Arrested Development (Season 3): Michael Bluth is still trying to keep his dysfunctional family together – and they’re doing their best to screw everything up. This series coasts a little more on the established gags like the Bluth lessons (why you should always leave a note!), rather than creating new ones; some old plot-lines and characters are also written back in to beef up the story. Because it was the last scheduled season, the final few episodes felt obligated to tie-up the loose ends like the Iraq “light treason” court case, cousin love etc – which was good to see, but feels more forced than the usual completely unrelated antics. Once again the two stars of the show are the cast and the writers – you just don’t get it this good on both sides very often. As you’d expect, Season 3 is still great TV, but it doesn’t feel as fresh or funny as the first two series – the episodes aren’t quite as tight, or packed with jokes, and some of the bigger laughs stoop down to things like rude language (pussy/fags) and retards; which previous seasons didn’t need to fall back on. However, those niggles are minor, and Season 3 ensures that the show remains one of the greatest comedies of all time.
Arrested Development Season 1 Review
Arrested Development Season 2 Review
Arrested Development (Season 2): with George Bluth on the run, the family must march on without him, and Michael must keep the Bluth Company – and his family – under control. This is my third time watching through AD and in reflection it’s so obvious why a show like this was destined to fail on TV. The biggest problem is that the running gags are subtle, and would be easy to miss if there were 7 days (let alone weeks) between the episodes. With the DVDs however, you can bash through a season in a few nights and really appreciate the fine writing. In saying that, S2 tries to address this by having clusters of jokes that are confined to an episode; like the ‘Charlie Brown’ slow walking, Gene Parmesan, etc. The biggest step up for me is lot more brilliantly timed physical comedy: chicken dances, face pulling, slipping, and Mrs Featherbottom’s spectacular Mary Poppins moment. Once again the brilliant ensemble cast of comedic actors does great things with well-written characters. This should be mandatory viewing for anyone that enjoys comedy TV – almost a decade later and it still puts most shows to shame.
“I just blue myself”
Arrested Development (Season 1): when the CEO of the Bluth Company gets jailed for fraud (and light treason), one son must step up and take charge while the rest of the dysfunctional family try to get back on their feet. This is an absolutely explosive combination of fantastic writing, stellar casting, and perfect comic acting / timing. The 20 minute episodes are so tight and neat – not a single word is wasted, and everything is relevant to the plot or character development, to be used somewhere down the line. For a comedy, every main character is funny, well-played and developed over the season. And, for something this upbeat and watchable, it’s remarkably dense, layered, lean & efficient. Arrested Development is the holy grail of comedy; fun for casual, first-time viewings, but rewarding for repeat viewings as you’re able to pick out more and more running jokes, themes and catchphrases. Unmissable comedy.
The Increasingly Poor Decisions of Todd Margaret: a useless U.S. office temp is mistakenly sent to the UK to shift thousands of cans of potentially toxic Thunder Muscle energy drink. The entire show hangs on the idea of cross-atlantic confusion, and will probably play marginally better to Brits, although not wholly inaccessible to yanks! The humour is ultra black, dry, witty, often-tasteless, cringe-inducing… which I love; and some of the jokes are so ‘wrong’ that if you didn’t laugh it off you’d be writing a letter of complaint to the TV station. There’s some fantastic running gags like Todd pissing himself at the end of each episode, terrorists using him, and the recurring lies about Leeds & The Who – more generally, there’s a lot of well-written, catchy ideas such as Thunder Muscle, £30 note, Bad Sanitation, and Steve Davis (polar opposite of energy, well played by him though). David Cross writes the central character to all of his strengths, and the supporting cast all deliver more laughs, again tailored to their brand of humour; coarse Arnett, Laddish Harrison… All in, something this edgy and crass won’t be for everyone, but if you like the idea of an ignorant American with no business acumen setting up shop in a foreign country, it’s comedy dynamite!
Megamind 3D: After finally defeating his nemesis, supervillain Megamind finds out that life without a hero around is actually quite boring, so he creates a new enemy, but things don’t all go to plan! This idea and story is novel and interesting for the first twenty minutes, but Megamind quickly runs out of steam as the last hour plays out. It’s 100% aimed at the kids – getting only a handful of chuckles from the adults, attributed to a couple of drawn-out jokes that die too fast: Metrocity / Metro City & Marlon Brando impression. The animation’s good, and characters are interestingly designed but then again pretty much every big-studio CGI affair works on this level these days. The 3D is also nice to look at, but loses its effect after 10-15 minutes. The main selling point is the high-end, and very recognisable voice actors; everyone’s good, but David Cross and Will Ferrell are particularly enjoyable. While the older audiences won’t get as much of this out of films like Toy Story and The Incredibles, the kids will absolutely love this.