Archive

Tag Archives: Mathieu Amalric

The Grand Budapest Hotel Gustave Wes Anderson, Ralph Fiennes, Tony Revolori, Adrien Brody, Willem Dafoe, Jeff Goldblum, Saoirse Ronan, Edward Norton, Mathieu Amalric, Harvey Keitel, F. Murray Abraham, Jude Law, Tom Wilkinson, Jason Schwartzman, Bill Murray, Owen Wilson

The Grand Budapest Hotel: a girl reads a book’s prologue, which the author personally sets up; his younger self meeting a hotel owner, who tells him how he came to own a hotel, after he helped a concierge that was once framed for murder. Only that last part is necessary, but hey, this is a Wes Anderson film so suck up the whimsical details you boringly normal douchebag! The ensemble cast is phenomenal – if a little male-centric – to the point where it becomes distracting, but to be fair, the less time you spend thinking about the story the better. Fiennes makes this way funnier than it should have been with his dashing, sweary, and thoroughly entertaining concierge role – an outstanding a piece of comedy-driven anti-casting, in fact, most actors appear to enjoy playing their exaggerated slapstick characters – and on the whole, they’re all fun to watch. There are plenty of great cinematic techniques resurrected here; with models, scale, depth and focus all being used to powerful effect. The cinematography is also meticulous – composition, shapes, balance, symmetry… it’s the epitome of mise-en-scène (any screenshot could be a painting) making Anderson one of the few directors around that give Park ChanWook a run for his money. Substance-wise however is where the film falls over, as it feels very light – the story is all shine and no significance beyond the homage to old-timey farces. The Grand Budapest Hotel is a very unique movie, and Anderson’s most entertaining & accessible film to date. Like one of Mendl’s pastries it’s beautiful and admirable, but very light and fluffy.

Score: 7.5/10

The Grand Budapest Hotel Palace Bristol Hotel Karlovy Vary Wes Anderson, Ralph Fiennes, Tony Revolori, Adrien Brody, Willem Dafoe, Jeff Goldblum, Saoirse Ronan, Edward Norton, Mathieu Amalric, Harvey Keitel, F. Murray Abraham, Jude Law, Tom Wilkinson, Jason Schwartzman, Bill Murray, Owen Wilson

The Extraordinary Adventures of Adèle Blanc-Sec: Based on the Jacques Tardi comic books, this follows a female adventurer in 1911 Paris who is traveling the world to find a cure for her comatose’d sister. With pterodactyls, mummies, bandits, hunters and a ton of other stuff, it’s all a bit crazy – landing as a PG adventure not a million miles from Indiana Jones / Jumanji / The Mummy etc… Louise Bourgoin is a great match for the quirky, strong, sexy, determined, action heroine, and to top it all of, out of nowhere… BOOM… nude bath scene (in a kids film!?!?). With Luc Besson behind the camera the film’s in good hands, it’s executed interestingly, but even he couldn’t put all of the randomness together seamlessly. It’s French, it’s crazy, and it’s quite an enjoyable adventure romp despite the absurdity.

Score: 6/10

Quantum Of Solace: we join Bond about ten minutes after Casino Royale, trying to bring his main lead – Mr White – to M for questioning. After the culprit is busted out of custody by double agents in MI6, 007 has to find out how deep the terrorist group Quantum has compromised their operations. Back to back viewings definitely aids QoS as it’s definitely not a stand-alone film.

... and here's the government worrying about texting and driving!

The movie expands and reinforces what we previously learned about 007. As before, he remains a violent (yet arguably successful) instrument, with no self constraint or controllability, and a tendency to leave a trail of destruction wherever he goes – killing off almost every potential lead. Sadly, because 007’s riding solo for much of the story, and his Russian pal is a lady of few words we don’t get much new information, other than an emphasis on his insatiable desire to avenge Vespa. Revenge hasn’t looked this good since Bittersweet Life – Bond looks very sharp; wearing stylish suits, jackets and the very best of London high-fashion!

Making sure hit kills go out with style!

The action set-pieces in this film are shockingly handed. The cuts are so short, editing so rapid, and camera movement so shaky that trying to establish what’s happening and where the people are in relation to each other – and their surroundings – is impossible. Definitely the most poorly constructed action of all the movies.

Someone's falling? Running? Rooftop? Behind the other guy? In front? WTF?!?!

The single biggest thing that Quantum of Solace has going for it is the story, carrying on from the previous film, it follows Bond’s quest for revenge, coupled with his Carmille’s similar story. These stories are tied in with the great, and scarily realistic, idea of a secret society – similar to SPECTRE but with more humble, profit-driven plans – that permeates every institution from the British secret service to the CIA and some rotten dictatorships in Latin America. Not content with slating the easy political targets, it also casts a cynical eye over the UK and US governments for the first time – with both countries stating that they’ll work with anyone that has oil, or any other desirable resources.

Corrupt businessman and corrupt politician... I miss the megalomaniacs

As with the past few movies this one harks back to some of the older adventures, although I’m not sure if these are smug and subtle self-referencial nods, or just a side-effect of the franchise having to recycle old ideas because after 22 films, there ain’t a whole lot left to work with. QoS has the classic suffocation scene from Goldfinger re-done with oil, two people one parachute and the good ol Citroen – among others.

Strawberry Fields - Bond's wondering if the carpet matches the curtains...

The lack of gadgets is also starting to get pretty uncool. I realise that the re-boot is firmly rooted in reality – and we definitely don’t need another battle suit or invisible car – but it doesn’t have to be this boring. The only remotely technological things are a normal phone and a few Minority Report style computers.

"Folks, how do we compensate for no gadgets? Ah, explosions"

Other reasons this film stands out: sandy credits (that stuff goes everywhere!), gunbarrel sequence appearing at the very end (insane!), and someone in photography having a hard-on for contemporary architecture with the Opera house, Bolivian Hotel and Desert Hotel given lots of attention. Most insulting, is the ridiculous collection of stereotypical fonts used to represent different countries. Serious London font. Stylish Italian font. Quirky Latin American fonts. ЯúSSIдN font! How dumb do they think new-age Bond fans are?!?!


As the follow up to Casino Royale, Quantum of Solace is just not handled near as well, and while it’s not a bad film by any stretch of the imagination, it would be somewhat unfortunate to end a 22-film legacy with this. It it’s well photographed, has a villain, some Bond girls, a henchman and a nasty plot, but they’re all just so boring.

Score: 6/10

Felix looking like a mean-ass mo-fo!!

TOP TRUMPS
Villain: European, cool, short, hunched and limping, no talents. Booo! 3
Henchmen: Elvis – literally a secretary with a gun. Booo! 2
Babe: Sunburnt Russian girl. Ms Fields – a tasty toff. 7
Action: Car chase / Footchase / Boat chase / Aerial dogfight / Hotel fight at end (+ lift fight / bar escape). 5

With Bond 23 being kicked in to production James Bond January has done its job!

RELATED LINKS
The M0vie Blog
Battle Royale With Cheese
The Reviewer
Follow all the action here
Note: this was the very first ‘film review‘ I posted back in summer ’09!