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01 - Love Exposure - Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô WatabeLove Exposure (愛のむきだし): everything’s epic these days: a night out, food, car insurance, 99% of fails… how about this for a movie epic: a 4 hour film examining the relationships between religion, cults, family, perversion, sins, obscenity, love, erections, and upskirt photography. THAT’S EPIC! First-off, it feels a lot more like a TV series: technically (camerawork, budget, quality etc) and story-wise in the four, quite individual hour-long segments of the film. The acting however is fantastic; all three youngster are great to watch, but the two main adults are particularly engaging and believable – really adds to the drama. When one of the main story threads is the usage of ninja moves (and weapons) to take upskirt pictures in order to sin – it’s mental, it’s batshit mental, and when you throw in some schoolgirl karate lesbians it could really only be from Japan. In saying that, it’s all done very well and with lots of humour, much like the pervert’s motto the film is “Careful, Oblivious and Bold”. Staying true to it’s subject matter, there’s at least one – if not a montage – panty shot every 10 minutes – so if that’s your bag, this is an absolute must-own. For being as long as it is, the melodramatic final half hour is the only time the film feels like it’s truly stretched. Love Exposure is a lot of things, but at four hours (237 minutes!) long, and containing this subject matter – forgettable is definitely not one of them.

Score: 7/10

06 - Love Exposure Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe05 - Love Exposure Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe04 - Love Exposure Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe03 - Love Exposure - Sakura Ando - Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe10 - Love Exposure - Hikari Mitsushima -Upskirt Panchira パンチラ panty-shot Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsurô Watabe

JAPANORAMA - It Lives... Bukake JAPAN-O-RAMA BANNERTokyo Decadence Miho Nikaido, Sayoko Amano, Tenmei Kano, Kan Mikami, Masahiko Shimada, Yayoi Kusama, Chie Sema, トパーズ, Topāzu, sex dreams of topazTokyo Decadence (トパーズ, Topāzu): a specialist prostitute with a very particular set of skills is doing some very strange things with salarymen in the hotel rooms of Tokyo. The opening scene has a girl strapped to a chair, gagged, blindfolded then injected with heroin – if that makes you uncomfortable, this film’s probably not for you. It starts of feeling like an exploration piece/eye-opener focusing on an extreme (sub)culture. The film portrays some extremely ‘out-there’ acts, without appearing to be overly leery or vulgar. It keeps upping the ante scene by scene until there’s nowhere else left to go; then it implodes during an ending which, out of nowhere moves the film from a risqué/explicit/shock melodrama into plain old existential pompousity. It’s packed with rough cutting and hard editing; difficult to know if it’s intentional/stylistic or just budgetary constraints. If you like a bit of smut dressed as art or ‘world cinema’ then this is about as wild as you’ll probably get; and if you dig S&M, Bondage, BDSM, Dominatrices etc etc then it’s probably a must own. As a film however, Tokyo Decadence is fairly unremarkable, and if you took away the controversial/notorious S&M scenes it would be a completely unremarkable 2-hour instantly forgettable snooze-fest.

Score: 2/10

THE FLY David Cronenberg, Jeff Goldblum, Geena Davis, John Getz. Joy Boushel, Leslie Carlson, George Chuvalo

The Fly: when a teleporter accidentally fuses his DNA with that of a housefly, brilliant scientist Seth Brundle slowly begins a dramatic transformation into a man-fly! It’s a great testament to Cronenberg that he can have such an obvious directorial stamp on a film, yet keep it feeling like an old-fashioned monster movie; as the plot could have easily been an old Corman B-movie. The SFX department are on fire, with some of the greatest physical, in-camera effects that no amount of CGI could begin to replicate – the fingernails, puss, blood, guts, limbs, and transformations are all so visceral that it makes you feel sick in the pits of your stomach. There’s some other neat technical tricks such as the ‘how did they do that’ camera trickery for wall-crawling antics. Last, but not least, the small cast are all great, particularly Goldblum, who delivers a riotous performance as an increasingly peculiar and demented Brundlefly – but remains believable throughout. Top top it off, the telepods are a great feature for both extremes (fusion/blood/guts) and dramatics (noise, smoke, strobe), and there’s some classic ’80s programming’ going on. A bit of patience is required as the film takes its time to build toward a conclusion that – even after knowing the story – exceeds anything you could imagine. The Fly is one of those films where everything’s just right, and is easily still on of the best horror sci-fi movies around.

