the latter being the films single ‘ho-leeee sheeeet’ moment. A solid poster, catchy tagline, sensible re-naming, and handful of gory moments will ensure that this routine slasher flies off the shelves for years to come. Despite the professional level blood ‘n’ guts, everything else about The Mutilator has an Alan Smithee quality which will be enjoyed, but only by hardened genre fans and drunk friends.

Score: 2/10
B-Movie Score: 5/10

By Sword
By Pick
By Axe
Bye Bye

As always, Arrow Films have given this relatively unknown film the definitive release: it’s completely uncut and director-approved for the first time in the UK, boasts a 2K scan from the original copyright print, original mono soundtrack, and more commentaries / features / stills than you can shake a bloody axe at!

Mutilator Fall Break Car Axe Killer Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper Mutilator Fall Break Battle Axe Throat Slit Gore Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper Mutilator Fall Break Night Gown Saucy Nudity Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper

Flight Denzel Washington, with Don Cheadle, Melissa Leo, Bruce Greenwood, Kelly Reilly, John Goodman

Flight: an alcoholic / coke-addict pilot saves almost everyone on board from certain death, but he can’t avoid the spotlight as the air crash investigation picks up on his habits. This is a great all-round movie: funny when it had to be (Goodman / cancer guy), dramatic at times (relationship / hearing) and for the most part, engaging and entertaining. The crash itself is one of the most intense and dramatic scenes I’ve seen in a cinema; slowly getting louder and shakier and an increasingly high-pitched whaling from the plane; it was like a screw turning tighter and tighter. The only time it felt a bit off were several overly-emphasised parts about religion & faith – act of god, miracles, praying – although I guess it’s more prevalent in America. There were a few nice little in-jokes that almost passed me by: the ShamWow tv advert, the elevator music version of ‘I’ll get high with a little help from my friends’, and most songs in the soundtrack were about boozing or drug abuse. The cast were stupendously good performances all round, Denzel in particular was on fire – achieving an almost impossible mix of sympathy and resentability – and Kelly Reilly (also great) must have had a cleavage-based contract – loved it. All in all, Flight is an entertaining, enjoyable, and very watchable movie with entertaining performances all round.

Score: 8/10