Demons (Dèmoni): after being lured into a free movie screening a diverse cross-section of society are trapped and attacked by a demon curse. Essentially a zombie film but with demons, everything about Demons is an excuse to get more gore on the screen, and the crimson effects are unbelievable – puss, bile, blood, guts, and even whole demons bursting out of people – all done with physical FX. Not unlike some of Argento’s films of the era the production feels surprisingly high quality, which has made the modern blu ray release look way more impressive than similar movies from this era. The soundtrack is also interesting; packed with heavy metal royalty (and Rick Springfield) – Saxon, Billy Idol, Motley Crue, Pretty Maids, Accept – which give the film an authentic and nostalgic edge. To pad out the runtime we’re treated to longer-than-necessary sections of a film-within-a-film, and a completely ridiculous (and unrelated) street punk side-story – but it’s forgivable stuff. There’s also lots of ‘bad’ / ‘hammy’ aspects to the film which make it ripe for B-movie / cult status: it’s very 80s, and things like the dialogue, characters (like a black guy who just happens to be a switchblade proficient pimp), and performances carry a ‘midnight movie’ feel. Demons is not for everyone, but gore fiends and metal aficionados are the target for this badly dubbed pan-European cheesy horror.
B-Movie Score: 9/10
Maniac (Remake – 2012): the deranged and murderous owner of a mannequin shop crosses paths with an artist who understands his appreciation for the figures. Not for the faint hearted, this is packed with violence and gore; in all of the graphic scenes you keep thinking ‘they’ll cut away from it now… Now… NOW?!?!’. These gut-wrenching effects are paired with a deranged and explicit sound design, which makes this very unnerving and creepy to watch. Elijah Wood is sufficiently creepy-looking and charming – although he doesn’t get the same chance to push his range as this version is mostly shot from his point of view (POV). Because of the POV shooting, brutal sound effects and explicit gore you feel more like a participant than an observer, which works disturbingly well in the voyeuristic and chase sequences. The original Maniac is great, and still holds up today, but times have changed and this one ups the ante in every aspect, becoming more shocking by comparison, whilst retaining a certain retro ‘video nasty’ / ‘classic exploitation‘ vibe (aided by plenty homages and similarities to the original, and an exquisite post-Drive 1980s synth soundtrack.) On a scale of ‘one to creepy’ this is CREEPY AS FUCK and – like the original – although this is 100% unrecommendable, the Maniac remake is an exploitation and slasher masterpiece.
Maniac (Original – 1980): A psychopathic killer is on a spree in New York, terrorising and scalping the public. This one bursts out the gates with two pretty graphic murders, and is evenly punctuated with some full-on eye-opening, jaw-dropping gore throughout. Once scene in particular had me completely shocked – which is a total rarity. Joe Spinell puts in a top shift as the unhinged lead; switching from feral, deranged and demented through to normal, vulnerable, childlike, and charming. The audio helps emphasise the unsettling vibes the movie gives, with creepy internal dialogue and an off-kilter synth/electro track for tension building. It’s visually strange too, with creepy mannequins, seedy New York locations, and a bizarrely open ending. Put this all together and you have a film that’s way above the standard of the genre, and arguably beyond the taste of other slashers from this era. Dark, completely bonkers, and still genuinely shocking 35 years on; Maniac is a thoroughbred slasher film that’s difficult to enjoy, easy to appreciate – but ultimately hard to recommend to anyone that doesn’t like video nasties.