Strike Back: Shadow Warfare – when an undercover Section 20 agent is executed in cold blood Scott and Stonebridge set their sights on the killer and his terrorist organization. For this first time, this season pulls out some big names with the likes of Martin Clunes (best death face ever), Dougray Scott, Robson Green, and Rhona Mitra. And when you thought it wouldn’t be possible, everything is EVEN MORE ridiculous, funny, cheesy, trashier and sensational than the previous outings: a sexy Russian agent-babe is introduced in one scene, and literally a having vodka sex (with Scott, obvz) in the next one; a gay transvestite pensioner hard-man starts prison riot; and only Strike Back could have the Real IRA team up with Muslim terrorists and get away with it. This is the first season where the different directors stand out as the opening two episodes have computer-game / John Woo slow-mo vibe, with epic music and everything exploding; the middle six feel more ‘traditional’ action episodes, and the final two play out more like 24 episodes with the focus being on twists and reveals (and some poorly handled shaky cam action). The overall story and structure stick to previous season formulas, but hey, every plot thread in Strike Back is just chasing McGuffins to serve up more action scenes. When things aren’t being blown to shit, the drama stuff is well handled, characters get a bit more time to develop, and the show still isn’t afraid to pull punches or shock the viewers with main cast killings. I’ve pretty much ran out of superlatives and phrases to describe how good Strike Back is because it’s so consistent in delivering five top-drawer action B-movies season after season. The show gives its audience (14-40 year old boys) exactly what they want: action, babes, guns, nudity, explosions, gadgets… and the fact that this rollercoaster series ends with a sex scene says it all really. The tagline for this season is “The world’s not saving itself”; but Strike Back is definitely saving the action TV genre.
STRIKE BACK REVIEW
STRIKE BACK: PROJECT DAWN REVIEW
STRIKE BACK: VENGEANCE REVIEW
Strike Back: Vengeance (Season 3) – when a billionaire acquires four nuclear triggers in order to re-shape Africa, only section 20 can stop him. Continuing with the UK/US collaboration, this takes everything that worked about ‘Project Dawn’ and made it all bigger/louder/better. Every episode is wall to wall action; with dozens of set pieces, hundreds of deaths, and a load of whiz-bang sex scenes. The entire season is 100mph, and it’s simply great fun. The characters feel more rounded, the leads’ chemistry is fantastic, and it’s very professionally made – but things like ‘character development’, ‘plot’, and ‘direction‘ are background noise to the explosions, gunfights, stunt driving, and spec ops that march the show forward. It’s hard to believe that such a ridiculously intense level of action (huge set pieces every 10 mins or so) can be done on a TV budget – the 10 episodes are paired off into FIVE 90-minute long mini missions that run together. In a world of toned down and heavily edited 12-rated action films, the swearing, sex, and sensational action makes this feel like something from ‘the good old days’. Completely knowing, and aimed directly at young male action fans, Strike Back Vengeance is a show that only really does one thing (infinite ammo, high-octane action turned up to 11), but does it brilliantly – making it a truly unmissable show for action fans
Strike Back: Project Dawn (Season 2) (Mild Spoilers): following on from the action-heavy British mini-series. Sky TV teamed up with Cinemax (aka skinemax) for season two, and as if by magic there’s more tits and ass in the first 5 minutes than the entire first season (and sex / tits / nudity at every possible opportunity moving forward!) Replacing believable badass John Porter with two new faces was a risky move, and it takes a while to adjust to the change, but they really shine from the mid-way point of the series: the British agent (Stonebridge) is played a touch too straight, and American Delta Force (Scott) a tad on the caricature side, but their chemistry, and “yo mama” style banter is thoroughly entertaining – like the highlights of a drunken Lad/Pub chat. Whereas the first season played out as a tight, tightly focused, serious political drama, season two is basically an action romp around the world – where everything explodes, everyone gets shot, and the American guy bangs every hot local in sight. The generic plot-lines only serve to deliver piece after piece of over-the-top action – chases, shoot-outs, sieges, espionage… it’s all there, it’s all good, and there’s 4 more episodes than the first outing! There’s very little resemblance between Season one and this, but they’re both great fun and totally entertaining in their own ways.
Episode 1-2 “Die Hard in India”
Episode 3-4 “Blown Away in South Africa”
Episode 5-6 “Taken in Darfur”
Episode 7-8 “Rambo in Kosovo”
Episode 9-10 “Every episode of 24 in Budapest”
Animal Kingdom: Mid-budget Australian crime film focuses on one family and their ongoing struggle against the Melbourne police department. Probably more at home on TV than the big screen, there’s a few misfires that lead this high-potential film astray. The single biggest mistake was that it could have been an epic story, but the director forces it down the arthouse route, and it just didn’t work for me. Other faux pas’ were that it focuses on the wrong characters, honing in on the most silent and blank-faced kid; the music was so distracting – terrible psychological synths turned up to 11 that ironically drown out any ambience; moreover, it’s to bleak, grim and nihilistic – making it a difficult story to watch. What saved this from obscurity was the fantastic cast, some of whom you completely invest in: the mother and eldest son are two of the most heinous characters you’ll see this year and you even end up rooting for the wayward brothers; although he’s good, the main actor is one of the weakest in the film. Fiercely over-hyped, and at almost two hours, Animal Kingdom is dragged out at a pace that cripples the movie and really fails to engage. While it’s not in the same league as Romper Stomper and Chopper it will have the same effect in bumping much of the little known actors up to a bigger stage.