Score: 8.5/10

Seth Brundle Clothes Mr Bean Brundlefly Brundlebean

Seth Brundle’s nerdy clothes reminded me of someone… MR BEAN!!! (at least when it wasn’t one of the 200 shirtless scenes)

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Chanbara Beauty OneChanbara お姉チャンバラ Eri Otoguro, Manami Hashimoto, Tomohiro Waki, Chise Nakamura, Ai Hazuki, Hiroaki Kawatsure, Sari Kurauchi, Tomoya Nagai, Taro Suwa, Tetsu Watanabe, Satoshi Hakuzen

Chanbara Beauty (a.k.a. OneChanbara, Bikini Zombie Slayers, Bikini Samurai Squad, お姉チャンバラ): straight to DVD zombie-fest based on a hack-and-slash video game centered around action-girls. The four titles and heartbreakingly dubious synopsis say more about the film than any review could, but if you still want to find out if this is any good… It’s always refreshing seeing headstrong, empowered, female action leads unleashing industrial-sized cans of whoopass, grabbing here gender by the balls and proving to everyone that women in modern cinema are no longer… oh, wait… is she wearing a fluffy bikini? Never mind!! Rule one of making a live-action adaptation of any game/manga is instantly broken: don’t do it with shit CGI and no physical effects!!! Made in 2008, looks like something cheap from 1988. Stylistically, it’s topped off with a shitty grey-washed out filter – rendering the movie devoid of almost any colour. The action direction is confusing: too dark, too shaky – and the non-action scenes are long, frequent and boring filler / padding. To cut this review short, I can’t remember the last time that hacking up zombies last felt so boring and arduous. I doubt that even fanboys of the computer games (which I’ve never played) could find any redeeming features in this stinker.

Score: 1.5/10

Searching for Sugarman Stephen 'Sugar' Segerman, Dennis Coffey, Mike Theodore, Dan DiMaggio, Steve Rowland, Willem Möller, Ilse Assmann, Clarence Avant, Rodriguez, Sixto Rodriguez

Searching for Sugarman:  two South African super-fans document their search for information on their illusive musical hero – Rodriguez. As a narrative, the documentary plays it’s hand perfectly – the first half is low-key, indie, explaining (and perhaps slightly exaggerating) the legend: second half is uplifting and fascinating. Rumours of Sugar Man’s on-stage suicide: self-immolation, gunshot, overdose… quite the bizarre list. Naturally, the film is crammed with the music of Rodriguez, which has a timeless quality – no references, all universal themes, feelings and descriptions – also helps that they’re decent tunes. Up until the halfway point I was having some suspicions as it mainly consisted of a few fans and label bigwigs talking about his talent; name-dropping comparisons of popularity and talent with Dylan, Hendrix, Rolling Stones, Elvis etc etc. In the second-half however, you can’t help but smile when you see the footage of his ‘Anvil Moment‘ and realise that he’s a genuine star in S Africa, it’s electrifying. The majority of the footage is well-shot, with some lovely animations and city-scape footage – although there’s several strange shots of him struggling through Detroit weather while the crew film him from a car crawling alongside. Where the film falls down, and prevents it being great (like the aforementioned Anvil) is that it focuses far more on the legend and backstory of Rodriguez, rather than spending quality on-screen time with him. Searching for Sugar Man is a very good documentary: especially as an eye-opening look at the music industry before the digital age, Wikipedia and so forth.

Score: 7.5/10

Searching for Sugar Man Stephen 'Sugar' Segerman, Dennis Coffey, Mike Theodore, Dan DiMaggio, Steve Rowland, Willem Möller, Ilse Assmann, Clarence Avant, Rodriguez, Sixto Rodriguez

Found him, LOL!!!

