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Edge of Darkness: when his sick daughter is gunned down, detective Tom Craven starts looking for people with a grudge against him, but maybe he wasn’t the target. This is a good-old corporation/government conspiracy film that feels like a throwback to the blunt movies of the 80s. There’s a few totally unexpected, and fairy graphic deaths that have genuine shock value, and get properly etched in your brain. The plot starts to feel like a runaway train, where the crazy and unbelievable things start piling up. We also get treated to a variety of terrible Boston accents, which make some of the dialogue difficult to catch. Gibson pulls out a decent performance, given his characters complex mental state – but everyone else can be filed under ‘hammy’ or ‘generic’. One final note, to Ray Winstone, please stop being Ray Winstone! Despite sitting on the Edge of Realism, Edge of Darkness is a decent, albeit depressingly nihilistic, action / thriller / revenge / conspiracy picture from the director that had the stones and talent to save the James Bond franchise twice.

Score: 5.5/10


The Warrior’s Way: Seriously, $42M spent on a film that has ninjas, cowboys, guns, swords, circus freaks, dynamite… and it’s still this boring? With almost nothing physical to film +85% of the buildings, scenery, props and even people are CGI. Because of this it looks pretty dreadful and feels cheap. The trailer suggests a fun action-fest, yet there’s around an hour of awful character building – this is not the type of film in which I wish to invest in characters!! When the action finally rolls round it’s emotionless, over-styled, plagasised, dull, vague, and edited to within an inch of its life to preserve a 15 certificate. The main guy (Yang Dong-gun) is a total vacuum; with almost no lines he tries his best to convey mystery and enigma but ends up just looking confused. The Leading lady (Kate Bosworth) looked good, but was the human version of Jessie from Toy Story – down to the bad accent. The script is riddled with clichés, there’s corny narration, an unforgivable pseudo-Asian soundtrack, and a heap of ‘cutesy baby’ shots!? I can only imagine hope this will be Sngmoo Lee’s first and last time behind a camera. I walked in to the cinema yearning to like this but there wasn’t a single scene where I thought “That’s original” or “That’s cool”. 100% stick to The Good, The Bad, The Weird as it’s not an Asian stereotype and actually has story, acting, exciting action, a proper ending, Even Sukiyaki‘s worth your time, but not this – ever…

Score: 1/10