21 Jump street: two useless police officers are assigned to a revived ‘undercover‘ branch of the department. The film’s lucky in that it has two genres to mashup and play with – buddy cop and high school – which it does effectively, although the school element is far, far funnier. The first hour is fantastic, catches you off guard, full of well-observed school humour, and ‘random’ comedy (Korean Jesus, trippy drug scenes etc) – I almost choked at one point. It does however deflate and lose its magic in the second half as it frantically ticks all of the boxes you’d see in a bog-standard cop-buddy story arc. Jonah Hill is funny, but well within his comfort zone; Channing “is there anything he can’t do” Tatum is comedy gold – he hinted at this by being the only good thing about last year’s Dilemma, but this is a whole other level – show stealingly good. For additional smartness there’s a nice run of meta jokes about recycling ideas & humour, and loads of movie tropes – these can be found in the car chase and party scenes. With an emphasis on off-the-wall humour, and a genuinely funny script paired with some great improvisation, 21 Jump Street is a solid contender for comedy of the year.
Jennifer’s Body [Blu Ray]: when a slew of horrific murders hit a sleepy town, Needy starts to think her best friend is a blood-thirsty vampyre. On the surface this appears to exists as a Megan Fox bootay appreciation vehicle, which is fine by me, especially because she plays a sexy femme fatale – with some brilliantly lewd lines. Fortunately, there’s more here than just foxy Fox. The film is laced with a good dose of black humour and absurdity; just enough to confirm that it’s not taking itself too seriously – 8675309 / Goths at a Funeral / Emo band story arc etc. It’s also ‘teen horror’ to the core: with an emphasis on ‘hip’ music, high school setting, sexually charged ‘teens’, pop cultural references, slang vocabulary… right down to the Prom Night finale. The direction’s strong, and BD picture and audio quality are both very good – also the directors cut is apparently far superior to the theatrical version. I was more than surprised as I watched this with a constant smile, and some proper belly laughs; it’s one of the best in its genre since the likes of the Faculty and Idle Hands. After its initially poor cinematic reception Jennifer’s Body will hopefully shine a lot brighter on DVD/Blu Ray as it’s far better, runnier, sexier, more violent and smarter than it looks, and you’d expect.