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Dwayne Johnson, Carla Gugino, Alexandra Daddario, Hugo Johnstone-Burt, Art Parkinson, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Will Yun Lee, Kylie Minogue

San Andreas: After a massive earthquake hits the Californian coast a rescue-chopper pilot needs to – literally and figuratively – save his family. Finally, The Rock, HAS COME BACK… to California! The opening car crash rescue sets an unfairly poor tone of the film with laughably bad CGI, physics, and silly stunts. The rest of the film however is all about epic (and impressive) biblical-scale devastation: buildings, streets, and entire cities rippling, twisting, and breaking at the mercy of megathrust earthquakes and a megatsunami. Along with this comes Titanic levels of tiny people being dropped, squashed, battered, and maimed at every opportunity: but you’re not supposed to care about the millions – AND MILLIONS – of dead Californian jabronis, or that The Great One shirks his emergency callout to steal (and wreck) a rescue helicopter in order to save his EX(!!)-Wife!! You’re also not supposed to worry about the dodgy ‘quake science, or that for no reason it’s set in a whole bunch of places – Los Angeles, Las Vegas, San Francisco, Hoover Dam, Bakersfield (which is soooo geographically confusing for non-Americans) – yet named after a fictional city from a computer game. The central trio are paper-thin characters with a family dynamic lifted straight outta Taken; and they’re surrounded by a bunch of IT DOESN’T-MATTER-WHAT-YOUR-NAME-IS stereotypes like a token bumbling English gent; slimy cowardly businessman, and the ‘Basil Exposition’ science guy (played so, so intentionally hammy by Paul Giamatti). San Andreas is a blockbuster movie propped up by THE MOST ELECTRIFYING MAN IN MOVIE ENTERTAINMENT9/10 CGI effects, and Daddario-oh-ohhh playing a just-old-enough-to-be-sexy daughter for the lads and dads. It’s not a great film by any measure, but it’s undeniably entertaining and impressive, which easily makes it the best Epic Action Disaster Movie (is that a genre?) in recent memory.

Score: 6/10

Dwayne Johnson, Carla Gugino, Alexandra Daddario, Hugo Johnstone-Burt, Art Parkinson, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Will Yun Lee, Kylie MinogueDwayne Johnson, Carla Gugino, Alexandra Daddario, Hugo Johnstone-Burt, Art Parkinson, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Will Yun Lee, Kylie Minogue

JAPANORAMA - Kat Scratch BANNER JAPAN-O-RAMAThe Wolverine 01 - Hugh Jackman, Hiroyuki Sanada, Tao Okamoto, Rila Fukushima, Will Yun Lee, Haruhiko Yamanouchi, Brian Tee, Svetlana Khodchenkova, Famke JanssenThe Wolverine: In a way, Wolverine epitomises everything about Japan that you see through Hollywood films: there’s ninjas everywhere, and everyone knows Katrate; crazy districts full of neon lights and big billboards (Shinjuku and Akihabara); old-fashioned houses with sliding shoji walls and tatami floors; technology and Robots everywhere (in this case a 10ft tall mecha-Samurai!!); temples, on every corner; Yakuza interference – obviously; love hotels, The Bullet Train (Shinkansen); and the Tokyo Tower is in the back of every city shot. Yet, whilst it’s using and abusing all of the lazy ‘This is Japan’ stuff we know, it doesn’t feel like it’s exploiting the culture – there’s a lot of nice touches, from the undestractable pachinko players, salarymen in Osaka looking for hostesses, and things like upright chopsticks in food.

THE WOLVERINEAs for the film itself, it feels like three completely separate movies. The first third is a rock solid, well-executed set-up starting in WWII, and laying the ground for the rest of the film. The middle feels like a dip into a tired and clichéd mystery/conspiracy storyline, and the finale – well that just feels like something from a spazzy sci-fi movie, with bald snake-women, giant robots with flaming swords and a whole lot of gratuitous OTT action. I’m surprised at the 12A rating in the UK, as it feels slanted towards a more mature audience than most comic adaptations – including a nice thread of Logan’s dry humour. The Jean Gray plot device is a little hammy, although never going to turn down Famke Yansen in a silky nightgown! Jackman’s on fire, he is the embodiment of Wolverine – down to his permanently-exposed torso – wouldn’t want to be the guy that will inevitably have to re-boot the franchise in 5-10 years as the new Logan. The Japanese cast are also all on form. Overall, The Wolverine is a pretty satisfying comic book movie, but the ever-changing story and tone prevent you from becoming fully immersed in the movie.

Score: 6.5/10

The Wolverine 03 - Hugh Jackman, Hiroyuki Sanada, Tao Okamoto, Rila Fukushima, Will Yun Lee, Haruhiko Yamanouchi, Brian Tee, Svetlana Khodchenkova, Famke Janssen

Die Another Day: A mission in North Korea is sabotaged, goes tits up, and 007 is captured! After a prisoner exchange, losing his 00 plates, and going dark James Bond is determined to find the traitor, and investigate a newfangled millionaire with a history that’s too good to be true.

