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Let Me In: re-make of a 2008 Swedish film of a vaguely similar name:

Better:
– Overall execution
– More concise, and clearer story
– Cut out a bunch of ridiculous scenes (cat lady et al)
– No shot of gnarly genitalia
– More tension in big scenes
– Father/ Cop were better acted

Worse:
– Kid’s relationship not as good
– Kid actors aren’t quite as good
Cheesy soundtrack
– OTT Vampire effects / SFX
– Cut out decent story lines (Kid’s dad)

Indifferent:
– Still slow, boring and Emo
– Large sections are literally scene for scene
– Embraced the 1980s too much; music, pac-man, fashion, sweets etc
– Deliberately identical aesthetics (lots of fake snow)

The final product is stronger than the original, although that wasn’t hard to do for me.

Score: 4/10

We Are What We Are: Mexican film about a cannibal family who don’t know what to do when the father (and provider) dies. Sounds like a great premise for a black comedy of errors, right? Wrong. This one was Arthouse – to the point of parody – for the entire duration. Shot after shot of people looking vacant with a somber cello accompaniment; the entire soundtrack was hammy and very old-fashioned. There was very little gore, and when it arrived it felt gratuitous and out-of-place – bones snapping and many more sound effects from a butcher’s counter. The acting was decent, especially the kids – but the mother was exactly like the crazy gypsy from Drag Me To Hell. This would have fitted in quite well with the ‘video nasties’ of the 1970s, but today it just seems totally feeble. Missed a lot of tricks. Bad, slow, un-engaging, pretentious and dull ‘horror’.

Score: 1.5/10