Take: A parent and a gambling addict are linked by a life-changing event, and years later they each have to face their demons. Depending on how you feel, the film’s fragmented narrative will make or break this for you – it combines two completely different filming styles (indie/arthouse & power-drama) and there’s four different stories playing over two timelines – so it takes a while to properly tune in. When it’s indie/arty, the film gets a little cold and isolating but when the drama kicks in it more than makes up for this – playing the long-game with a slow-burning, dramatic, poignant, gritty story that comes to a head in an intense 15 minutes near the end. This was one of Renner‘s last films before – and undoubtedly a huge factor in his casting for – the Hurt Locker: he does really well with his repenting scumbag character. I’ve never been a big believer of Minnie, but she delivers plenty of clout here – hats off to by both leads. It could do with being a little shorter and punchier – cutting the clunky religious scenes with pastor, and lots of long, heavily-filtered arty shots – but it there’s also some lovely/striking lomo-style ‘Americana’ visuals to be found. If you can handle a non-linear story, and like your drama fairly hefty, Take is well worth the effort.
Due Date: After both being put on the no fly list two polar opposites have to share a car across America to make it back in time for the arrival of a baby. The first half is like a gag machine gun, then they swap some of the joke time for more serious character development and curveball story points ’til the end. Being in 99% of the scenes both actors needed to be bang on the money, and they were. Downy Jr’s reprises several of his semi-likable borderline mad man roles, and Galifianakis has impeccable comedic timing, nailing a fleshed out version of Alan from the Hangover. While it’s funny the trailer reveals a lot of the good stuff, definitely reducing the impact of at least 1/2 the jokes – in saying that, there’s much more packed away in the film. The humour cover all bases too: slapstick, black, stoner, witty and gross-out – never thought I’d see a dog do that. A bit like Art Race there’s a ton of great shots of America from being on the road. While it’s not quite as good as the hangover, it’s the same mish-mash of comedy, fraternity, and crazy random events that will make it a similar hit. The final product is gag after gag threaded together with a believable and melodramatic relationship that works quite well – and in the end, it’s Just an all-round funny and watchable film.