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Mutilator Fall Break Poster High Resolution Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper

The Mutilator [AKA Fall Break]: years after accidentally killing his mum (which drove his father insane), a teenager brings some friends to the estranged dads beach condo for an autumnal break. Despite being firmly in B-Movie territory, it’s quickly apparent that this is a completely amateur production. The big faults of the film fall at the feet of one-time director/writer/producer Buddy Cooper: there’s no tension, lots of awkward silence, bad original music, stale acting, and every scene feels dragged out for longer than it needs to be – to hit the coveted 90-minute mark. In fact, everything about this picture is so corny and cheap, it gives The Mutilator a certain charm that all the money in the world couldn’t buy: things like the second-long pause between lines in conversations, the stilled delivery of dialogue, the seemingly straight sentences like “I got a baaad feeling about this”, the awkwardness of every extra, and the campy death screams… The saving grace are the substantial gore effects of Mark Shostrom (Videodrome, Evil Dead II, X-Files, Buffy) as each character gets picked off with boat motors, battle-axes, pitchforks and fishing gaffs – the latter being the films single ‘ho-leeee sheeeet’ moment. A solid poster, catchy tagline, sensible re-naming, and handful of gory moments will ensure that this routine slasher flies off the shelves for years to come. Despite the professional level blood ‘n’ guts, everything else about The Mutilator has an Alan Smithee quality which will be enjoyed, but only by hardened genre fans and drunk friends.

Score: 2/10
B-Movie Score: 5/10

By Sword
By Pick
By Axe
Bye Bye

As always, Arrow Films have given this relatively unknown film the definitive release: it’s completely uncut and director-approved for the first time in the UK, boasts a 2K scan from the original copyright print, original mono soundtrack, and more commentaries / features / stills than you can shake a bloody axe at!

Mutilator Fall Break Car Axe Killer Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper Mutilator Fall Break Battle Axe Throat Slit Gore Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper Mutilator Fall Break Night Gown Saucy Nudity Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham, Bennie Moore, Buddy Cooper

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Tucker and Dale Vs Evil Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Chelan Simmons, Philip Granger, Brandon Jay McLaren, Christie Laing, Travis Nelson, Alex Arsenault

Tucker & Dale vs Evil: two standard horror-movie lookin’ rednecks are trying to enjoy some time at their new vacation home when a bunch of hot college kids come along and start killing themselves all over their land! This film turns every dumb & clichéd horror trope on its head and makes them laugh out loud funny – as you see events from the kid’s eyes looking like a dull horror movie, and from the misunderstood Tucker / Dale’s perspective, where it looks like a teenage suicide pact. The script’s funny, cast nail the comedy and there’s plenty of over-the top blood-n-guts to keep horror fans amused. Tucker & Dale is an awesome horror picture, for fans of the genre, that would make an excellent double-bill with Cabin in the Woods. Easily one of the best horror comedies around. Never judge a redneck by his blood-stained overalls! Smart, funny and highly original comedy horror.

Score: 8/10

Tucker and Dale Vs Evil Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Chelan Simmons, Philip Granger, Brandon Jay McLaren, Christie Laing, Travis Nelson, Alex Arsenault 2

Cedar Rapids Ed Helms, John C. Reilly, Anne Heche, Isiah Whitlock Jr., Stephen Root, Kurtwood Smith,Alia Shawkat, Rob Corddry, Mike O'Malley, Sigourney Weaver, Thomas Lennon, Welker White, Steve Blackwood

Cedar Rapids: when ‘Brown Star’ (the best joke in the film) Insurance’s top sales guy dies they have to send a sheltered nerd to the regional insurance conference to win the prestigious “two-diamond” industry recognition. It’s billed as a ‘hilarious’ comedy, but let me break this down for you; John C Reilly is funny, Anne Heche is semi-funny, nobody else is funny at all. On paper, this is a great idea: a bunch of insurance nerds ripping it up at a corporate weekend – but it’s just not done correctly. A character from The Wire makes several references to The Wire, for no real reason – and the way everyone talks to each other is ridiculous, as if a child wrote parts of the script. Worst of all, not a whole lot of the jokes are funny – it’s definitely humor, not humour! The direction, look and feel are all classic American Indie – in the vein of Win Win, Away We Go, The Informant! – but it’s nowhere near that level. It feels like a studio said to a director “we’ve got this film that needs to be made, get all your friends on it”. As far as “Fish out of water” stories go, this could have been amazing, but the execution just isn’t there.

Score: 2.5/10

A Single Man: [Blu Ray] – Follows an over-educated, depressed homosexual suicidal lecturer! The role could have been totally melodramatic Oscar Bait, but was played realistically by Firth. Stunning performance, well-earned gongs. He’s simply great to watch, and is the intense focus of every scene. The colouring / sound mix playfully tweaks with what you see and hear for around the first hour, but by the end it’s overused with some ridiculous gray = sad / colour = happy scenes. For being such an intense story, it’s very slow burning – with a few dramatic peaks to keep staleness at bay – I feel the drama could have been milked a little more. It’s undoubtedly well directed; every shot is stylish and looks cinematic, even scenes like a man on the toilet! The Blu Ray isn’t very watchable: much of the film has a stylistic (read as: shitty) diffusion / grain to the picture to set the era and tone. Overall, it’s quite a plain non-eventful story, boosted by a brilliant central performance.

Score: 6.5/10