JAPANORAMA - Yorstat  BANNER JAPAN-O-RAMA01 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

The Street Fighter (激突!殺人拳): a highly skilled martial-artist is betrayed by mobsters, so he offers up his protection to their next target. What knocked me out is that the centre of this exploitative, ultra-violent, B-movie there’s a layered, intricate, badass, mercenary anti-hero – a great performance from Chiba, who does his complex character justice. There’s a whole lot of playing on the mystique of Karate (techniques, block breaking showboating, large-scale training etc), and more generally the exotic east. The fights and clever stunts are all mighty-fine from the opening through to the ‘boss fights’, and knockout ending: although most are accompanied by some peculiar primal/pneumatic sounds and facial expressions on Chiba’s part. The story’s simple but effective and contains some surprisingly dark and seedy aspects – assassins, mafia, firing squads, prostitution – pretty hard stuff for this era. The direction is also top-rate: stylish and flashy when it needs to be, and no-nonsense handling of the action scenes. Put it all together and this is quite simple a masterpiece in Kung-Fu cinema – blood, guts and tons of action that still feels both shocking and brutal 40 years on. The Street Fighter is an absolute must-see for all fans of action cinema.

Score: 9/10

02 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

Just ripped off another guy’s junk (in hand)

03 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

Sttandard reaction to a skull-spliitting punch

04 - The Streetfighter Street Fighter 1974 Sonny Chiba, Shinichi Chiba, Yutaka Nakajima, Goichi Yamada, Masashi Ishibashi, Jirō Chiba, Etsuko Shihomi, Masafumi Suzuki, Nobuo Kawai, Ken Kazama, Fumio Watanabe

Not all sensational: there’s plenty, bold & striking imagery on display too.

2 Fast 2 Furious two Paul Walker, Tyrese Gibson, Eva Mendes, Cole Hauser, Chris 'Ludacris' Bridges, Thom Barry, James Remar, Devon Aok, Amaury Nolasco

2 Fast 2 Furious: the LAPD finally catches up with the rogue detective from Fast and the Furious – and immediately put him on an identical car-based infiltration mission. So to keep it true to the first film there’s loads of amazing cars being trashed all over the shop, lots of cool ‘threading through traffic’ race scenes, and lots of close-ups of drivers shouting “AH HAAAA!” having just rammed / overtaken / out-driven someone. Again, some parts feel like techno music videos, other like they’re about to become 2-hot for TV spring-break videos. The story however feels quite vapid and familiar when held up against the first movie: very light on plot and dangerously close to ‘remake’ territory. There’s some bad ‘scarface’/’miami’ accents, and a couple of comically bad Bond-esque henchmen. Whereas the first film was more of a heist-thriller, this feels more like the overly-familiar cop/buddy films. There’s definitely a magic ingredient missing from the first film, perhaps it’s that without Vin Diesel ( who was doing xXx), this film feels like it’s running on an unleaded engine.

Score: 3/10

2 Fast 2 Furious two 2 Paul Walker, Tyrese Gibson, Eva Mendes, Cole Hauser, Chris 'Ludacris' Bridges, Thom Barry, James Remar, Devon Aok, Amaury Nolasco

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AUDITION Takashi Miike, Ryo Ishibashi, Eihi Shiina,  Ryu Murakami, Tetsu Sawaki, Yasuhisa Yoshikawa, 

Audition (オーディション, Ōdishon): a TV producer and widower stage a fake TV audition in order to find the latter a new wife, but the best candidate seems too good to be true. The opening half hour feels a little too rom-com-y for a ‘horror’ film (upbeat music, cheesy jokes etc). The film trudges on and after 1hr 15m of setup it gradually becomes weirder and more interesting until the payoff semi-ending finally kicks in. Knowing that there’s something not quite right with the ‘perfect girl’ is a tad unsettling, but you couldn’t have predicted an ending as extreme as this – the sound of bone being sawed is vomit-inducing! There’s a small, but obvious social critique about the time in lines like “The whole of japan’s lonely”, and “Japan is Finished” – not-so-subtle! What makes this worthwhile is that it is a unique horror film in that is doesn’t pander to conventions, or give you what you expect. It also beat the wave of late 2000s movies that kick-started ‘torture porn’/’Splatter’ craze again. As original and unique as Audition is, it’s essentially a psychological drama for this most part with 10 minutes of gore capping off a lot of humdrum!

