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Born to Raise Hell [Blu Ray]: an Interpol agent assigned to Eastern Europe gets a replacement partner (his last one died on the job) to help him take down a Gypsy gang. The first time director constantly misses the mark with a poorly handled rape/burglary, then laugh-out-loud ‘intimate scene’, and a ton of woeful action moments. My biggest gripe surfaces with entire minutes of filler shots and blurry cam montages between the scenes. It’s amateur hour behind the camera, and in front of the camera we have Seagal (!!) with an ominously lit face and awkward gun-holding poses. He and his crew do the script justice, with classic lines like “lemme see yo hands bitch”, “wat the fuck is wrong wit chu boy” and every other Seagal sentence ending with “maaaaan”. His new colleague even dares to whisper the line “I’m one month away from becoming a father” – I WONDER IF HE WILL MAKE IT TO THE END?!?!!? Written solely by Seagal, It’s little surprise that he penned himself as a one-man-army cop with an unfeasibly hot girlfriend and mad fighting skillz – despite being a big oaf. The Bucharest setting is in more bad taste than you could imagine, everyone’s has a crazy Russian-esque accent, but talks English, is involved with drugs and works as a gangster or stripper. The entire film just reeks of cheap and is possibly the flattest and most uninspired Seagal flick you could imagine – it makes his ‘Lawman’ TV show look like Oscar Bait. The Blu Ray’s decent enough, but there’s nothing here worth watching. Proof if proof be needed that Seagal definitely is a one-no-trick-pony-tail. Why are people still letting him do films?

Score: 0.5/10

Wrong Side of Town: an ex-marine has to get across town to save his kidnapped daughter – but he has a bounty on his huge head to gets his tiny-headed friend to help out. The opening scene and cool Bond-esque credits & song pricked my ears up straight away; unfortunately you soon realise that this can’t even be called legitimate acting – it’s a sad state of affairs when professional wrestler Batista pulls out the best performance in your film. On all other levels this really is “sub-movie” – story, script, direction, casting… you name it. A poor man’s JCVD – RVD – limps through the film, a fitting metaphor such a tragic film. If wrestlers running around looking badass with generic WWE metal intro music is your thing, then maybe this is worth a gamble. However, I usually take that stuff with a pinch of salt, but the only way I can sum this up honestly is by saying “Holy shit WWE! Must. Try. Harder.”

Score: 1.5/10

Looking for Eric: ‘realistic’ – aka depressing – tale of a postman and his family as they struggle through a rough patch. Once again the depiction of us ‘regular’ Britons involves a concoction of drugs, booze, cigarettes and guns topped up with a thousand swear words. From a dramatic point of view the film has it’s fair share, but everything else was lacking. The characters were hard to relate to and the mix of swearing & shouting was headache-inducing. It showed how not to handle problems and wasn’t exactly an advert for adoption. Nobody even mentions the possibility that the main guy could be 100% mental. Eric Cantona and his clips on the pitch were the only enjoyable things about the film, and it’s pretty tragic when an ex-footballer out-acts the cast of a feature-length. The relatively happy ending raises the score slightly, but it’s too little too late. Clever marketing is the only thing has made this a commercial success. Fails to hit the back of the net.

Score: 3/10