Top Gun: a hot-headed fighter-pilot is sent to train with the top 1% at the Air Force’s finest training school – Top Gun. This is one of those films I watched in complete disbelief, why is it that this has become such a popular, ‘must see’ movie? The best thing about it is the music, but even that’s criminally overused: Danger Zone pops up 3 times, and Berlin’s Take My Breath Away appears 4 times!! The aerial combat scenes (central to the plot) aren’t quite as fluent and obvious as you’d expect – with limited shots and a lot of rough cuts: it relied more on the pilot’s communications to keep you informed. Not much to say about the script, other than it’s terrible, beyond hammy, and packed with so much innuendo that they had to have deliberately been going for a campy vibe: one character actually shouts “I want some butts”. Kilmer and Cruise don’t have to do much other than oil up, stand about in towels covered in sweat beads, square up chest to chest and erotically whisper lines like…
“Yea, I know”
“What about it”
It’s a film jammed with so much machismo that it unknowingly ends up mincing it’s way over to the ‘camp classic’ section.
“I was invaded!”
Heat: a professional robber and homicide detective go head to head in a battle of wits, guns and getting the job done. The film is laden with superb moments & set-pieces: action, suspense and climaxes, which means that the film is gripping, explosive and unpredictable for the most part. You couldn’t hand-pick a greater cast of actors at their peak – right down to the extras (including Henry Rollin’s neck!!). Both leads are fantastic, equally volatile yet in-control men, despite the contrast between Pacino’s shouting / flailing and De Niro’s calm / focused anti-hero. Both portrayals are physical, entertaining, and career-tipping performances, so much so that by the end, you don’t really want either to snuff it. The biggest problem is that, by wanting to keep the film believable and give it more clout, almost every character gets some back-story, which means that the film spends some time opening lots of minor tangents, many of which are never resolved or revisited – or related to the plot. There’s no question about it, Heat is an outstanding film, and I’d love to give it 9, or 10, but I’d have been much happier watching a three-hour film focused almost exclusively on the two central performances, than have them share the runtime with a multitude of smaller, less relevant characters.
“Don’t let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner.”
MacGruber: Silver screen spoof of TV’s most resourceful hero McGyver. For a Brit that has never seen McGyver or the SNL skits it comes across as an American equivalent of Austin Powers?? The range of humour isn’t very wide; all jokes are either gross-out or something built up then made to look stupid… which starts to wear a little thin by the end. It’s also potty, very potty, with constant sexual references and a couple of back-to-back romance scenes that rival the Team America one. Some gags – like the villain’s name ‘Cunth’ being repeated – get boring pretty fast. The cast all hit the right buttons with their humour & delivery, and the WWE cameos were pretty sweet, especially the Big Show, who was good game. Val Kilmer (ate all the pies!) plays a Seegal-looking villain, and while he’s alright, he doesn’t seem to care much. The whole retro spoof has been done before but this more watchable because it’s done with conviction – the clichéd dialogue/script in particular was my favourite aspect, executed brilliantly for the most part. The soundtrack’s fairly bland, just song after song but with no real purpose other than just being from the 1980s. While it’s not the most polished or sophisticated film in the world it is funny for the duration, totally quotable and has ‘cult comedy’ written all over it. One of the better comedies so far this year.
Bad Lieutenant: Port of Call – New Orleans. Werner Herzog’s tale of a crooked cop in post-Katrina New Orleans. This is to all intents and purposes a Nic Cage film, and boy is he back on form; overacting an eccentric, pain-ridden dirty cop and tripping on-screen for the full 2 hours… this is the man we fell in love with. The drug use brings a few bizarre and surreal moments ranging from Croc and Iguana close-ups to a breakdancing soul and Cage just talking absolute rubbish. There’s a good amount of very dark humour despite the drugs, murders, prostitution, blackmails and general shenanigans of the worst cop ever. The ending – particularly the scene at the Lieutenant’s desk where everyone visits him – felt like a massive cop-out and could have been so much more. Eva Mendes is good (and hot!), Stiffler‘s mum looks a little worse for wear until the end, Val Kilmer‘s only in about 3 scenes and I can’t see Xzibit without thinking about Pimp My Ride / Yo Dawg Yo. It’s really well shot, doesn’t drag too much and you know it’s well told when no matter how low the Lieutenant stoops, you’re still rooting for him. The amoral protagonist and situations he instigates will probably be the biggest turn-off here, nevertheless it’s a solid detective / drama film.