Score: 5.5/10

TED TEDTalks Mark Wahlberg, Mila Kunis, Joel McHale, Giovanni Ribisi, Patrick Warburton, Matt Walsh, Jessica Barth, Bill Smitrovich, Laura Vandervoort, Sam J. Jones, Ryan Reynolds, Seth MacFarlane, Sam JonesTed: a young boy who wished that his teddy bear could come to life and be his best friend gets just that, but 25 years later their friendship is tested by a smelly girl! With Wahlberg, McFarlane and Kunis as the leads you know that this one should be funny, and it is. They’re also aided by some ace casting of the smaller roles; Giovanni Ribisi, Joel McHale, Ryan Reynolds, Sam Jones etc. The film’s pretty much gag-o-rama, with the funniest ones being the ‘shouldn’t be laughing’ moments – the Airplane / Saturday Night Fever homage to a spoof was brilliantly used too. The downside is that the direction is fairly plain, and story is weak, and although it’s funny, it’s not end-to-end-side-splittingly-good. The bottom line is that as a (live action) extension of family guy – cast, voices, music – the Ted does alright, but as a ‘film’, it doesn’t quite cut the mustard. It’s definitely funny, but most of it is forgettable.

Score: 6/10

TED Mark Wahlberg, Mila Kunis, Joel McHale, Giovanni Ribisi, Patrick Warburton, Matt Walsh, Jessica Barth, Bill Smitrovich, Laura Vandervoort, Sam J. Jones, Ryan Reynolds, Seth MacFarlane, Sam Jones

JAPANORAMA - Cheng Cheng BANNER JAPAN-O-RAMAJAPANORAMA Paprika Header Satoshi Kon, Yasutaka Tsutsui, Doctor Atsuko Chiba, Detective Toshimi Konakawa, Doctor Kōsaku Tokita, Doctor Toratarō Shima, Megumi Hayashibara, Tōru Furuya, Tōru Emori, Katsunosuke Hori, 

Paprika (パプリカ, Papurika): a machine that lets others participate in your dreams has been stolen and hijacked; Paprika is the best shot at getting it back. It’s interesting that in Hollywood, any form of animation is almost exclusively reserved for kid’s films, whereas in Japan you get this: a fearless sci-fi film that explores technology, mythology, reality, iconography, dreams, reality and the psyche. As mind-meltingly complex as it gets, the film always remains interesting, engaging and entertaining – probably down to the super-stylized mix of animation techniques – the blu-ray is extremely vibrant. With a mix of luscious visuals and an abundance of ‘thinking’ material, you have the luxury of being able to tune out of the story and still be dazzled. However, both elements combine to create a screen-bursting, visual and mental extravaganza. “This is your brain on Anime” – great marketing line.

Score: 8/10

JAPANORAMA Paprika Horses Satoshi Kon, Yasutaka Tsutsui, Doctor Atsuko Chiba, Detective Toshimi Konakawa, Doctor Kōsaku Tokita, Doctor Toratarō Shima, Megumi Hayashibara, Tōru Furuya, Tōru Emori, Katsunosuke Hori,  JAPANORAMA Paprika Parade Satoshi Kon, Yasutaka Tsutsui, Doctor Atsuko Chiba, Detective Toshimi Konakawa, Doctor Kōsaku Tokita, Doctor Toratarō Shima, Megumi Hayashibara, Tōru Furuya, Tōru Emori, Katsunosuke Hori,  JAPANORAMA Paprika Parade Full Satoshi Kon, Yasutaka Tsutsui, Doctor Atsuko Chiba, Detective Toshimi Konakawa, Doctor Kōsaku Tokita, Doctor Toratarō Shima, Megumi Hayashibara, Tōru Furuya, Tōru Emori, Katsunosuke Hori, 

Sunshine Cleaning: to ensure her son can get a good schooling, a struggling mum enters the lucrative, but stomach-turning, crime-scene cleanup business. The best part of this is that it’s fairly funny and upbeat considering the grim subject matter; the characters aid this most, other than the most annoying kid in history – If that was my spawn I’d have beaten him into shape by that age. Emily blunt looks great as an angsty goth, nails the accent and steals the show for me. Amy Adams was solid too – but was clearly during her ‘must have a scene in my underwear’ phase. Chloe form 24 once again plays her bread and butter TOTAL WEIRDO role – needs to diversify! The direction and story are both simple and effective, although it goes a little off-chorus in the final third, but enough groundwork was put in at the start to give this a nice indie sleeper-hit feel to it. Sunshine Cleaning cleverly walks the line between funny and serious, and successfully avoids become farcical or gloomy.

