The Fly: when a teleporter accidentally fuses his DNA with that of a housefly, brilliant scientist Seth Brundle slowly begins a dramatic transformation into a man-fly! It’s a great testament to Cronenberg that he can have such an obvious directorial stamp on a film, yet keep it feeling like an old-fashioned monster movie; as the plot could have easily been an old Corman B-movie. The SFX department are on fire, with some of the greatest physical, in-camera effects that no amount of CGI could begin to replicate – the fingernails, puss, blood, guts, limbs, and transformations are all so visceral that it makes you feel sick in the pits of your stomach. There’s some other neat technical tricks such as the ‘how did they do that’ camera trickery for wall-crawling antics. Last, but not least, the small cast are all great, particularly Goldblum, who delivers a riotous performance as an increasingly peculiar and demented Brundlefly – but remains believable throughout. Top top it off, the telepods are a great feature for both extremes (fusion/blood/guts) and dramatics (noise, smoke, strobe), and there’s some classic ’80s programming’ going on. A bit of patience is required as the film takes its time to build toward a conclusion that – even after knowing the story – exceeds anything you could imagine. The Fly is one of those films where everything’s just right, and is easily still on of the best horror sci-fi movies around.