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Witchtrap (AKA – The Presence / The Haunted): before leasing out his family home, a warlock’s son calls in some parapsychologists to rid the house of evil spirits. For a low-budget late 80s B-movie the video and audio transfer are better than some of the bigger studio pictures from this period. The audio track – which was botched on the movie set – is particularly clear as every line and effect had to be re-recorded in post. The film itself is of a fantastically cheesy vintage; it went from inception to ready-to-shoot in under a week, so the plot is mechanical, (seven people enter a house – fewer leave) and the dialogue is massively overripe, but in a fun, corny way… and it’s not helped by the ‘detached’ ADR performances. Characters are all fairly stock, and are championed by a John McLean-style wisecracking hardboiled detective, who is – in all honesty – way too cool for this type of movie, but his constant jabbering helps the film remain on your good side. For the first few deaths it feels like the movie is wimping out of showing maximum gore, but the final act throws in a lot of blood and over-the-top kills, including an unusually long and graphic shooting and a monster melting sequence. It’s also surprisingly well directed; with slow and ominous camerawork (paired with an equally doom-laden soundtrack), plenty jumpscares, and some technical/dolly shots that you don’t usually get in this type of film. The new Blu Ray release is the first uncut/unrated version; it also boasts a heap of extras including an honest & interesting interview with the director. Nothing about Witchtrap is exceptional or original, but it’s better made, more entertaining, and as nostalgic as any other film in this genre. (Linnea Quigley also gets her waps out!)

Score: 5/10
B-movie Score: 7/10

Ghost int he Shell Signs Atsuko Tanaka, Akio Ōtsuka Iemasa Kayumi, Kōichi Yamadera, Tamio Ōki, Yutaka Nakano, Tesshō Genda, Mitsuru Miyamoto, Kazuhiro Yamaji, Shigeru Chiba,

Ghost in the Shell: in a future where people are ‘more cyborgs than human’ a criminal virus-entity known as ‘The Puppet Master’ is trying to find the perfect humanoid host to hijack. Watching this now, after experiencing +20 years of Sci-Fi it’s amazing to see how much influence this movie has had on the genre’s modern landscape: you’re continually reminded of things like The Matrix (pretty much just one big homage), Metal Gear Solid, Inception. A.I., Lucy, Ex Machina… The storyline is complex, and feels way ahead of its time – talking about computing, A.I. and robotics in ways that we’re not even doing yet, over twenty years on. Technically, the film is visually astounding; the way it captures light / reflections / textures, and blends 3D rendering with cell animation is truly mesmerizing. There are however a lot of ‘filler’ or stretched out scenes in order to hit the ‘feature length’ mark: very long credits; pointless (and long) montages; and even irrelevant scenes. The root of the film is the question “what makes us human?” Unfortunately, this leads to a lot of waffle between the characters about the ‘ghosts’ (souls), ‘self’, and brain/body connections… overlong and over-wordy scene after scene brings this up in a “Philosophy 101” manner; but ultimately, the question is never really answered. Peppered with brief and intense action set pieces, but primarily pop-philosophy; Ghost in the Shell is a film that looks fantastic and is easy to admire or respect, but it’s not particularly entertaining, and feels intellectually inferior compared to the ideas it’s struggling to wrestling with.

Score: 7/10

Ghost in the Shell Poster Atsuko Tanaka, Akio Ōtsuka Iemasa Kayumi, Kōichi Yamadera, Tamio Ōki, Yutaka Nakano, Tesshō Genda, Mitsuru Miyamoto, Kazuhiro Yamaji, Shigeru Chiba, Mamoru

Ghost int he Shell Reflection Atsuko Tanaka, Akio Ōtsuka Iemasa Kayumi, Kōichi Yamadera, Tamio Ōki, Yutaka Nakano, Tesshō Genda, Mitsuru Miyamoto, Kazuhiro Yamaji, Shigeru Chiba, Mam

Ghost in the Shell Camo Atsuko Tanaka, Akio Ōtsuka Iemasa Kayumi, Kōichi Yamadera, Tamio Ōki, Yutaka Nakano, Tesshō Genda, Mitsuru Miyamoto, Kazuhiro Yamaji, Shigeru Chiba, Mamoru Os