Score: 6/10

JAPANORAMA - SF WASABI RICE BANNERJAPANORAMA Jiro Dreams of Sushi,  Sukiyabashi Jiro, JAPANORAMA Jiro Dreams of Sushi - Sushi Pieces, Roppongi Hills, Jiro Ono, Yoshikazu Ono

Jiro dreams of Sushi: documentary exploring the life of 85-year-old sushi master and his modest, Michelin 3-star restaurant. Being the titular character, it is mostly centered around Jiro, who is an intriguing person with an admirable lifelong passion & pursuit to continually improve and create sushi dishes that get as close to perfection as possible. It’s interesting that his suppliers also had an emphasis on mastering their craft and techniques. We see Jiro as a worker, businessman and parent – although you couldn’t help but feel for the elder son, having such a great legacy towering over him, and such large geta shoes to fill! Some of the shots are absolutely sushi-porn, if you have a taste for the stuff there’s no way you’ll survive this without an appetite by the end – more generally, the whole film’s well shot with some nice use of tilt-shift/time-lapse etc to break up the indoor interviews. What’s more interesting than the sushi aspect is the insight into Japanese traditions (like eldest son stepping up to father’s job) and general work ethic and wisdom of someone with a lifetime of experience. We see a lot of scaling, peeling, slicing, gutting, massaging, pasting… for something that simple, it’s intriguing to see how much work, thought and preparation goes in to it. Jiro Dreams of Sushi is a really good documentary, but it never really goes anywhere due to he micro nature of the subject – he opens talking about striving for perfection, and closes in a similar manner.

Score: 7/10

JAPANORAMA Jiro Dreams of Sushi - Sushi Pieces, Roppongi Hills, Jiro Ono, Yoshikazu Ono

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Having just booked a trip to Japan for this summer I’ve decided to use  it as the perfect opportunity to watch the huge pile of Japanese movies I’ve been slinging into my cupboard for the past 10 years.

Japan’s culture has always been absolutely fascinating to me, particularly their cinematic output – or at least what we can get our hands on in the West. Many of the Japanese films I’ve seen are easily among the most eclectic I’ve seen when it comes to both style and subject matter, and it’s probably the only country where Yakuza, Ninjas, Robots, Monsters, Samurai and Martial Artists appear to be fairly ‘mainstream’ movies.

For the next 6 months I’ll be consuming and reviewing all of the major genres and themes that have defined Japanese cinema on the world stage: 1950s Samurai Epics, J-Horror of the 2000s, 80s/90s Sci-Fi & Cyberpunk, 4 decades of Yakuza flicks, Monster Movies and some of the most bizarre and unique one-off films the country has to offer. The viewing list is fairly big, but a list as varied as: Branded to Kill, Wild Zero, Zatochi, Babycart (Lone Wolf and Cub), Ghost in the Shell, Akira, Ichi the Killer, Seven Samurai, Tokyo Story, Tetsuo: Iron Man, Tokyo Gore Police, Tokyo Decadence, Lady Snowblood, Godzilla – to name but a few.

I’ll also take a look at how Japan (and East Asia) has been portrayed in Western movies over the years, which hasn’t always been positive; bringing to mind things like the fairly racist stereotypes like Mr Yunioshi from Breakfast at Tiffany’s (played by a caucasian – not uncommon), everyone as a Yakuza (Black Rain), student nerds (almost every high-school film), exotic and erotic females and so on. I can barely think of a single Japanese character in a major Hollywood film that wasn’t nerdy / socially inept / over-disciplined / tech savvy / submissive etc.

As always, I’m happy to take on any film suggestions providing I can get my hands on it easily enough. Also happy to team up with other bloggers, publish some guest reviews, collaborations etc – so please get in touch if you’re interested!

Cheers, and I hope you enjoy it.

/Paul

Current reading: Battle Royale13 AssassinsSukiyaki Western DjangoGozuThe Machine GirlSurvive Style 5+Tokyo Zombie20th Century BoysHana-BiVersus

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