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Largo Winch Window Tomer Sisley, Mélanie Thierry, Bojana Panic, Karel Roden, Kristin Scott Thomas, Miki Manojlović, Elizabeth Bennett, Steven Waddington, Anne Consigny,

The Heir Apparent – Largo Winch: when a billionaire tycoon is murdered his secretly adopted son has to prove he’s the true heir to the business empire, while fighting off an aggressive takeover attempt. It’s an easy film to engage with for several reasons: firstly, it’s not a completely dead by-the-numbers affair – the story is interesting and is split between the eponymous Largo discovering his roots, and getting tangled up in action-based situations. Secondly; it looks great – sometimes even Bessonesque. Thirdly; it’s full of familiar spy/espionage aspects like frenetic action and chase scenes, global locations, femme fatales and everything else you’d expect from a James Bond type film – minus the budget. Think Bruce Wayne in an indie Bourne film and you’re almost there. LW also aims high with blatant global aspirations: it’s primarily English and French, with a decent ‘World’ Cast, and worldwide filming (Brazil, Hong Kong, Baltic States). There’s something for everyone in here: action, politics, drama, family, business, espionage, rumpy pumpy – but the only real problem is that large parts of backgrounding made it feel more like an ‘origins’ story, setting up a larger franchise. Having not heard of it, and with a wildly international scope and graphic novel roots, I was expecting a total euro-pudding; but with a charismatic lead, interesting story, and solid action Largo Winch is a fun, albeit lightweight, film.

Score: 6.5/10

Largo Winch Tomer Sisley, Mélanie Thierry, Bojana Panic, Karel Roden, Kristin Scott Thomas, Miki Manojlović, Elizabeth Bennett, Steven Waddington, Anne Consigny,

Mission Impossible: when his mission in Prague goes FUBAR Ethan Hunt must prove his innocence and figure out who the real traitor is without the help of the CIA/IMF. This contains pretty much everything that’s cool about spying & espionage, from the high-tech gadgets (hacking/security) to the low-brow survival tricks (cracked light bulb on floor). Brian De Palma is on top form; the complex story is well told, and the moments of drama/tension are just perfect – the NOC list Langley break-in in particular is a beautiful, yet almost unwatchable, set piece – more generally, the film is like a masterclass in ambiance and tension. The director slaps a heavy streak of throwback Noir style: camera angles, soft focus, clothes, hats, music overcoats – not to mention the mystery story. Being a 90s film some of the technology is horrifically outdated, e-mail in particular is laugh-out-loud bad. While Ethan Hunt is no James Bond, the team behind Mission impossible did a great job of lifting from the Bond Blueprint and re-inventing a modern super-spy.

Score: 8/10