Archive

Tag Archives: Got Milk?

BASEketball Trey Parker, Matt Stone, Dian Bachar, Yasmine Bleeth, Jenny McCarthy, Ernest Borgnine, Robert Vaughn, Trevor Einhorn, Reggie Jackson, Robert Stack,

BASEketball: Two childhood friends create a new sport called BASEketball, but have to ensure that corporate sponsors don’t ruin the league. This film is as funny as they come – everything from college humour, gross-outs, slapstick, sports and normal gags; every scene is crammed with throwaway jokes, both in the script and in the background – it’s truly a gag-a-minute. From the director of Airplane!, The Naked Gun, and writer of Kentucky Fried Movie – you would expect no less. It’s got a surprisingly high budget too; no expenses spared with sets, extras, and an impressive comedy cast. There are a couple of small issues – notably that it’s very American, with lots of US-based gags, stars and parodies that don’t export well. it’s also quite clean and timid, given that it stars the creators of South Park and several playboy playmates – you feel that someone was deliberately keeping this reasonably clean. Having watched this over 20 times as a kid, it’s still as enjoyable as an adult. BASEketball is one of my comedy benchmarks, with more laughs and gags per scene than any modern comedy could even dream about.

Score: 9/10

BASEketball League Teams
Milwaukee Beers
Dallas Felons
Miami Dealers
New Jersey Informants
San Francisco Ferries
Roswell Aliens
L.A. Riots
San Antonio Defenders
Detroit Lemons

Edge of Darkness: when his sick daughter is gunned down, detective Tom Craven starts looking for people with a grudge against him, but maybe he wasn’t the target. This is a good-old corporation/government conspiracy film that feels like a throwback to the blunt movies of the 80s. There’s a few totally unexpected, and fairy graphic deaths that have genuine shock value, and get properly etched in your brain. The plot starts to feel like a runaway train, where the crazy and unbelievable things start piling up. We also get treated to a variety of terrible Boston accents, which make some of the dialogue difficult to catch. Gibson pulls out a decent performance, given his characters complex mental state – but everyone else can be filed under ‘hammy’ or ‘generic’. One final note, to Ray Winstone, please stop being Ray Winstone! Despite sitting on the Edge of Realism, Edge of Darkness is a decent, albeit depressingly nihilistic, action / thriller / revenge / conspiracy picture from the director that had the stones and talent to save the James Bond franchise twice.

Score: 5.5/10

Gozu: a mid-level Yakuza loses his crazy, narcoleptic, undead boss then sets out to find him. It opens with a memorable scene involving a dog but nosedives into nonsense shortly after. All but one of the characters are totally ridiculous and/or perverted, and a the basic story was just to facilitate more ‘wackiness’. The dark humour doesn’t work, it’s obviously supposed to be funny but something gets lost in translation. It’s typical Takashi: dry, minimal style and dialogue. His movies seem to be either hit-or-miss, for me this is definitely one of the misses but if you’re a fan it may be worth checking out. Although there are a few notorious scenes, the rest of the film doesn’t justify sitting through 130 minutes of Gozu. Released in the UK when Japanese cinema was trendy I think it’s unfair of distributors like Tartan (Asia Extreme) to endorse films where the native themes, values, humour and symbolism just don’t export well; if anything this will probably put people off foreign Cinema.

Score: 2/10