Another Day... of pointing guns at things

Die another Day starts fantastically: huge hovercraft action sequence (well handled, superb choreography, definitely cool), Bond gets captured, tortured to shit, ends up looking like The Dude then gets released back to a country that turned its back on him – so he goes off the grid again. M herself says “You’re no use to anyone now”, letting us all know that even James Bond, at the end of the day, is an expendable commodity.

14 months in prison and he comes out looking like Jeff Bridges?!?

I remember that with rumours circulating of another James Bond hitting the screen in the new millennium you were genuinely uncertain as to whether Brosnan’s Bond would make it back from Korea, if he’d live long enough to go on an adventure, or simply be replaced, mid-film for the first time…

A new super-group of villains... or ABBA tribute, I can't remember.

Looking back, a mid-film replacement would have been amazing for several reasons. It would have freshened up the films and their now standardised formula. It could be used to shed some light on the identity of “James Bond”. Most importantly, it would have saved Brosnan from looking pretty awkward for a lot of the movie. As Bond, Brosnan brought a lot of sides to the character, but his key feature was undoubtedly his sophistication, suaveness and confidence no matter what he was doing. Here however, after the opening he can only play it from one angle; dark, tortured, jaded Bond – and being honest, it just doesn’t work. I can’t tell if it was solely the Broz, or the B-movie script he was given but some of the scenes were absolutely shocking – watching him try to seduce Halle at the bar is cringe-inducing. It’s a shame because he has the best actor track record – to date.

What EVERYONE in Cuba looks like... not just their leader... everyone!

As 007 follows the leads we end up in Cuba, and – as always – the exotic nation is represented accurately and with taste: apparently everyone just samba‘s their way around town, has grey Castro-beards, smokes Cuban cigars and drinks Mojitos… Once Bond’s fucked up a health club in style he heads back to London, and the blades club. The first swordfight of the film is an absolute master-class in action, with loads of nice little innovations, both actors putting their back in to it, and a gradual build up – it really is gripping stuff. So far, this film’s surprisingly fresh, with an intriguing story that we want to see through…

This scene was so good it could have been a grand finalé

Then some problems start appearing in the as soon as we pass the halfway mark because – as we all know – people in the 2000s use to get bored after 60 minutes of good storytelling, so someone in production decided to turn everything up to eleven. The film starts throwing dozens of ridiculous things at the audience… virtual reality, invisible cars, a war suit, a dream machine, switchblade mini planes, a tiny ring that breaks any glass… Then there’s an onslaught of CGI that makes the film look like a low-budget affair; buildings, waves, icebergs, ice and hundreds of explosions!!! That can’t be boring at all, right?!?! Wrong! The film makes two supercars drifting on ice, firing rockets and machine guns at each other boring. It makes two scantily clad chicks having a swordfight to the death boring. It even makes an airplane perilously breaking up and exploding in the air… boring. The aforementioned CGI doesn’t help either – looking like it’s been drawn with crayons – the old-school rear-projection would genuinely look better than this.

Whoa!! Two supercarsszzzzzzzzzzzzzzz

Hale Berry’s character Jinx is pretty poor, literally waddling into the film and constantly quacking some of the most generic American lines with absolutely zero tact or timing – yo mama jokes, in a Bond film? Really? What’s the point in even having a US-UK sparring match, it’s 007, we all know he’s the best. Plotline redundant! Gustav Graves is a rubbish character, but sub-standard acting only makes him cheesier. And that’s it… nobody else really of note.

Kinky Jinxy gets stuck in her Bondage Bed - 007 has to bust her out. zzzzzz

Other unhealthy titbits are: ‘saved by the bell’, rubbish theme song (sounds like it was thrown together in an afternoon), credits that are integrated with the story (worked for me), an actual appearance by Madoga, “Sex for dinner, death for breakfast” (So good they say it twice!), and electricity manifesting itself in the form of 1980s blue lines, like it totally does in the real world.

Save christmas trees, lick wall sockets - zzzzzzzz

This film is what the word Bi-Polar was actually created to describe: the first hour is a solid, well-made classical Bond film with modern twists. The second half IS memorable but for all the wrong reasons, worst of which being the terrible CGI – my rule on this; if you can’t do it in-camera with a Bond budget, don’t bother!

Score: 4/10

Too many special effects makes this guy puke... (zzzzzzzz)

TOP TRUMPS
Villain: Bad actor – overly smug, diamond merchant. 4
Henchmem: Diamond-faced Zao – strong, smart, athletic, good match. Fiji guy – laser face. 6
Bond Girl: Hale Berry,  pretty. Fencing chick, ultra hot at the end. 7
Action: Hovercraft. Health Centre blowout, fencing/swordfight, MI6 break-in, Ice car chase, plane fight. 6

What a cool multicoloured face ma-zzzzzzzz

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