Immortals: King Hyperion will stop at nothing to obtain the Epirus Bow, but he faces an unlikely challenge from a peasant trained by Zeus himself. Directed by Tarsem – as you’d expect the clothes, masks, set designs and attention to detail is immaculate. It’s also technically impressive, well shot, and a good blend of CGI and real images that other directors would shun away from. Tarsem has some moments of intense vivid uber imagery (what he does best) however, the producers have clearly forced in as many ‘300’ similarities that the contract would support: plastic skies, million-man armies, traitors, rippling abs, oracles, boring grey colour pallets, scrolling one-on-twenty fight scenes… which everyone’s seen before, loads. The story is put to the front and played out well, although there are times when you think ‘less talk, more rock please’. It’s well cast, with Luke Evans, Stephen Dorff, Freida Pinto and John Hurt standing atop a mountain of decent performances; for a stylised Greek Myth! While it’s very watchable and a decent film, The Immortals and the Fall perfectly illustrate the differences between such an imaginative and unique director doing a stunning self-financed film, and a studio-backed blockbuster with some shining moments.
Real Steel: in the near future professional boxers have been replaced by robots; this film follows the highs and lows of a struggling ex-boxer in this new era, and relationship with his estranged son. I’ll put it out there straight away – I loved Real Steel. Something else to note up front is that Virgin, HP, Ray Ban, Dr Pepper, Bing, X-Box 720, Wired, Sprint, Budweiser, Beats By Dre & ESPN logos (to name but a few) are shamelessly crowbarred into centre frame at every opportunity. Back to the film, there’s an equally shameless cheese-rammed story of sporting underdogs, and runaway dads, that’s quite predictable but surprisingly well-played. The action is absolutely fantastic – jaw-droppingly impressive CGI helps – especially for the fights, which are amazing to watch. More generally, the film is brilliantly shot and photographed. Jackman’s on good form, and the kid’s not too annoying – all other characters are tertiary stereotypes, like the Russian billionaire and advanced Japanese tech nerds, but they make for great baddies and push a subtle all-American vibe that’s rarely seen at the moment. It’d be easy to dismiss this as ‘Rocky with Robots’, but Real Steel landed every single punch on me; it’s such a boys film, with a classic comeback story, training montages, cool gadgets, big action, robots hitting each other, manliness, and plenty (albeit mostly unintentional) laughs. This is what big-budget movies are all about for me – story, spectacle and entertainment. It’s the most fun I’ve had in the cinema all year, can’t wait for the sequel.
Score: 8.5 /10