Gangster Payday (大茶飯): when he’s being muscled out of his karaoke bar by aggressive real estate developers, an ageing gangster invests in an honest business, but can’t seem to shake off his past. Despite the title and trailer hinting at an overly-familiar HK mob film; the gangster element plays second fiddle to an ‘emo triads’ angle where we find out that even the hardiest of HK gangbangers are just big teddybears with emotions, and gooey centres. Unfortunately, this is portrayed through a soap-operatic love triangle, which – when paired with the mid-budget televisual aesthetics and very melodic/dramatic vocal performances – means that the film lacks a ‘cinematic’ vibe. Tonally and thematically, it’s also one of those films that doesn’t export well, and westerners will probably fail to engage with (I particularly struggled with the hammy music and theatrical / play-like style). To make up for the pitfalls we’re treated to an ensemble cast featuring some of the biggest faces from the past 20 years of Hong Kong cinema, led by Anthony Wong, who puts in a great turn as a tired mob boss in his twilight. Gangster Payday isn’t for everyone: it’s a low-key, cutesy, and ultimately disappointing personal drama framed in a gangster movie; but the star power and talent of the cast (particularly Wong) prop up the film and keeping it watchable for the duration.