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Swiss Army Man: a marooned man befriends a washed-up corpse, who turns out to be very useful for getting them back home in one piece. Both leads are very strong; Radcliffe turns in a superb physical performance paired with equally strong deadpan comic delivery. Paul Dano is also great to watch, but feels more like he’s cruising in his typecast weirdo role. Together, they have undeniably fun ‘bromance’ chemistry that really elevates the film. Tonally, “eclectic” doesn’t do this film justice: it’s creepy, uplifting, strange, beautiful, depressing, funny, weird, innocent, unique, entertaining, and batshit crazy – all at the same time. It shifts and shimmies between all of its quirky ideas so quickly that it stops you even thinking about how and why all of the surreal things are able to happen. It like the kind weird films you’d have expected to come out of Japan in the early 2000s, and most resembles cinematic oddities like Rubber, Happiness of the Katakuris, and a little bit of Be Kind Rewind. It feels like the filmmakers were really wanted to bring up some observations about our modern values and way of living… but because of all the farting, trouser compassing, and fart-based jet skiing & flying the film ends up avoiding any deep or meaningful insights altogether, coming across as superficial a ‘pop philosophy 101’ class. Swiss Army Man is truly a film like no other, and one which defies categorization; and it really does need to be seen to be believed… however, it does feel more like a collection of individually ‘cool’ ideas, jokes, and moments that would be better suited to a barnstorming music video, or more focused, upbeat, and magical short film.

Score: 7/10

Chronicle: found footage sci-fi flick following three guys who become close friends when they inherit telekinetic/psychokinetic superpowers, and how it changes them. The first ~70 minutes are pretty sweet and the story’s built up well; with solid acting and slap-dash characterisation of three teenagers, who are surprisingly smart (and far more believable) when compared to those of other super-power films. You see them slowly discover and develop their strange new powers which is equally entertaining and fascinating – there’s a few good comedy moments. It’s somewhat disappointing that on the home stretch, one character becomes a ridiculous ‘baddie’ figure (at the mention of the phrase Apex Predator) and the ensuing smash-em-up action-fest feels gratuitous, quota-filling and budget-busting. A quick explanation into the cause of the powers – the hole in the ground – would have been nice, but it’s not a dealbreaker. Overall, Chronicle is a good idea, well executed, boasting smart effects, loads of product placement, feels refreshingly all-American, and in the end, it’s both interesting & watchable; making this a surprisingly mature directorial debut for Josh Trank, who I suspect we’ll be seeing much more of…

Score: 6.5/10