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Night Watch, Nochnoy dozor, Timur Bekmambetov, Konstantin Khabenskiy, Vladimir Menshov, Valeriy Zolotukhin, Mariya Poroshina, Galina Tyunina, Yuriy Kutsenko, Aleksey Chadov, Zhanna Friske, Ilya Lagutenko, Viktor Verzhbitskiy

Night Watch (Ночной дозор): after a truce that has lasted for centuries, tensions between Russia’s light and dark sides come to a head when the most powerful ‘Other’ has to choose which side to join. This is an ultra-styalised, almost indie-spirited blockbuster that combines multiple sci-fi/fantasy genres and glues them together with a large dose of Russian folklore. It’s filmed with an impressive style; the colours are bold and bright, the cinematography is striking, the camera work is technically sound, and the editing is fast and exciting… The most impressive aspect of this is that it was made for $4.2M despite being CGI heavy, and looks better than most $100M pictures. Good vs Bad, Light Vs Dark – it’s just a shame that the story is nothing to shout about. Overall, this is a solid pre-twilight vampire film that’s less about the emotional complexities of being a vamp, and more about utilising their superpowers to create exciting action set pieces. Night Watch is totally watchable, entertaining, and big/loud/shiny enough to help you forget that the story is actually a bit pants.

Score: 7/10


Kiss Kiss Bang Bang: pulp noir parody about a small-time criminal that gets in way over his head when he discovers a Hollywood murder plot. At the centre of this are two rock solid characters; RDJ is a quirky lovable rogue, and Val Kilmer plays ‘Gay’ Perry, a hardened P.I. but again, quite likable. Both interesting, charming and acted superbly; the chemistry between them is second to none. As the film pans out the story broadens and remains interesting, but the best part of KKBB is the humour. Almost every base is covered; screwball, wit, black, gross out and slapstick – with corpses, fingers, dogs, guns and a Christmassy undertone. This is further backed up by a sharp script, littered with comedy gems. I also liked the non-glamourised aspect of being in bottom half of the film industry and L.A. social scene. There’s a few minor faults; pretty corny and obnoxious meta narration by RDJ, a lot of smug pulp and movie references, and for some people it’s probably too left field. It’s more of a mish–mash of genre than a single type too, although that could equally be a good thing. Other than the ridiculous action-hero ending KKBB is an absolutely solid film, funny, sharp, black and a total hoot.

Score: 7.5/10