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Deutschland 83 East West, Jonas Nay, Maria Schrader, Ulrich Noethen, Sylvester Groth, Sonja Gerhardt, Ludwig Trepte, Alexander Beyer, Lisa Tomaschewsky, Carina Wiese, Jens Albinus, Nikola Kastner

Deutschland 83: an East German foot soldier is sent to the West as an undercover spy to monitor the military, NATO, and carry out bespoke missions. I usually avoid lazy comparisons, but for simplicity, think The Americans or Homeland, with a younger & more naïve lead – and leveled at a younger audience. The show boasts a lot of inter-connected small and larger stories packed in to the 8 episodes, which helps to develop and justify each of the supporting cast members, and gives most of them some time in the spotlight. For the most part the acting is solid, nobody stands out as being rubbish. Set in 1983 (shock!) the period detail is very interesting, and arguably the biggest draw of the show: not just the nostalgic items on-screen or the dominating era-specific pop soundtrack, but differences between the East/West, and other background stuff from like the AIDS epidemic and the constant threat of nuclear annihilation. Unfortunately, the ending’s a bit too open-ended for such a dense and small slice of the Cold War; like one of the fat cat producers hoped they’ll be making Deutschland ’85 and ’87 in the near future. The only thing that bugged me was the lack of clarity regarding time: the lead transformed from a rookie footsoldier to a stone-cold, poon-slaying, espionage-master overnight, and some of the stories lurched forward days and weeks with no real indication. Overall, Deutschland ’83 is an impressive high-budget, well-acted, fascinating and entertaining drama; it’s maybe not quite as good as the hype (it’s the most successful foreign TV show in UK history!), but it’s a solid show, and another positive step towards the HBOification of Eurpean TV.

Score: 7/10

Deutschland 83 ARMY BROS, Jonas Nay, Maria Schrader, Ulrich Noethen, Sylvester Groth, Sonja Gerhardt, Ludwig Trepte, Alexander Beyer, Lisa Tomaschewsky, Carina Wiese, Jens Albinus, Nikola Kastner

 

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Collateral Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter Berg, Bruce McGill, Irma P. Hall, Barry Shabaka Henley, Javier BardemCollateral: an LA cab driver becomes involved in several murders when fate makes his next fare a contract killer. The casting in the film is great: Jason Statham makes a brief appearance (was disappointed he didn’t resurface), Javier Bardem as a sleazy crooked nightclub owner, and Mark Ruffalo is unrecognisable as a cop (“No way, that dude sounds just like Ruffalo”). There are moments of truly great acting from both leads: Jamie Foxx as a bumbling, almost special / OCD cabbie and Tom Cruise as a stone-cold, experienced, remorseless killer. The entire film’s shot at night, and set over one evening, which gives it a creepy atmosphere and haunting vibe; quiet streets, empty buildings, dark alleys… the lighting, photography, and locations (empty LA is as much a character as anyone else) are all out of this world – although because it’s shot at night, on digital, with such a high ISO it looks very grainy. It all feels quite grounded and immediate during the movie, keeping a steady pace and having a lot of suspenseful moments, but the end leans towards a generic (albeit tense) action movie finale. My only major issue was that loads of things were hinted at, but never explained, particularly with Cruise’s character – is there any point in creating decades of backstory if all you get is a slight glance at the end of a murder? Collateral is a film every bit as polished, planned, sleek and exciting as you’d expect from Michael Mann, and pulls of the thankless task of being a character-driven action film with great ease.

Score: 7/10

Collateral Taxi Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo, Peter Berg, Bruce McGill, Irma P. Hall, Barry Shabaka Henley, Javier Bardemjpg