Swiss Army Man: a marooned man befriends a washed-up corpse, who turns out to be very useful for getting them back home in one piece. Both leads are very strong; Radcliffe turns in a superb physical performance paired with equally strong deadpan comic delivery. Paul Dano is also great to watch, but feels more like he’s cruising in his typecast weirdo role. Together, they have undeniably fun ‘bromance’ chemistry that really elevates the film. Tonally, “eclectic” doesn’t do this film justice: it’s creepy, uplifting, strange, beautiful, depressing, funny, weird, innocent, unique, entertaining, and batshit crazy – all at the same time. It shifts and shimmies between all of its quirky ideas so quickly that it stops you even thinking about how and why all of the surreal things are able to happen. It like the kind weird films you’d have expected to come out of Japan in the early 2000s, and most resembles cinematic oddities like Rubber, Happiness of the Katakuris, and a little bit of Be Kind Rewind. It feels like the filmmakers were really wanted to bring up some observations about our modern values and way of living… but because of all the farting, trouser compassing, and fart-based jet skiing & flying the film ends up avoiding any deep or meaningful insights altogether, coming across as superficial a ‘pop philosophy 101’ class. Swiss Army Man is truly a film like no other, and one which defies categorization; and it really does need to be seen to be believed… however, it does feel more like a collection of individually ‘cool’ ideas, jokes, and moments that would be better suited to a barnstorming music video, or more focused, upbeat, and magical short film.
Prisoners: When two six-year-old children go missing the local detective and one of the parents try to solve this with two completely different methods. This has a great cast, and leads with Jackman and Gyllenhal, who are both in great form; one as an unconventional detective, he other as a pragmatic father with everything to lose. I feel rather sorry for Paul Dano however; he only ever appears to get cast as creepy and/or insane and/or perverted characters. The film’s mood is beautifully crafted: it’s slow, brooding, and intense with lots of sustained anxiety – child abduction is a heavy enough subject, but when you add torture and a potential creepy cult into the mix it’s serious stuff; it reminded me of watching Kill List and feeling suffocated in parts. The city and the suspects are perfectly shot to look grimy, grotty, dilapidated and repulsive. Although it centers on a ‘micro drama’, there are plenty of larger questions and ideas lurking in the background, challenging your viewpoint and making you choose who’s wrong, who’s right, who would you be in this film? Prisoners is a completely gripping and compelling thriller about ordinary people in extreme situation; and while it’s not an ‘enjoyable’ film per sé, it’s completely immersive.
Looper: when time-travel is invented the mafia use it to send people back in time to be killed by hitmen called ‘Loopers’. The first 30 minutes of Looper is a stunning, high-concept, fast-paced, interesting sci-fi/physics thriller; last 15 minutes is an action-packed, satisfying finale; the problem lies in the middle hour, which is a bog-standard – stretched-out – farmyard drama, where any notion of sci-fi takes a back seat. The future is sensibly crafted, rooted in today’s world but with more decay/poverty – the setting, technology and small details are great at fleshing out the era. Not unlike Brick, there’s a bit of a retro/Noir vibe running through the props, locations, names etc. JGL absolutely steals the show, not only with a solid performance, but by convincingly echoing the mannerisms of a young Bruce Willis – even if the make-up looked way more like Buster Keaton. For a while, I thought that Looper was going to out-do Primer, but it went off-track for far too long. There’s no arguing that there’s a great concept at the heart of the movie, however it feels like the balance between sci-fi and drama had been made less even in order to widen the film’s appeal. Would have been an unbeatable 80/90-minute hard sci-fi film, but at 2 hours it feels unnecessarily long.
Knight and Day A wanted super spy (Cruise) somehow thinks it’s OK to tangle a random civilian (Diaz) into his escape plans. Up front – there are simply too many things to dislike in this movie; the plot is terrible, the tone is uneven – big action or goofy parody, derivative script, neither lead is any good, neither lead is watchable or likable, etc, etc… The secret agent keeps knocking out the gal when she’s just about to put 2 + 2 together, that’s no way to treat a Lady, even if she is only with you for the money! Moreover, the whole film feels like a big, strategic, crass plan to simply make a ton of box office, without as much of a thought given to the actual product.
It genuinely made the Mrs and I want to make a suicide pact, but before things got that far, we switched it off after a record-breaking 15 minutes. Bankable A-list stars, does not a good movie make! GAME OVER, Cruise.
Alternative Plans: just went to bed early that night, ‘cos that’s how we roll.