The Midnight Meat Train (Spoilers): A struggling photographer finds more than just inspiration in late-night New York, as he stumbles across the reason why so many of the city’s people go missing. So, the average human body contains over four liters of blood – unless you’re unlucky enough to be on the Midnight Meat Train, where people have infinite blood. The film is everything that you think a movie called “Midnight Meat Train” would be. It’s a shady story that gets weirder and sillier as the film progresses, finishing with something so ridiculous and over-the-top. The acting’s alright for this type of film (gore, schlock, pure B-movie), but the characters are ridiculous. The lead goes from normal to psychotically obsessed within 2 scenes. My favourite thing about this film is that five years ago, Bradley Cooper was the leading man in a movie where an ogre-king pulls his fiance’s heart out, forces Cooper to eat it, before getting his own tongue ripped out! I don’t know if this could ever have been a good movie, but it’s the kind of film that would have worked a lot better if it was all done in Japan and in Japanese, and not just a J-horror director working in Hollywood, with an American cast.
Starbuck: a middle-aged slacker gets the wake-up call of his life when a lawyer informs him that he has fathered 533 children through a series of sperm donations from 20 years ago. First off, this is one of the few genuinely feel-good, heartwarming, upbeat films I can remember watching – the majority of films in this genre suffer from being far too sickly or cheesy. Director Ken Scott gets the tone absolutely perfect, as it juggles ‘happy viewing’ with enough drama and comedy to keep it interesting and varied. The film looks fantastic for the duration, great use of colour, imagery, locations, that lead to a pop-art, borderline dreamy effect. It’s a ballsy and unique directorial style, but complements the film perfectly. Patrick Huard, as the lead, is a solid screen presence that – no matter what he’s doing – manages to stay entertaining. The film’s kept fairly safe in that it’s never portrayed as creepy that the guy is unknowingly interfering in the kid’s lives, and that ethical / acceptance issues are glossed over, it also gets a little sappy as the ending approaches. The vibe of the film reminds me of ‘Love Me if you Dare‘, both colourful, artistic, upbeat and undeniably French. Starbuck wasn’t much of a hit in the cinemas in the UK, but it is an absolutely top-drawer feel-good comedy film, and a European gem.
Note: naturally, with this being such a good film, Hollywood has decided to give this the Vince Vaughn treatment – renamed ‘The Delivery Man’. I’d love for him to prove me wrong, but I don’t think that Mr Vaughn has anywhere near the amount of charm or magnetism to match Patrick Huard’s performance.