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The Cabin in the Woods: 5 friends go to an isolated cabin for a party, and although a bunch of zombified rednecks lurk in the woods, this is far from your average slasher/horror flick. My only real complaint is that the film puts all of the cards on the table a little too early – although it’s understandable, because such an ending would be too much to nonchalantly tag on during a finale. There’s plenty decent acting, even better SFX, good suspense / tension / scares, brilliant streak of tongue-in-cheek genre humour (The whiteboard with entries like “Angry Molestation Tree”, and ‘trowel’ quip are golden). The film works its way towards the revelatory ending, and the final reel is one of the best pieces of horror in decades – it’s an insane roller coaster paying both tribute and homage to the last 100 years of horror cinema. This is clearly made by horror fans, for horror fans. Don’t watch the trailer, or even read any more reviews, just get your arse to the cinema and check this beast out for yourself. Cabin in the Woods is creepy, entertaining, smart, fresh, funny, original and goes far beyond (and behind) the standard horror movie formula. Easily one of the best modern horrors in a long, long time.

Score: 8.5/10

Bonus: here’s a screenshot of the whiteboard – Click to Enlarge

Bonus: here's a screenshot of the whiteboard - Click to Enlarge

Mystic River: drama/mystery that follows three childhood friends in Boston from a day that changed all of their lives forever. Acting-wise, this is an absolute powerhouse of a roster with too many big names to do justice; Penn‘s passion and attitude are outstanding – a career-defining role for him, Bacon‘s awesome at staying cool and reserved, Fishbourne‘s flawless as a badass cop, Robbins is great at portraying a man on the edge, and hell, even the bit-part boyfriend’s hyper believable… everyone involved is outstanding. Technically, the film’s a masterpiece. Every shot is picturesque, the detail’s all there, the camerawork is spot-on, the direction is simple but effective and the lighting in particular adds a whole other dimension to the film – most noticeable with Robbins, who’s progressively lit to look more crooked and bizarre as the film goes on. The final product is haunting, atmospheric and unbelievably gripping as it builds up to the finale. On paper, this is as depressing a story as any other Eastwood film of late – but with a cast this strong, great pacing and simple storytelling this a proper tour de force – and while it is quite bleak, that’s where all of the mystery and drama comes from. in a nutshell, this is simply a great film.

Score: 9/10