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Red 2 Wallpaper Bruce Willis, John Malkovich, Helen Mirren, Anthony Hopkins, Mary-Louise Parker, Catherine Zeta-Jones, Byung-hun Lee, Jong Kun Lee, David Thewlis, Neal McDonough, Garrick Hagon, Tim Pigott-Smith, Brian Cox

Red 2: a Retired, Extremely Dangerous (RED) agent Frank Moses is back on the radar when an APB goes out to every contract killer in the world, with a tasty bounty on his head. First off, although he’s in a restrictive role (and – skeptically – probably only to sell tickets in Asia) I like the gamble of casting a Korean megastar that is relatively unknown in the West. Even delivering phonetic/over-dubbed lines Lee Byung-Hun steals his scenes, and raises the action bar – peaking in the impressive and innovative fridge-door fight in Moscow. It’s also as funny as RED was, but every single laugh is John Malkovich“If there’s one thing I know, it’s women and covert operations”. Hopkins is entertaining, Louise-Parker & Zeta-Jones are both hyphenated surnames, and dame Mirren also enjoyable company. The setup is rrrrrather contemporary for a comic – a’la WikiLeaks, but the overall story (and film) don’t flow particularly well as they’re determined to have a James Bond style travelogue element – popping up here, there, and everywhere for no real reason: London, Moscow, Paris, America… despite this, it’s hard not to switch off by the end as the required ‘twisty-turny’ but overall a fairly predictable story arc plays out – what’s wrong with goodies being good and baddies staying bad?!?!? Basically, Bruce Willis doing a dialed-in ‘wise guy’ with diluted attitude, surrounded by people you’d rather be watching – all reminding you of that film ‘Paycheck’, but for the wrong reasons. Less Die Hard, more Die Soft and wrinkly.

Score: 5.5/10

Chronicle: found footage sci-fi flick following three guys who become close friends when they inherit telekinetic/psychokinetic superpowers, and how it changes them. The first ~70 minutes are pretty sweet and the story’s built up well; with solid acting and slap-dash characterisation of three teenagers, who are surprisingly smart (and far more believable) when compared to those of other super-power films. You see them slowly discover and develop their strange new powers which is equally entertaining and fascinating – there’s a few good comedy moments. It’s somewhat disappointing that on the home stretch, one character becomes a ridiculous ‘baddie’ figure (at the mention of the phrase Apex Predator) and the ensuing smash-em-up action-fest feels gratuitous, quota-filling and budget-busting. A quick explanation into the cause of the powers – the hole in the ground – would have been nice, but it’s not a dealbreaker. Overall, Chronicle is a good idea, well executed, boasting smart effects, loads of product placement, feels refreshingly all-American, and in the end, it’s both interesting & watchable; making this a surprisingly mature directorial debut for Josh Trank, who I suspect we’ll be seeing much more of…

Score: 6.5/10