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Largo Winch Window Tomer Sisley, Mélanie Thierry, Bojana Panic, Karel Roden, Kristin Scott Thomas, Miki Manojlović, Elizabeth Bennett, Steven Waddington, Anne Consigny,

The Heir Apparent – Largo Winch: when a billionaire tycoon is murdered his secretly adopted son has to prove he’s the true heir to the business empire, while fighting off an aggressive takeover attempt. It’s an easy film to engage with for several reasons: firstly, it’s not a completely dead by-the-numbers affair – the story is interesting and is split between the eponymous Largo discovering his roots, and getting tangled up in action-based situations. Secondly; it looks great – sometimes even Bessonesque. Thirdly; it’s full of familiar spy/espionage aspects like frenetic action and chase scenes, global locations, femme fatales and everything else you’d expect from a James Bond type film – minus the budget. Think Bruce Wayne in an indie Bourne film and you’re almost there. LW also aims high with blatant global aspirations: it’s primarily English and French, with a decent ‘World’ Cast, and worldwide filming (Brazil, Hong Kong, Baltic States). There’s something for everyone in here: action, politics, drama, family, business, espionage, rumpy pumpy – but the only real problem is that large parts of backgrounding made it feel more like an ‘origins’ story, setting up a larger franchise. Having not heard of it, and with a wildly international scope and graphic novel roots, I was expecting a total euro-pudding; but with a charismatic lead, interesting story, and solid action Largo Winch is a fun, albeit lightweight, film.

Score: 6.5/10

Largo Winch Tomer Sisley, Mélanie Thierry, Bojana Panic, Karel Roden, Kristin Scott Thomas, Miki Manojlović, Elizabeth Bennett, Steven Waddington, Anne Consigny,

A Lonely Place to Die: [Spoilers] When a group of mountain climbers discover a captive girl their trek takes a turn for the dangerous. The film’s biggest weakness is that it’s totally confused, trying to mix action, horror, thriller, moral drama, hiking and more. The story’s also pretty poorly thought out – given the age of the person the ‘hidden’ back story is fairly obvious; half way through 99% of people would probably do the immoral thing; and the central group are also killed off too quickly, forcing the film to lean on the weaker story toward the end. It’s also fetishly ‘dirty’ by lingering on graphic violence throughout – especially gunshot wounds! Not to mention silly touches of ‘flare’ like the ridiculous pig mask and carnival in the last act. The final blow is that it’s insultingly over-Scottish: bawdy gaelic music, whisky, money jibe, bonnie highlands, bad accents, etc. With all that covered, there’s not a whole lot left to like; Melissa George leads the cast with ease, some of the aerial shots are technically proficient… and that’s about it. If you like homegrown horror this may be for you, although I wouldn’t recommend it.

Score: 2/10